Carlo Serafini: Difference between revisions
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Wikispaces>seraph57 **Imported revision 13668319 - Original comment: ** |
Wikispaces>seraph57 **Imported revision 45685787 - Original comment: a little grammatical mistake** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:seraph57|seraph57]] and made on <tt> | : This revision was by author [[User:seraph57|seraph57]] and made on <tt>2008-11-09 17:37:33 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>45685787</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt>a little grammatical mistake</tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"> **What was your path to discovering alternate tunings?** | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"> **What was your path to discovering alternate tunings?** | ||
it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still | it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still am) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy. | ||
After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations. | After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations. | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carlo Serafini</title></head><body> <strong>What was your path to discovering alternate tunings?</strong><br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carlo Serafini</title></head><body> <strong>What was your path to discovering alternate tunings?</strong><br /> | ||
<br /> | <br /> | ||
it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still | it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still am) very impressed by that album. I bought &quot;<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>&quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.<br /> | ||
After much thinking I came up with this title “<em>Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music</em>” and started gathering informations. <br /> | After much thinking I came up with this title “<em>Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music</em>” and started gathering informations. <br /> | ||
<br /> | <br /> | ||
Revision as of 17:37, 9 November 2008
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author seraph57 and made on 2008-11-09 17:37:33 UTC.
- The original revision id was 45685787.
- The revision comment was: a little grammatical mistake
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
**What was your path to discovering alternate tunings?** it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still am) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy. After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations. **What instruments or means have you had/do you have now/do you want for the making of microtonal music?** During the researches for my dissertation I stumbled upon a great piece of software: LMSO by X.J. Scott http://www.nonoctave.com/tuning/LilMissScaleOven/ I bought it and with Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I have read and studied many books, among them: "//The Just Intonation Primer//" by David Doty "//On the Sensations of Tone//" by Hermann Helmholtz and Alexander Ellis and "//Genesis of a Music//" by Harry Partch and searched everything I could find on the internet. My microtonal studies can be heard here: http://www.seraph.it/Detwelvulation.html
Original HTML content:
<html><head><title>Carlo Serafini</title></head><body> <strong>What was your path to discovering alternate tunings?</strong><br /> <br /> it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "<em>Beauty in the Beast</em>" I was (and still am) very impressed by that album. I bought "<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.<br /> After much thinking I came up with this title “<em>Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music</em>” and started gathering informations. <br /> <br /> <strong>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</strong><br /> <br /> During the researches for my dissertation I stumbled upon a great piece of software: LMSO by X.J. Scott <!-- ws:start:WikiTextUrlRule:10:http://www.nonoctave.com/tuning/LilMissScaleOven/ --><a class="wiki_link_ext" href="http://www.nonoctave.com/tuning/LilMissScaleOven/" rel="nofollow">http://www.nonoctave.com/tuning/LilMissScaleOven/</a><!-- ws:end:WikiTextUrlRule:10 --><br /> I bought it and with Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I have read and studied many books, among them: "<em>The Just Intonation Primer</em>" by David Doty "<em>On the Sensations of Tone</em>" by Hermann Helmholtz and Alexander Ellis and "<em>Genesis of a Music</em>" by Harry Partch and searched everything I could find on the internet.<br /> <br /> My microtonal studies can be heard here: <!-- ws:start:WikiTextUrlRule:11:http://www.seraph.it/Detwelvulation.html --><a class="wiki_link_ext" href="http://www.seraph.it/Detwelvulation.html" rel="nofollow">http://www.seraph.it/Detwelvulation.html</a><!-- ws:end:WikiTextUrlRule:11 --></body></html>