Middle-Eastern music: Difference between revisions

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**Imported revision 21693179 - Original comment: **
Wikispaces>hstraub
**Imported revision 29350283 - Original comment: External links**
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2008-04-14 05:56:53 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2008-08-05 04:01:21 UTC</tt>.<br>
: The original revision id was <tt>21693179</tt>.<br>
: The original revision id was <tt>29350283</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt>External links</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
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A system that covers many details to a satisfactorial degree is proposed in [[http://www.ozanyarman.com/misc/Ozan_Yarman_tez.pdf|Ozan Yarman's dissertation]] (also summarized in the mentioned [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper]] ): a 79-tone [[MOSScales|MOS]] subset of [[159edo]]. A short description (quote of a posting on the yahoo tuning list) is also [[79MOS 159edo|here]].
A system that covers many details to a satisfactorial degree is proposed in [[http://www.ozanyarman.com/misc/Ozan_Yarman_tez.pdf|Ozan Yarman's dissertation]] (also summarized in the mentioned [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper]] ): a 79-tone [[MOSScales|MOS]] subset of [[159edo]]. A short description (quote of a posting on the yahoo tuning list) is also [[79MOS 159edo|here]].


For practical purposes (from the point of number of notes), Ozan Yarman proposes [[34edo]] and [[41edo]] as acceptable compromises.</pre></div>
For practical purposes (from the point of number of notes), Ozan Yarman proposes [[34edo]] and [[41edo]] as acceptable compromises.
 
==More external links==
 
===Arabic===
[[http://www.classicalarabicmusic.com/scales.htm|http://www.classicalarabicmusic.com]]
 
===Turkish===
[[http://www.hinesmusic.com/What_Are_Makams.html|Tetrachords and Makams of Turkey]] - another theory site
http://www.turkishmusicportal.org - listening
[[http://www.turkishmusic.org/index.html|http://www.turkishmusic.org]] - listening
 
===Persian===
http://240edo.googlepages.com/persianmusic - a list of links related to persian music, maintained by Shaahin Mohajeri
http://www.turkishmusic.org/index18.html - listening</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Arabic, Turkish, Persian&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The music of the middle-eastern (arabic/turkish/persian) cultural area is one of the important microtonal music traditions (along with the &lt;a class="wiki_link" href="/Indian"&gt;indian&lt;/a&gt; tradition).&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Arabic, Turkish, Persian&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The music of the middle-eastern (arabic/turkish/persian) cultural area is one of the important microtonal music traditions (along with the &lt;a class="wiki_link" href="/Indian"&gt;indian&lt;/a&gt; tradition).&lt;br /&gt;
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A system that covers many details to a satisfactorial degree is proposed in &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/misc/Ozan_Yarman_tez.pdf" rel="nofollow"&gt;Ozan Yarman's dissertation&lt;/a&gt; (also summarized in the mentioned &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow"&gt;paper&lt;/a&gt; ): a 79-tone &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; subset of &lt;a class="wiki_link" href="/159edo"&gt;159edo&lt;/a&gt;. A short description (quote of a posting on the yahoo tuning list) is also &lt;a class="wiki_link" href="/79MOS%20159edo"&gt;here&lt;/a&gt;.&lt;br /&gt;
A system that covers many details to a satisfactorial degree is proposed in &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/misc/Ozan_Yarman_tez.pdf" rel="nofollow"&gt;Ozan Yarman's dissertation&lt;/a&gt; (also summarized in the mentioned &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow"&gt;paper&lt;/a&gt; ): a 79-tone &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; subset of &lt;a class="wiki_link" href="/159edo"&gt;159edo&lt;/a&gt;. A short description (quote of a posting on the yahoo tuning list) is also &lt;a class="wiki_link" href="/79MOS%20159edo"&gt;here&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For practical purposes (from the point of number of notes), Ozan Yarman proposes &lt;a class="wiki_link" href="/34edo"&gt;34edo&lt;/a&gt; and &lt;a class="wiki_link" href="/41edo"&gt;41edo&lt;/a&gt; as acceptable compromises.&lt;/body&gt;&lt;/html&gt;</pre></div>
For practical purposes (from the point of number of notes), Ozan Yarman proposes &lt;a class="wiki_link" href="/34edo"&gt;34edo&lt;/a&gt; and &lt;a class="wiki_link" href="/41edo"&gt;41edo&lt;/a&gt; as acceptable compromises.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-More external links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;More external links&lt;/h2&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc1"&gt;&lt;a name="x-More external links-Arabic"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Arabic&lt;/h3&gt;
&lt;a class="wiki_link_ext" href="http://www.classicalarabicmusic.com/scales.htm" rel="nofollow"&gt;http://www.classicalarabicmusic.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x-More external links-Turkish"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Turkish&lt;/h3&gt;
&lt;a class="wiki_link_ext" href="http://www.hinesmusic.com/What_Are_Makams.html" rel="nofollow"&gt;Tetrachords and Makams of Turkey&lt;/a&gt; - another theory site&lt;br /&gt;
&lt;!-- ws:start:WikiTextUrlRule:45:http://www.turkishmusicportal.org --&gt;&lt;a class="wiki_link_ext" href="http://www.turkishmusicportal.org" rel="nofollow"&gt;http://www.turkishmusicportal.org&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:45 --&gt; - listening&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.turkishmusic.org/index.html" rel="nofollow"&gt;http://www.turkishmusic.org&lt;/a&gt; - listening&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="x-More external links-Persian"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Persian&lt;/h3&gt;
&lt;!-- ws:start:WikiTextUrlRule:46:http://240edo.googlepages.com/persianmusic --&gt;&lt;a class="wiki_link_ext" href="http://240edo.googlepages.com/persianmusic" rel="nofollow"&gt;http://240edo.googlepages.com/persianmusic&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:46 --&gt; - a list of links related to persian music, maintained by Shaahin Mohajeri&lt;br /&gt;
&lt;!-- ws:start:WikiTextUrlRule:47:http://www.turkishmusic.org/index18.html --&gt;&lt;a class="wiki_link_ext" href="http://www.turkishmusic.org/index18.html" rel="nofollow"&gt;http://www.turkishmusic.org/index18.html&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:47 --&gt; - listening&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 04:01, 5 August 2008

