Middle-Eastern music: Difference between revisions

Wikispaces>hstraub
**Imported revision 242082805 - Original comment: **
Wikispaces>hstraub
**Imported revision 242083343 - Original comment: **
Line 1: Line 1:
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2011-07-20 07:21:18 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2011-07-20 07:27:30 UTC</tt>.<br>
: The original revision id was <tt>242082805</tt>.<br>
: The original revision id was <tt>242083343</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
Line 27: Line 27:
In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and not to high number of notes. A possible way out of this dilemma are unequal temperaments. They allow to play a number of different maqams with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.
In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and not to high number of notes. A possible way out of this dilemma are unequal temperaments. They allow to play a number of different maqams with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.


[[Ozan Yarman]] has developed a number of such temperaments, e.g. Yarman24 (24 notes), [[http://launch.groups.yahoo.com/group/tuning/message/78631|Yarman29]] (29 notes) and [[http://www.ozanyarman.com/yarman36.html|Yarman36]] (36 notes).
[[Ozan Yarman]] has has developed a number of such temperaments, e.g. Yarman24 (24 notes), [[http://launch.groups.yahoo.com/group/tuning/message/78631|Yarman29]] (29 notes) and [[http://www.ozanyarman.com/yarman36.html|Yarman36]] (36 notes).
All these and more are available in the [[http://www.huygens-fokker.org/scala/downloads.html|scala file archive]].
All these and more are available in the [[http://www.huygens-fokker.org/scala/downloads.html|scala file archive]].


Line 33: Line 33:
[[Bleu17]] (17 notes) - see [[http://launch.groups.yahoo.com/group/tuning/message/100718|discussion on the Yahoo tuning list]]
[[Bleu17]] (17 notes) - see [[http://launch.groups.yahoo.com/group/tuning/message/100718|discussion on the Yahoo tuning list]]
[[http://launch.groups.yahoo.com/group/tuning/message/100839|Turquoise17]] (17 notes)
[[http://launch.groups.yahoo.com/group/tuning/message/100839|Turquoise17]] (17 notes)
See also [[Turkish maqam music temperaments]].


