Carlo Serafini: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:seraph57|seraph57]] and made on <tt>~~2007~~-12-~~18 18~~:01:43 UTC</tt>.<br>

: This revision was by author [[User:seraph57|seraph57]] and made on <tt>2008-11-09 17:37:33 UTC</tt>.<br>

: The original revision id was <tt>~~13668319~~</tt>.<br>

: The original revision id was <tt>45685787</tt>.<br>

: The revision comment was: <tt></tt><br>

: The revision comment was: <tt>a little grammatical mistake</tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"> **What was your path to discovering alternate tunings?**

it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still ~~are~~) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.

it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still am) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.

After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations.

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carlo Serafini</title></head><body> <strong>What was your path to discovering alternate tunings?</strong><br />

<br />

it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still ~~are~~) very impressed by that album. I bought &quot;<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>&quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.<br />

it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still am) very impressed by that album. I bought &quot;<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>&quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.<br />

After much thinking I came up with this title “<em>Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music</em>” and started gathering informations. <br />

<br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:seraph57|seraph57]] and made on <tt>2007-12-18 18:01:43 UTC</tt>.<br>
+: This revision was by author [[User:seraph57|seraph57]] and made on <tt>2008-11-09 17:37:33 UTC</tt>.<br>
-: The original revision id was <tt>13668319</tt>.<br>
+: The original revision id was <tt>45685787</tt>.<br>
-: The revision comment was: <tt></tt><br>
+: The revision comment was: <tt>a little grammatical mistake</tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"> **What was your path to discovering alternate tunings?**
-it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still are) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.
+it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still am) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.
 After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations.
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 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Carlo Serafini&lt;/title&gt;&lt;/head&gt;&lt;body&gt; &lt;strong&gt;What was your path to discovering alternate tunings?&lt;/strong&gt;&lt;br /&gt;
 &lt;br /&gt;
-it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &amp;quot;&lt;em&gt;Beauty in the Beast&lt;/em&gt;&amp;quot; I was (and still are) very impressed by that album. I bought &amp;quot;&lt;em&gt;Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers&lt;/em&gt;&amp;quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.&lt;br /&gt;
+it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &amp;quot;&lt;em&gt;Beauty in the Beast&lt;/em&gt;&amp;quot; I was (and still am) very impressed by that album. I bought &amp;quot;&lt;em&gt;Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers&lt;/em&gt;&amp;quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.&lt;br /&gt;
 After much thinking I came up with this title “&lt;em&gt;Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music&lt;/em&gt;” and started gathering informations. &lt;br /&gt;
 &lt;br /&gt;