Christopher Bailey: Difference between revisions
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Education | Education | ||
D.M.A., Composition, Columbia University, 2002 | D.M.A., Composition, Columbia University, 2002 | ||
Dissertation Composition: Sand, computer-music with interactive interface | Dissertation Composition: Sand, computer-music with interactive interface | ||
Dissertation Paper: "Aspects of Sand " | Dissertation Paper: "Aspects of Sand " | ||
Committee: Joseph Dubiel, Bradford Garton, Fred Lerdahl | Committee: Joseph Dubiel, Bradford Garton, Fred Lerdahl | ||
Composition Studies with: Fred Lerdahl, Joseph Dubiel, Tristan Murail, Jonathan Kramer, Sebastian Currier | Composition Studies with: Fred Lerdahl, Joseph Dubiel, Tristan Murail, Jonathan Kramer, Sebastian Currier | ||
Computer-Music Studies with: Bradford Garton, Tristan Murail, Thanassis Rikakis | Computer-Music Studies with: Bradford Garton, Tristan Murail, Thanassis Rikakis | ||
Music-Theory Studies with: Joseph Dubiel, Fred Lerdahl, Jonathan Kramer | Music-Theory Studies with: Joseph Dubiel, Fred Lerdahl, Jonathan Kramer | ||
M.A., Composition, Columbia University, 1997 | M.A., Composition, Columbia University, 1997 | ||
B.A., Composition, Eastman School of Music, 1995 | B.A., Composition, Eastman School of Music, 1995 | ||
Composition Studies with: Joseph Schwantner, Robert Morris, Samuel Adler, Warren Benson, Allan Schindler | Composition Studies with: Joseph Schwantner, Robert Morris, Samuel Adler, Warren Benson, Allan Schindler | ||
Computer-Music Studies with: Allan Schindler | Computer-Music Studies with: Allan Schindler | ||
Employment | Employment | ||
Database Architect, Baytaflow Consulting, 2009 – present | Database Architect, Baytaflow Consulting, 2009 – present | ||
Visiting Assistant Professor, Bates College, 2008 – 2009 | Visiting Assistant Professor, Bates College, 2008 – 2009 | ||
Adjunct Assistant Professor, Northeastern University, 2007 – 2008 | Adjunct Assistant Professor, Northeastern University, 2007 – 2008 | ||
Visiting Assistant Professor, College of William and Mary, 2006 – 2007 | Visiting Assistant Professor, College of William and Mary, 2006 – 2007 | ||
Adjunct Assistant Professor, College-Conservatory of Music, University of Cincinnati, 2002 – 2004 | Adjunct Assistant Professor, College-Conservatory of Music, University of Cincinnati, 2002 – 2004 | ||
Mellon Teaching Fellow, Columbia University 1995 – 2002 | Mellon Teaching Fellow, Columbia University 1995 – 2002 | ||
Fellowships and Awards | Fellowships and Awards | ||
Residency, Diapason multi-channel sound gallery, 2010-2011. | Residency, Diapason multi-channel sound gallery, 2010-2011. | ||
Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me, Honorable Mention, Salvatore Martirano Compeition, 2009. | Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me, Honorable Mention, Salvatore Martirano Compeition, 2009. | ||
Artist-In-Residence, I-Park Enclave, 2008. | Artist-In-Residence, I-Park Enclave, 2008. | ||
Balladei, Finalist, Earplay Aird Memorial Composition Competition, 2007. | Balladei, Finalist, Earplay Aird Memorial Composition Competition, 2007. | ||
Artist-In-Residence, Harvestworks, 2007. | Artist-In-Residence, Harvestworks, 2007. | ||
Sand, Finalist, Infinite Composing, SPOR 2007, Aarhus, Denmark, 2007. | Sand, Finalist, Infinite Composing, SPOR 2007, Aarhus, Denmark, 2007. | ||
Timelash, Second Prize, Third Seoul International Competition for Composers, Korea, 2005. | Timelash, Second Prize, Third Seoul International Competition for Composers, Korea, 2005. | ||
Sand, dissertation, awarded with Distinction at Columbia University, 2002. | Sand, dissertation, awarded with Distinction at Columbia University, 2002. | ||
Fellowship awarded for stay at Music/Omi arts colony in Omi, NY, summer 2001. | Fellowship awarded for stay at Music/Omi arts colony in Omi, NY, summer 2001. | ||
