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Wikispaces>xenwolf **Imported revision 139245929 - Original comment: ** |
Wikispaces>Osmiorisbendi **Imported revision 241902762 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2011-07-19 04:36:20 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>241902762</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">A rather strange emerging genre. Some curious composers, wishing to test the [[Ivor Darreg|Darregian]] notion that each [[Equal Temperaments|equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical //Microtonal Etudes// (1980-1), in EDO's 13 through 24, was one of the first such surveys. [[McLaren|Brian McLaren]]'s idiosyncratic //240 Piano Pieces// from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[Warren Burt]]'s //39 Dissonant Etudes// (1992-8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance." | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">A rather strange emerging genre. Some curious composers, wishing to test the [[Ivor Darreg|Darregian]] notion that each [[Equal Temperaments|equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical //Microtonal Etudes// (1980-1), in EDO's 13 through 24, was one of the first such surveys. [[McLaren|Brian McLaren]]'s idiosyncratic //240 Piano Pieces// from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[Warren Burt]]'s //39 Dissonant Etudes// (1992-8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance." | ||
[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 ( | [[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from [[Hans Straub]], who has written such works in [[5EDO|5-]] and [[17EDO|17-EDO]]). | ||
In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].</pre></div> | In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].</pre></div> | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>ET surveys</title></head><body>A rather strange emerging genre. Some curious composers, wishing to test the <a class="wiki_link" href="/Ivor%20Darreg">Darregian</a> notion that each <a class="wiki_link" href="/Equal%20Temperaments">equal temperament</a>, to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical <em>Microtonal Etudes</em> (1980-1), in EDO's 13 through 24, was one of the first such surveys. <a class="wiki_link" href="/McLaren">Brian McLaren</a>'s idiosyncratic <em>240 Piano Pieces</em> from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>'s <em>39 Dissonant Etudes</em> (1992-8) (5/oct to 43/oct) all use the same type of technique to generate &quot;dissonance.&quot;<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>ET surveys</title></head><body>A rather strange emerging genre. Some curious composers, wishing to test the <a class="wiki_link" href="/Ivor%20Darreg">Darregian</a> notion that each <a class="wiki_link" href="/Equal%20Temperaments">equal temperament</a>, to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical <em>Microtonal Etudes</em> (1980-1), in EDO's 13 through 24, was one of the first such surveys. <a class="wiki_link" href="/McLaren">Brian McLaren</a>'s idiosyncratic <em>240 Piano Pieces</em> from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>'s <em>39 Dissonant Etudes</em> (1992-8) (5/oct to 43/oct) all use the same type of technique to generate &quot;dissonance.&quot;<br /> | ||
<br /> | <br /> | ||
<a class="wiki_link" href="/Daniel%20Wolf">Daniel Wolf</a> has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a>'s <em>Moods</em> and <em>Xenharmonic Variations on a Theme by <a class="wiki_link" href="/Mozart">Mozart</a></em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19). <a class="wiki_link" href="/Igliashon%20Jones">Igliashon Jones</a>, under the name &quot;City of the Asleep&quot; on his album <em>Map of an Internal Landscape</em>, wrote pop songs in EDOs 9 through 28 ( | <a class="wiki_link" href="/Daniel%20Wolf">Daniel Wolf</a> has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a>'s <em>Moods</em> and <em>Xenharmonic Variations on a Theme by <a class="wiki_link" href="/Mozart">Mozart</a></em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19). <a class="wiki_link" href="/Igliashon%20Jones">Igliashon Jones</a>, under the name &quot;City of the Asleep&quot; on his album <em>Map of an Internal Landscape</em>, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from <a class="wiki_link" href="/Hans%20Straub">Hans Straub</a>, who has written such works in <a class="wiki_link" href="/5EDO">5-</a> and <a class="wiki_link" href="/17EDO">17-EDO</a>).<br /> | ||
<br /> | <br /> | ||
In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.</body></html></pre></div> | In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.</body></html></pre></div> | ||
Revision as of 04:36, 19 July 2011
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author Osmiorisbendi and made on 2011-07-19 04:36:20 UTC.
- The original revision id was 241902762.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
A rather strange emerging genre. Some curious composers, wishing to test the [[Ivor Darreg|Darregian]] notion that each [[Equal Temperaments|equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical //Microtonal Etudes// (1980-1), in EDO's 13 through 24, was one of the first such surveys. [[McLaren|Brian McLaren]]'s idiosyncratic //240 Piano Pieces// from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[Warren Burt]]'s //39 Dissonant Etudes// (1992-8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance." [[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from [[Hans Straub]], who has written such works in [[5EDO|5-]] and [[17EDO|17-EDO]]). In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].
Original HTML content:
<html><head><title>ET surveys</title></head><body>A rather strange emerging genre. Some curious composers, wishing to test the <a class="wiki_link" href="/Ivor%20Darreg">Darregian</a> notion that each <a class="wiki_link" href="/Equal%20Temperaments">equal temperament</a>, to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical <em>Microtonal Etudes</em> (1980-1), in EDO's 13 through 24, was one of the first such surveys. <a class="wiki_link" href="/McLaren">Brian McLaren</a>'s idiosyncratic <em>240 Piano Pieces</em> from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>'s <em>39 Dissonant Etudes</em> (1992-8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance."<br /> <br /> <a class="wiki_link" href="/Daniel%20Wolf">Daniel Wolf</a> has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a>'s <em>Moods</em> and <em>Xenharmonic Variations on a Theme by <a class="wiki_link" href="/Mozart">Mozart</a></em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19). <a class="wiki_link" href="/Igliashon%20Jones">Igliashon Jones</a>, under the name "City of the Asleep" on his album <em>Map of an Internal Landscape</em>, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from <a class="wiki_link" href="/Hans%20Straub">Hans Straub</a>, who has written such works in <a class="wiki_link" href="/5EDO">5-</a> and <a class="wiki_link" href="/17EDO">17-EDO</a>).<br /> <br /> In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.</body></html>