Equal-step tuning: Difference between revisions
Wikispaces>guest **Imported revision 7676049 - Original comment: ** |
Wikispaces>guest **Imported revision 7728911 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:guest|guest]] and made on <tt>2007-09- | : This revision was by author [[User:guest|guest]] and made on <tt>2007-09-09 20:51:15 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>7728911</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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Daniel Wolf has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. Jacob Barton's //Moods// and //Xenharmonic Variations on a Theme by Mozart// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). Igliashon Jones is currently at work on an album of electronic pop songs in 13-24 (right?) EDOs in which the time signature matches the tuning(!), an idea from Hans Straub, who has written such works in 5- and 17-EDO. | Daniel Wolf has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. Jacob Barton's //Moods// and //Xenharmonic Variations on a Theme by Mozart// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). Igliashon Jones is currently at work on an album of electronic pop songs in 13-24 (right?) EDOs in which the time signature matches the tuning(!), an idea from Hans Straub, who has written such works in 5- and 17-EDO. | ||
In addition to the proper surveys, many individuals have pieces in a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. Ivor Darreg, Marc Jones | In addition to the proper surveys, many individuals have pieces in a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. Ivor Darreg, Marc Jones, Gene Ward Smith, X. J. Scott, Andrew Heathwaite, and Aaron Hunt come to mind, as well as more music by Brian McLaren and Warren Burt. | ||
=[[Polymicrotonality]] with equal temperaments= | =[[Polymicrotonality]] with equal temperaments= | ||
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Daniel Wolf has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. Jacob Barton's <em>Moods</em> and <em>Xenharmonic Variations on a Theme by Mozart</em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19). Igliashon Jones is currently at work on an album of electronic pop songs in 13-24 (right?) EDOs in which the time signature matches the tuning(!), an idea from Hans Straub, who has written such works in 5- and 17-EDO.<br /> | Daniel Wolf has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. Jacob Barton's <em>Moods</em> and <em>Xenharmonic Variations on a Theme by Mozart</em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19). Igliashon Jones is currently at work on an album of electronic pop songs in 13-24 (right?) EDOs in which the time signature matches the tuning(!), an idea from Hans Straub, who has written such works in 5- and 17-EDO.<br /> | ||
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In addition to the proper surveys, many individuals have pieces in a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. Ivor Darreg, Marc Jones | In addition to the proper surveys, many individuals have pieces in a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. Ivor Darreg, Marc Jones, Gene Ward Smith, X. J. Scott, Andrew Heathwaite, and Aaron Hunt come to mind, as well as more music by Brian McLaren and Warren Burt.<br /> | ||
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<!-- ws:start:WikiTextHeadingRule:18:&lt;h1&gt; --><h1 id="toc9"><a name="Polymicrotonality with equal temperaments"></a><!-- ws:end:WikiTextHeadingRule:18 --><a class="wiki_link" href="/Polymicrotonality">Polymicrotonality</a> with equal temperaments</h1> | <!-- ws:start:WikiTextHeadingRule:18:&lt;h1&gt; --><h1 id="toc9"><a name="Polymicrotonality with equal temperaments"></a><!-- ws:end:WikiTextHeadingRule:18 --><a class="wiki_link" href="/Polymicrotonality">Polymicrotonality</a> with equal temperaments</h1> | ||
You are invited to share your experiences with combining equal temperaments with each other and with unequal temperaments.</body></html></pre></div> | You are invited to share your experiences with combining equal temperaments with each other and with unequal temperaments.</body></html></pre></div> | ||