Seidel Fellowship in Composition, Columbia University, 1999-2000. | Seidel Fellowship in Composition, Columbia University, 1999-2000. | ||
ASCAP Grant for Young Composers, for Sonata for piano solo, 1998. | ASCAP Grant for Young Composers, for Sonata for piano solo, 1998. | ||
Ow My Head included on the official International Computer Music Association CD, 1997. | Ow My Head included on the official International Computer Music Association CD, 1997. | ||
Bearns Prize, for 6 Songs on Poems of John Monroe, 1996. | Bearns Prize, for 6 Songs on Poems of John Monroe, 1996. | ||
Columbia University’s Rapaport Prize, for 6 Songs on Poems of John Monroe, 1996. | Columbia University’s Rapaport Prize, for 6 Songs on Poems of John Monroe, 1996. | ||
BMI’s Boudleaux Bryant Prize, for Sands, 1994. | BMI’s Boudleaux Bryant Prize, for Sands, 1994. | ||
Mellon Teaching Fellowship, Columbia University, 1995-2002. | Mellon Teaching Fellowship, Columbia University, 1995-2002. | ||
Eastman School of Music’s Bernard Rogers Prize, for Sands, 1994. | Eastman School of Music’s Bernard Rogers Prize, for Sands, 1994. | ||
Commissions | Commissions | ||
Allen Strange award, for new piano & electronics work, 2010. | Allen Strange award, for new piano & electronics work, 2010. | ||
Harvestworks, Harvest Kitchen, 2007. | Harvestworks, Harvest Kitchen, 2007. | ||
Marilyn Nonken, piano, Out Of, 2006. | Marilyn Nonken, piano, Out Of, 2006. | ||
NeXT Ens, for The Quiet Play of Busy Pipes, 2004. | NeXT Ens, for The Quiet Play of Busy Pipes, 2004. | ||
MATA (Music At The Anthology), for a new version of Dein Kuss for 2 voices, piano, khaen, trumpet, and electronics, 2002. | MATA (Music At The Anthology), for a new version of Dein Kuss for 2 voices, piano, khaen, trumpet, and electronics, 2002. | ||
String Orchestra of New York City, and the Luzerne Music Center, for Meditation by the Lake, 2000. | String Orchestra of New York City, and the Luzerne Music Center, for Meditation by the Lake, 2000. | ||
Speculum Musicae, for Enchanted Quaaludes, 1996. | Speculum Musicae, for Enchanted Quaaludes, 1996. | ||
Wallingford, Pennsylvania, Community Arts Center, for Sands, 1994. | Wallingford, Pennsylvania, Community Arts Center, for Sands, 1994. | ||
Discography | Discography | ||
Immolation Ritual, Innova Records #695, October 2010. | Immolation Ritual, Innova Records #695, October 2010. | ||
Radtke, Bach, Berio, Bailey, featuring Arc of Infinity, Konnex Records, 2009. | Radtke, Bach, Berio, Bailey, featuring Arc of Infinity, Konnex Records, 2009. | ||
Sonata/Balladei, Piano Music. 2007. | Sonata/Balladei, Piano Music. 2007. | ||
60X60 2005, compilation of 60 1’ works, including Nanosymph. 2007. | 60X60 2005, compilation of 60 1’ works, including Nanosymph. 2007. | ||
Defiant, second album by the "Electric Music Collective" featuring Ooogaah: Dungeony Specimen Spaceship and Conceptual Study. 2005. | Defiant, second album by the "Electric Music Collective" featuring Ooogaah: Dungeony Specimen Spaceship and Conceptual Study. 2005. | ||
Incandescence, album of works produced by the members of the "Electric Music Collective," featuring Ow, My Head and Duude. 2003. | Incandescence, album of works produced by the members of the "Electric Music Collective," featuring Ow, My Head and Duude. 2003. | ||
Ow My Head, included on the International Computer Music Conference CD. 1997. | Ow My Head, included on the International Computer Music Conference CD. 1997. | ||
Publications | Publications | ||
"An Interface for Flat Music" Organized Sound, Volume 9, #3, December 2004, 243-250. | "An Interface for Flat Music" Organized Sound, Volume 9, #3, December 2004, 243-250. | ||
“Composing Gestures on the Computer: Paradigms and Problems.” Current Musicology 67-68, (2002), 7-29. | “Composing Gestures on the Computer: Paradigms and Problems.” Current Musicology 67-68, (2002), 7-29. | ||
“Review of John McGuire, Electronic Music 1978-1997,” Array (online at | |||