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author hstraub and made on 2008-08-05 04:01:21 UTC.
The original revision id was 29350283.
The revision comment was: External links

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

The music of the middle-eastern (arabic/turkish/persian) cultural area is one of the important microtonal music traditions (along with the [[Indian|indian]] tradition).

A central concept is "maqam", which corresponds more or less (but not exactly) to the western "mode". An introduction into maqam theory can be found on [[http://www.maqamworld.com/|http://www.maqamworld.com]].

The use of microtones in middle-eastern music is partly extremely subtle, as is demonstrated in a [[http://shumays.libsyn.com/index.php?post_id=177745|podcast]] by arabic violin player Sami Abu Shumays: by his count, there can be 12 different notes within a half step.

There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in a [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper]] by Ozan Yarman. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). [[24edo]] has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise. Other equal temperaments that have been used are [[53edo]] and [[72edo]]. And even those (apart from getting impractical because of their high number of notes!) do not cover all details.

A system that covers many details to a satisfactorial degree is proposed in [[http://www.ozanyarman.com/misc/Ozan_Yarman_tez.pdf|Ozan Yarman's dissertation]] (also summarized in the mentioned [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper]] ): a 79-tone [[MOSScales|MOS]] subset of [[159edo]]. A short description (quote of a posting on the yahoo tuning list) is also [[79MOS 159edo|here]].

For practical purposes (from the point of number of notes), Ozan Yarman proposes [[34edo]] and [[41edo]] as acceptable compromises.

==More external links== 

===Arabic=== 
[[http://www.classicalarabicmusic.com/scales.htm|http://www.classicalarabicmusic.com]]

===Turkish=== 
[[http://www.hinesmusic.com/What_Are_Makams.html|Tetrachords and Makams of Turkey]] - another theory site
http://www.turkishmusicportal.org - listening
[[http://www.turkishmusic.org/index.html|http://www.turkishmusic.org]] - listening

===Persian=== 
http://240edo.googlepages.com/persianmusic - a list of links related to persian music, maintained by Shaahin Mohajeri
http://www.turkishmusic.org/index18.html - listening

Original HTML content:

