Middle-Eastern music: Difference between revisions
Wikispaces>LudwigVan **Imported revision 38789430 - Original comment: Minor edits to links and keywords** |
Wikispaces>guest **Imported revision 110117651 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:guest|guest]] and made on <tt>2009-12-17 10:56:53 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>110117651</tt>.<br> | ||
: The revision comment was: <tt> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
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There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in a [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper]] by Ozan Yarman. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). [[24edo]] has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise. Other equal temperaments that have been used are [[53edo]] and [[72edo]]. And even those (apart from getting impractical because of their high number of notes!) do not cover all details. | There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in a [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper]] by Ozan Yarman. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). [[24edo]] has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise. Other equal temperaments that have been used are [[53edo]] and [[72edo]]. And even those (apart from getting impractical because of their high number of notes!) do not cover all details. | ||
A system that covers many details to a satisfactorial degree is proposed in [[http://www.ozanyarman.com/ | A system that covers many details to a satisfactorial degree is proposed in [[@http://www.ozanyarman.com/files/Ozan_Yarman_tez.pdf|Ozan Yarman's dissertation]] (also summarized in the mentioned [[http://www.ozanyarman.com/files/34%27ten_79%27a.pdf|paper]] ): a 79-tone [[MOSScales|MOS]] subset of [[159edo]]. A short description (quote of a posting on the yahoo tuning list) is also [[79MOS 159edo|here]]. | ||
For practical purposes (from the point of number of notes), Ozan Yarman proposes [[34edo]] and [[41edo]] as acceptable compromises. | For practical purposes (from the point of number of notes), Ozan Yarman proposes [[34edo]] and [[41edo]] as acceptable compromises. | ||
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There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in a <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow">paper</a> by Ozan Yarman. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). <a class="wiki_link" href="/24edo">24edo</a> has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise. Other equal temperaments that have been used are <a class="wiki_link" href="/53edo">53edo</a> and <a class="wiki_link" href="/72edo">72edo</a>. And even those (apart from getting impractical because of their high number of notes!) do not cover all details.<br /> | There have been various endeavours, also in recent history, to establish a common tuning standard. A few of these are described in a <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow">paper</a> by Ozan Yarman. However, none of these endeavours have been really successful (at least not as successful as 12edo in the western music). <a class="wiki_link" href="/24edo">24edo</a> has found a certain dissemination, especially in the arabic world; but many consider it a bad compromise. Other equal temperaments that have been used are <a class="wiki_link" href="/53edo">53edo</a> and <a class="wiki_link" href="/72edo">72edo</a>. And even those (apart from getting impractical because of their high number of notes!) do not cover all details.<br /> | ||
<br /> | <br /> | ||
A system that covers many details to a satisfactorial degree is proposed in <a class="wiki_link_ext" href="http://www.ozanyarman.com/ | A system that covers many details to a satisfactorial degree is proposed in <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/Ozan_Yarman_tez.pdf" rel="nofollow" target="_blank">Ozan Yarman's dissertation</a> (also summarized in the mentioned <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/34%27ten_79%27a.pdf" rel="nofollow">paper</a> ): a 79-tone <a class="wiki_link" href="/MOSScales">MOS</a> subset of <a class="wiki_link" href="/159edo">159edo</a>. A short description (quote of a posting on the yahoo tuning list) is also <a class="wiki_link" href="/79MOS%20159edo">here</a>.<br /> | ||
<br /> | <br /> | ||
For practical purposes (from the point of number of notes), Ozan Yarman proposes <a class="wiki_link" href="/34edo">34edo</a> and <a class="wiki_link" href="/41edo">41edo</a> as acceptable compromises.<br /> | For practical purposes (from the point of number of notes), Ozan Yarman proposes <a class="wiki_link" href="/34edo">34edo</a> and <a class="wiki_link" href="/41edo">41edo</a> as acceptable compromises.<br /> | ||