[http://www.computermusic.org/array.php?artid=121 http://www.computermusic.org/array.php?artid=121]) | |||
“Review of Pure Water Construction by Simon H. Fell and Martin Archer,” Diffusion 20 (2001), 40-41. | “Review of Pure Water Construction by Simon H. Fell and Martin Archer,” Diffusion 20 (2001), 40-41. | ||
Presentations | Presentations | ||
“A Databased-based Musique-Concrete Gesture Creation Tool” presented at International | “A Databased-based Musique-Concrete Gesture Creation Tool” presented at International | ||
Computer Music Conference, SUNY Stony Brook, June 2010. | Computer Music Conference, SUNY Stony Brook, June 2010. | ||
“A Databased-based Musique-Concrete Gesture Creation Tool” presented at Harvestworks, New | “A Databased-based Musique-Concrete Gesture Creation Tool” presented at Harvestworks, New | ||
York City, November 2007. | York City, November 2007. | ||
“Virtual Instruments” presented at the University of Minnesota School of Music, Minneapolis, | “Virtual Instruments” presented at the University of Minnesota School of Music, Minneapolis, | ||
MN, March 2006. | MN, March 2006. | ||
“Micromidi converter” presented at the Spark Festival, Minneapolis, MN, February 2005. | “Micromidi converter” presented at the Spark Festival, Minneapolis, MN, February 2005. | ||
“Abstraction 6: An Approach to Just Intonation” presented to composers at New York University, New York, NY, February 2006. | “Abstraction 6: An Approach to Just Intonation” presented to composers at New York University, New York, NY, February 2006. | ||
“Sand and its Interface: A Solution to the Problems of Musical Flat Surfaces” presented at Subtle Technologies, a Symposium on the relationships between art and science, Toronto, May 2004. | “Sand and its Interface: A Solution to the Problems of Musical Flat Surfaces” presented at Subtle Technologies, a Symposium on the relationships between art and science, Toronto, May 2004. | ||
Teaching Experience | Teaching Experience | ||
Visiting Assistant Professor, Bates College, 2008 – 2009: | Visiting Assistant Professor, Bates College, 2008 – 2009: | ||
introduction to composition | introduction to composition | ||
Theory 331 (3rd semester tonal theory) | Theory 331 (3rd semester tonal theory) | ||
Introduction to electroacoustic music | Introduction to electroacoustic music | ||
Theory 332 (20th-century music analysis) | Theory 332 (20th-century music analysis) | ||
Visiting Adjunct Assistant Professor, Northeastern University, 2007 – 2008 : | Visiting Adjunct Assistant Professor, Northeastern University, 2007 – 2008 : | ||
Individual composition lessons | Individual composition lessons | ||
Visiting Assistant Professor, College of William and Mary, 2006 – 2007: | Visiting Assistant Professor, College of William and Mary, 2006 – 2007: | ||
Theory 301 (3rd semester tonal theory), autumn & spring semesters 2006-2007 | Theory 301 (3rd semester tonal theory), autumn & spring semesters 2006-2007 | ||
Theory 401 (20th-century music analysis), spring semester 2007 | Theory 401 (20th-century music analysis), spring semester 2007 | ||
Orchestration, spring semester 2007 | Orchestration, spring semester 2007 | ||
Introduction to Electroacoustic Music, autumn semester 2006 | Introduction to Electroacoustic Music, autumn semester 2006 | ||
Visiting Adjunct Assistant Professor, College-Conservatory of Music, University of Cincinnati, 2002 – 2004: | Visiting Adjunct Assistant Professor, College-Conservatory of Music, University of Cincinnati, 2002 – 2004: | ||
Theory III (20th-century music analysis), winter & spring quarters 2004 | Theory III (20th-century music analysis), winter & spring quarters 2004 | ||
Approaches to Microtonality, spring quarter, 2003 | Approaches to Microtonality, spring quarter, 2003 | ||
Advanced Computer-Music II: Synthesis, winter quarter, 2003 | Advanced Computer-Music II: Synthesis, winter quarter, 2003 | ||
