11-limit: Difference between revisions
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While the [[7-limit]] introduces subminor and supermajor intervals, which can sound like dramatic inflections of the familiar interval categories of [[12edo]], the 11-limit introduces neutral intervals, [[superfourth]]s and [[subfifth]]s, which fall in between major, minor and perfect [[interval category|interval categories]] and thus demand new distinctions. It is thus inescapably xenharmonic. | While the [[7-limit]] introduces subminor and supermajor intervals, which can sound like dramatic inflections of the familiar interval categories of [[12edo]], the 11-limit introduces neutral intervals, [[superfourth]]s and [[subfifth]]s, which fall in between major, minor and perfect [[interval category|interval categories]] and thus demand new distinctions. It is thus inescapably xenharmonic. | ||
== Edo | == Edo approximations == | ||
A list of [[edo]]s which represent 11-limit intervals with better accuracy: {{EDOs| 22, 27e, 31, 41, 53, 58, 72, 118, 130, 152, 224, 270, 342, 612 }} and so on. | A list of [[edo]]s which represent 11-limit intervals with better accuracy: {{EDOs| 22, 27e, 31, 41, 53, 58, 72, 118, 130, 152, 224, 270, 342, 612 }} and so on. | ||
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{| class="wikitable center-all" | {| class="wikitable center-all" | ||
! Ratio | ! Ratio | ||
! colspan="2" | [[Color name]] | ! colspan="2" | [[Color name|Color Name]] | ||
! | ! Harmonic Solfege | ||
|- | |- | ||
| 12/11 | | 12/11 | ||