=External links=  
=External links=  
Line 72: Line 74:
In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and not to high number of notes. A possible way out of this dilemma are unequal temperaments. They allow to play a number of different maqams with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.&lt;br /&gt;
In equal temperaments, as seen above, there is always a tradeoff between the diverging requirements of high pitch accuracy and not to high number of notes. A possible way out of this dilemma are unequal temperaments. They allow to play a number of different maqams with comparatively few notes, with, on the other hand, restrictions in the possibilities to modulate.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a class="wiki_link" href="/Ozan%20Yarman"&gt;Ozan Yarman&lt;/a&gt; has developed a number of such temperaments, e.g. Yarman24 (24 notes), &lt;a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/78631" rel="nofollow"&gt;Yarman29&lt;/a&gt; (29 notes) and &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/yarman36.html" rel="nofollow"&gt;Yarman36&lt;/a&gt; (36 notes).&lt;br /&gt;
&lt;a class="wiki_link" href="/Ozan%20Yarman"&gt;Ozan Yarman&lt;/a&gt; has has developed a number of such temperaments, e.g. Yarman24 (24 notes), &lt;a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/78631" rel="nofollow"&gt;Yarman29&lt;/a&gt; (29 notes) and &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/yarman36.html" rel="nofollow"&gt;Yarman36&lt;/a&gt; (36 notes).&lt;br /&gt;
All these and more are available in the &lt;a class="wiki_link_ext" href="http://www.huygens-fokker.org/scala/downloads.html" rel="nofollow"&gt;scala file archive&lt;/a&gt;.&lt;br /&gt;
All these and more are available in the &lt;a class="wiki_link_ext" href="http://www.huygens-fokker.org/scala/downloads.html" rel="nofollow"&gt;scala file archive&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Line 78: Line 80:
&lt;a class="wiki_link" href="/Bleu17"&gt;Bleu17&lt;/a&gt; (17 notes) - see &lt;a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/100718" rel="nofollow"&gt;discussion on the Yahoo tuning list&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/Bleu17"&gt;Bleu17&lt;/a&gt; (17 notes) - see &lt;a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/100718" rel="nofollow"&gt;discussion on the Yahoo tuning list&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/100839" rel="nofollow"&gt;Turquoise17&lt;/a&gt; (17 notes)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://launch.groups.yahoo.com/group/tuning/message/100839" rel="nofollow"&gt;Turquoise17&lt;/a&gt; (17 notes)&lt;br /&gt;
&lt;br /&gt;
See also &lt;a class="wiki_link" href="/Turkish%20maqam%20music%20temperaments"&gt;Turkish maqam music temperaments&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;External links&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;External links&lt;/h1&gt;
Line 89: Line 93:
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc4"&gt;&lt;a name="External links--Turkish"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Turkish&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc4"&gt;&lt;a name="External links--Turkish"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Turkish&lt;/h3&gt;
  &lt;a class="wiki_link_ext" href="http://www.hinesmusic.com/What_Are_Makams.html" rel="nofollow"&gt;Tetrachords and Makams of Turkey&lt;/a&gt; - another theory site&lt;br /&gt;
  &lt;a class="wiki_link_ext" href="http://www.hinesmusic.com/What_Are_Makams.html" rel="nofollow"&gt;Tetrachords and Makams of Turkey&lt;/a&gt; - another theory site&lt;br /&gt;
&lt;!-- ws:start:WikiTextUrlRule:83:http://www.turkishmusicportal.org --&gt;&lt;a class="wiki_link_ext" href="http://www.turkishmusicportal.org" rel="nofollow"&gt;http://www.turkishmusicportal.org&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:83 --&gt; - listening&lt;br /&gt;
&lt;!-- ws:start:WikiTextUrlRule:86:http://www.turkishmusicportal.org --&gt;&lt;a class="wiki_link_ext" href="http://www.turkishmusicportal.org" rel="nofollow"&gt;http://www.turkishmusicportal.org&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:86 --&gt; - listening&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.turkishmusic.org/index.html" rel="nofollow"&gt;http://www.turkishmusic.org&lt;/a&gt; - listening&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.turkishmusic.org/index.html" rel="nofollow"&gt;http://www.turkishmusic.org&lt;/a&gt; - listening&lt;br /&gt;
&lt;!-- ws:start:WikiTextUrlRule:84:http://www.turkishmusic.org/index18.html --&gt;&lt;a class="wiki_link_ext" href="http://www.turkishmusic.org/index18.html" rel="nofollow"&gt;http://www.turkishmusic.org/index18.html&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:84 --&gt; - listening&lt;br /&gt;
&lt;!-- ws:start:WikiTextUrlRule:87:http://www.turkishmusic.org/index18.html --&gt;&lt;a class="wiki_link_ext" href="http://www.turkishmusic.org/index18.html" rel="nofollow"&gt;http://www.turkishmusic.org/index18.html&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:87 --&gt; - listening&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="External links--Persian"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Persian&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="External links--Persian"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Persian&lt;/h3&gt;
  &lt;!-- ws:start:WikiTextUrlRule:85:http://240edo.googlepages.com/persianmusic --&gt;&lt;a class="wiki_link_ext" href="http://240edo.googlepages.com/persianmusic" rel="nofollow"&gt;http://240edo.googlepages.com/persianmusic&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:85 --&gt; - a list of links related to Persian music, maintained by Shaahin Mohajeri&lt;/body&gt;&lt;/html&gt;</pre></div>
  &lt;!-- ws:start:WikiTextUrlRule:88:http://240edo.googlepages.com/persianmusic --&gt;&lt;a class="wiki_link_ext" href="http://240edo.googlepages.com/persianmusic" rel="nofollow"&gt;http://240edo.googlepages.com/persianmusic&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:88 --&gt; - a list of links related to Persian music, maintained by Shaahin Mohajeri&lt;/body&gt;&lt;/html&gt;</pre></div>