Harmony and Form in Post-Romantic Music, autumn quarter, 2002 & 2003 | Harmony and Form in Post-Romantic Music, autumn quarter, 2002 & 2003 | ||
Individual Composition Lessons, 2002-2003 academic year | Individual Composition Lessons, 2002-2003 academic year | ||
Mellon Teaching Fellow, Columbia University, 1996-2002: | Mellon Teaching Fellow, Columbia University, 1996-2002: | ||
Music Humanities (music literature & history for non-majors), 2001-2002 | Music Humanities (music literature & history for non-majors), 2001-2002 | ||
Undergraduate Composition, assisting John McGuire, spring 2001 | Undergraduate Composition, assisting John McGuire, spring 2001 | ||
Undergraduate Composition, assisting Joseph Dubiel, autumn 2000 | Undergraduate Composition, assisting Joseph Dubiel, autumn 2000 | ||
Introductory Ear Training, autumn 2000 | Introductory Ear Training, autumn 2000 | ||
Computer Music II, assisting Brad Garton, 1999-2000 | Computer Music II, assisting Brad Garton, 1999-2000 | ||
Chromatic Harmony and Counterpoint, assisting Joseph Dubiel, 1998-1999 | Chromatic Harmony and Counterpoint, assisting Joseph Dubiel, 1998-1999 | ||
Basic Electroacoustics, assisting Thanassis Rikakis, 1996-1998 | Basic Electroacoustics, assisting Thanassis Rikakis, 1996-1998 | ||
Other Teaching Qualifications | Other Teaching Qualifications | ||
Composition/Theory: | Composition/Theory: | ||
• courses on 20th-century composers or groups of composers, especially: | |||
2nd Viennese School, Stravinsky, Serialism in Europe and the US, John Cage, Morton Feldman, Minimalism, New Complexity | 2nd Viennese School, Stravinsky, Serialism in Europe and the US, John Cage, Morton Feldman, Minimalism, New Complexity | ||
• approaches to microtonality: Just Intonation, Spectral Techniques, Equal and | |||
Non-Equal Temperaments | Non-Equal Temperaments | ||
Computer-music topics: | Computer-music topics: | ||
• computer-assisted & algorithmic composition | |||
• recording studio techniques | |||
• interfaces & interactivity | |||
• modeling of natural phenomena in music | |||
Related Professional Experience | Related Professional Experience | ||
Co-Director, Collide-O-Scope Multimedia, New York City (and elsewhere), 2010-ongoing. | Co-Director, Collide-O-Scope Multimedia, New York City (and elsewhere), 2010-ongoing. | ||
Co-Director, UnTwelve Microtonal Music Festival, Chicago, IL, 2007-ongoing. | Co-Director, UnTwelve Microtonal Music Festival, Chicago, IL, 2007-ongoing. | ||
Co-Director, Electric Music Collective, 2003-ongoing. | Co-Director, Electric Music Collective, 2003-ongoing. | ||
Producer, Electric Music Collective and University of Minnesota Exchange Festival, at University of Cincinnati, College-Conservatory of Music, April 2004. | Producer, Electric Music Collective and University of Minnesota Exchange Festival, at University of Cincinnati, College-Conservatory of Music, April 2004. | ||
Panelist, Symposium on Experimental Music, SSNOVA, Cincinnati, August 2003. | Panelist, Symposium on Experimental Music, SSNOVA, Cincinnati, August 2003. | ||
Member, Editorial Staff, Organized Sound, spring 2003. | Member, Editorial Staff, Organized Sound, spring 2003. | ||
Director, University of Cincinnati, College-Conservatory of Music, Center for Computer Music, winter-spring 2003. | Director, University of Cincinnati, College-Conservatory of Music, Center for Computer Music, winter-spring 2003. | ||
Producer, Go.Go.Go, CD collection of works composed at the Columbia University Computer Music Center, 2000. | Producer, Go.Go.Go, CD collection of works composed at the Columbia University Computer Music Center, 2000. | ||
Producer, Columbia University Computer Music Center concerts, various venues in New York City, 1998-2002. | Producer, Columbia University Computer Music Center concerts, various venues in New York City, 1998-2002. | ||
Member, Editorial Staff, Current Musicology, 1998-2002. | Member, Editorial Staff, Current Musicology, 1998-2002. | ||
