Cam Taylor: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:iamcamtaylor|iamcamtaylor]] and made on <tt>~~2014~~-08-~~06 22~~:44:03 UTC</tt>.<br>

: This revision was by author [[User:iamcamtaylor|iamcamtaylor]] and made on <tt>2015-09-30 19:44:49 UTC</tt>.<br>

: The original revision id was <tt>~~517941650~~</tt>.<br>

: The original revision id was <tt>560915297</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand~~, currently living in Kobe, Japan~~.

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.

Focussing mainly on extended meantones and ~~garibaldi~~ temperaments (in EDOs 31, 43, 50, and 41, 53 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards.

Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.

He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.

He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.

He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, ~~as a more conventional alternative~~ to ~~systems such as~~ Sagittal.

He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.

Soundcloud (mainly Axis49 improvisations, along with a few songs):

https://soundcloud.com/camtaylor-1

Line 30:

https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Cam Taylor</title></head><body>Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand~~, currently living in Kobe, Japan~~.<br />

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Cam Taylor</title></head><body>Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.<br />

<br />

Focussing mainly on extended meantones and ~~garibaldi~~ temperaments (in EDOs 31, 43, 50, and 41, 53 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards.<br />

Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.<br />

<br />

He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.<br />

He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.<br />

<br />

He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, ~~as a more conventional alternative~~ to ~~systems such as~~ Sagittal.<br />

He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.<br />

<br />

Soundcloud (mainly Axis49 improvisations, along with a few songs): <br />

Soundcloud (mainly Axis49 improvisations, along with a few songs):<br />

<br />

<a class="wiki_link_ext" href="https://soundcloud.com/camtaylor-1" rel="nofollow">https://soundcloud.com/camtaylor-1</a><br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:iamcamtaylor|iamcamtaylor]] and made on <tt>2014-08-06 22:44:03 UTC</tt>.<br>
+: This revision was by author [[User:iamcamtaylor|iamcamtaylor]] and made on <tt>2015-09-30 19:44:49 UTC</tt>.<br>
-: The original revision id was <tt>517941650</tt>.<br>
+: The original revision id was <tt>560915297</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand, currently living in Kobe, Japan.
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.
-Focussing mainly on extended meantones and garibaldi temperaments (in EDOs 31, 43, 50, and 41, 53 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards.
+Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.
-He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.
+He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.
-He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, as a more conventional alternative to systems such as Sagittal.
+He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.
 Soundcloud (mainly Axis49 improvisations, along with a few songs):
 https://soundcloud.com/camtaylor-1
@@ Line 30: / Line 30: @@
 https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta</pre></div>
 <h4>Original HTML content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Cam Taylor&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand, currently living in Kobe, Japan.&lt;br /&gt;
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Cam Taylor&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.&lt;br /&gt;
 &lt;br /&gt;
-Focussing mainly on extended meantones and garibaldi temperaments (in EDOs 31, 43, 50, and 41, 53 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards.&lt;br /&gt;
+Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.&lt;br /&gt;
 &lt;br /&gt;
-He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.&lt;br /&gt;
+He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.&lt;br /&gt;
 &lt;br /&gt;
-He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, as a more conventional alternative to systems such as Sagittal.&lt;br /&gt;
+He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.&lt;br /&gt;
 &lt;br /&gt;
 &lt;br /&gt;
-Soundcloud (mainly Axis49 improvisations, along with a few songs): &lt;br /&gt;
+Soundcloud (mainly Axis49 improvisations, along with a few songs):&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextUrlRule:22:https://soundcloud.com/camtaylor-1 --&gt;&lt;a class="wiki_link_ext" href="https://soundcloud.com/camtaylor-1" rel="nofollow"&gt;https://soundcloud.com/camtaylor-1&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:22 --&gt;&lt;br /&gt;