<html><head><title>Arabic, Turkish, Persian</title></head><body>The music of the middle-eastern (arabic/turkish/persian) cultural area is one of the important microtonal music traditions (along with the <a class="wiki_link" href="/Indian">indian</a> tradition).<br />
<br />
A central concept is &quot;maqam&quot;, which corresponds more or less (but not exactly) to the western &quot;mode&quot;. An introduction into maqam theory can be found on <a class="wiki_link_ext" href="http://www.maqamworld.com/" rel="nofollow">http://www.maqamworld.com</a>.<br />
<br />
The use of microtones in middle-eastern music is partly extremely subtle, as is demonstrated in a <a class="wiki_link_ext" href="http://shumays.libsyn.com/index.php?post_id=177745" rel="nofollow">podcast</a> by arabic violin player Sami Abu Shumays: by his count, there can be 12 different notes within a half step.<br />
<br />
There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in a <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow">paper</a> by Ozan Yarman. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). <a class="wiki_link" href="/24edo">24edo</a> has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise. Other equal temperaments that have been used are <a class="wiki_link" href="/53edo">53edo</a> and <a class="wiki_link" href="/72edo">72edo</a>. And even those (apart from getting impractical because of their high number of notes!) do not cover all details.<br />
<br />
A system that covers many details to a satisfactorial degree is proposed in <a class="wiki_link_ext" href="http://www.ozanyarman.com/misc/Ozan_Yarman_tez.pdf" rel="nofollow">Ozan Yarman's dissertation</a> (also summarized in the mentioned <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow">paper</a> ): a 79-tone <a class="wiki_link" href="/MOSScales">MOS</a> subset of <a class="wiki_link" href="/159edo">159edo</a>. A short description (quote of a posting on the yahoo tuning list) is also <a class="wiki_link" href="/79MOS%20159edo">here</a>.<br />
<br />
For practical purposes (from the point of number of notes), Ozan Yarman proposes <a class="wiki_link" href="/34edo">34edo</a> and <a class="wiki_link" href="/41edo">41edo</a> as acceptable compromises.<br />
<br />
<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-More external links"></a><!-- ws:end:WikiTextHeadingRule:0 -->More external links</h2>
 <br />
<!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x-More external links-Arabic"></a><!-- ws:end:WikiTextHeadingRule:2 -->Arabic</h3>
 <a class="wiki_link_ext" href="http://www.classicalarabicmusic.com/scales.htm" rel="nofollow">http://www.classicalarabicmusic.com</a><br />
<br />
<!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="x-More external links-Turkish"></a><!-- ws:end:WikiTextHeadingRule:4 -->Turkish</h3>
 <a class="wiki_link_ext" href="http://www.hinesmusic.com/What_Are_Makams.html" rel="nofollow">Tetrachords and Makams of Turkey</a> - another theory site<br />
<!-- ws:start:WikiTextUrlRule:45:http://www.turkishmusicportal.org --><a class="wiki_link_ext" href="http://www.turkishmusicportal.org" rel="nofollow">http://www.turkishmusicportal.org</a><!-- ws:end:WikiTextUrlRule:45 --> - listening<br />
<a class="wiki_link_ext" href="http://www.turkishmusic.org/index.html" rel="nofollow">http://www.turkishmusic.org</a> - listening<br />
<br />
<!-- ws:start:WikiTextHeadingRule:6:&lt;h3&gt; --><h3 id="toc3"><a name="x-More external links-Persian"></a><!-- ws:end:WikiTextHeadingRule:6 -->Persian</h3>
 <!-- ws:start:WikiTextUrlRule:46:http://240edo.googlepages.com/persianmusic --><a class="wiki_link_ext" href="http://240edo.googlepages.com/persianmusic" rel="nofollow">http://240edo.googlepages.com/persianmusic</a><!-- ws:end:WikiTextUrlRule:46 --> - a list of links related to persian music, maintained by Shaahin Mohajeri<br />
<!-- ws:start:WikiTextUrlRule:47:http://www.turkishmusic.org/index18.html --><a class="wiki_link_ext" href="http://www.turkishmusic.org/index18.html" rel="nofollow">http://www.turkishmusic.org/index18.html</a><!-- ws:end:WikiTextUrlRule:47 --> - listening</body></html>