Audio Producer, Columbia University Music Department's Online Sonic Glossary project, 1998-2002. | Audio Producer, Columbia University Music Department's Online Sonic Glossary project, 1998-2002. | ||
Event manager, IRCAM forum '99 in New York, Columbia University, November 1999. | Event manager, IRCAM forum '99 in New York, Columbia University, November 1999. | ||
Director, Columbia Composers, graduate student composers’ performance group. | Director, Columbia Composers, graduate student composers’ performance group. | ||
Member, Senior Faculty Composer Search Committee, Columbia University, spring 1996. | Member, Senior Faculty Composer Search Committee, Columbia University, spring 1996. | ||
Member, International Computer Music Association, 1996-ongoing. | Member, International Computer Music Association, 1996-ongoing. | ||
Summer Instructor, of composition, piano literature, & chamber music coaching, Luzerne Music Center, Lake Luzerne, New York, summers 1993 & 2000. | Summer Instructor, of composition, piano literature, & chamber music coaching, Luzerne Music Center, Lake Luzerne, New York, summers 1993 & 2000. | ||
Dance Collaborations | Dance Collaborations | ||
Terabyte Breakfast: 4 dancers, speaker, sleeper, runner, pianist, live-electronic and acoustic sounds; made in collaboration with Julie Grinfeld, choreographer; performed on the Barnard College Dance Department Showcase, Miller Theatre, Columbia University, autumn 2000. | Terabyte Breakfast: 4 dancers, speaker, sleeper, runner, pianist, live-electronic and acoustic sounds; made in collaboration with Julie Grinfeld, choreographer; performed on the Barnard College Dance Department Showcase, Miller Theatre, Columbia University, autumn 2000. | ||
Ooogaaah: Dungeony Specimen Spaceship choreographed by Julie Grinfeld for the Barnard Dance Festival, winter 2000. | Ooogaaah: Dungeony Specimen Spaceship choreographed by Julie Grinfeld for the Barnard Dance Festival, winter 2000. | ||
3 works: Duude, Ooogaaah: Dungeony Specimen Spaceship, and Minimalism for Meggie, choreographed by Ana Majewska and Julie Grinfeld for the Barnard Dance Festival, spring, 1999. | 3 works: Duude, Ooogaaah: Dungeony Specimen Spaceship, and Minimalism for Meggie, choreographed by Ana Majewska and Julie Grinfeld for the Barnard Dance Festival, spring, 1999. | ||
Summer Festivals | Summer Festivals | ||
I-Park arts colony, East Haddam, Connecticut, August 2008. | I-Park arts colony, East Haddam, Connecticut, August 2008. | ||
Music/Omi arts colony, Omi, New York, summer 2001. | Music/Omi arts colony, Omi, New York, summer 2001. | ||
Saarbrucken Contemporary Music Festival, Saarbrucken, Germany, 1998. | Saarbrucken Contemporary Music Festival, Saarbrucken, Germany, 1998. | ||
Bowdoin Summer Music Festival, Bowdoin, Maine, 1996. | Bowdoin Summer Music Festival, Bowdoin, Maine, 1996. | ||
Computer Applications (music-related) Knowledge | Computer Applications (music-related) Knowledge | ||
Audio Mixing and Production: ProTools, Logic Pro, Digital Performer, Ardour | Audio Mixing and Production: ProTools, Logic Pro, Digital Performer, Ardour | ||
Audio editors: Peak, Audacity, mxv, etc. | Audio editors: Peak, Audacity, mxv, etc. | ||
Final Cut Pro | Final Cut Pro | ||
MAX/MSP, Pd | MAX/MSP, Pd | ||
MusicX: RTCMIX / Csound | MusicX: RTCMIX / Csound | ||
IRCAM-forum applications: AudioSculpt, OpenMusic | IRCAM-forum applications: AudioSculpt, OpenMusic | ||
Metasynth | Metasynth | ||
Notation applications: Finale, Score | Notation applications: Finale, Score | ||
General Computer Languages/software Knowledge | General Computer Languages/software Knowledge | ||
FILEMAKER (Certified Developer) | FILEMAKER (Certified Developer) | ||
HTML/CSS | HTML/CSS | ||
PHP | PHP | ||
SQL | SQL | ||
LISP | LISP | ||
C | C | ||
UNIX / LINUX | UNIX / LINUX | ||
[http://music.columbia.edu/~chris/ http://music.columbia.edu/~chris/] | |||