7edo: Difference between revisions

Wikispaces>guest
**Imported revision 121497745 - Original comment: **
Wikispaces>guest
**Imported revision 121498043 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:guest|guest]] and made on <tt>2010-02-19 06:01:07 UTC</tt>.<br>
: This revision was by author [[User:guest|guest]] and made on <tt>2010-02-19 06:04:55 UTC</tt>.<br>
: The original revision id was <tt>121497745</tt>.<br>
: The original revision id was <tt>121498043</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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=== ===  
=== ===  
===Music===  
===Music===  
[[http://eceserv0.ece.wisc.edu/%7Esethares/mp3s/pagans.html|Pagan's Revenge]] by Bill Sethares (synthetic gamelan)
[[http://eceserv0.ece.wisc.edu/%7Esethares/mp3s/pagans.html|Pagan's Revenge]] by Bill Sethares (synthetic gamelan)
[[http://www.akjmusic.com/works.html|I dream of Tibet]] by Aaron K. Johnson (electronic swirlies)
[[http://www.akjmusic.com/works.html|I dream of Tibet]] by Aaron K. Johnson (electronic swirlies)
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[[http://www.h-pi.com/midi/7ET.mid|Two-part Invention in 7TET]] by Aaron Hunt (two parts!)
[[http://www.h-pi.com/midi/7ET.mid|Two-part Invention in 7TET]] by Aaron Hunt (two parts!)
[[http://www.uvnitr.cz/flaoyg/flao_yg/pavouci.html|Pavouci]], [[http://www.uvnitr.cz/flaoyg/flao_yg/kelt.html|Kelt]] by Milan Guštar
[[http://www.uvnitr.cz/flaoyg/flao_yg/pavouci.html|Pavouci]], [[http://www.uvnitr.cz/flaoyg/flao_yg/kelt.html|Kelt]] by Milan Guštar
[[http://www.seraph.it/dep/det/7edo%20dance.mp3|7edo Dance]] by Carlo Serafini</pre></div>
[[http://www.seraph.it/dep/det/7edo%20dance.mp3|7edo Dance]] by Carlo Serafini
[[@http://www.ronsword.com/sounds/7edo2.mp3|7-edo Acoustic drone Improvisation I]] by Ron Sword
[[@http://www.ronsword.com/sounds/7edo3.mp3|7-edo Acoustic drone Improvisation II]] by Ron Sword</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;7edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x7 Equal Divisions of the Octave"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;7 Equal Divisions of the Octave&lt;/h1&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;7edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x7 Equal Divisions of the Octave"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;7 Equal Divisions of the Octave&lt;/h1&gt;
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7-tet can be thought of as result of stacking seven 11/9s on top of each other, and then tempering to remove the Pythagorean comma.&lt;br /&gt;
7-tet can be thought of as result of stacking seven 11/9s on top of each other, and then tempering to remove the Pythagorean comma.&lt;br /&gt;
Similarly, in equi-heptatonic systems the desire for harmonic sound may dictate constant adjustments of intonation away from the theoretical interval of 171 cents. One of the most impressive areas in Africa in which a pen-equidistant heptatonic scale is combined with a distinctively harmonic style based on singing in intervals of thirds plus fifths, or thirds plus fourths, is the eastern Angolan culture area. This music is heptatonic and non-modal; i.e., there is no concept of major or minor thirds as distinctive intervals. In principle all the thirds are neutral, but in practice the thirds rendered by the singers often approximate natural major thirds (386 cents), especially at points of rest. In this manner, the principles of equidistance and harmonic euphony are accommodated within one tonal-harmonic system. For the notation of such music, a seven-line stave is most appropriate, with each horizontal line representing one pitch level.&lt;br /&gt;
Similarly, in equi-heptatonic systems the desire for harmonic sound may dictate constant adjustments of intonation away from the theoretical interval of 171 cents. One of the most impressive areas in Africa in which a pen-equidistant heptatonic scale is combined with a distinctively harmonic style based on singing in intervals of thirds plus fifths, or thirds plus fourths, is the eastern Angolan culture area. This music is heptatonic and non-modal; i.e., there is no concept of major or minor thirds as distinctive intervals. In principle all the thirds are neutral, but in practice the thirds rendered by the singers often approximate natural major thirds (386 cents), especially at points of rest. In this manner, the principles of equidistance and harmonic euphony are accommodated within one tonal-harmonic system. For the notation of such music, a seven-line stave is most appropriate, with each horizontal line representing one pitch level.&lt;br /&gt;
&lt;u&gt;&lt;em&gt;(&amp;quot;African music.&amp;quot; Encyclopædia Britannica. 2009. Encyclopædia Britannica Online. 05 Jul. 2009 &amp;lt;&lt;!-- ws:start:WikiTextUrlRule:194:http://www.britannica.com/EBchecked/topic/719112/African-music --&gt;&lt;a class="wiki_link_ext" href="http://www.britannica.com/EBchecked/topic/719112/African-music" rel="nofollow"&gt;http://www.britannica.com/EBchecked/topic/719112/African-music&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:194 --&gt;&amp;gt;.&lt;/em&gt;&lt;/u&gt;)&lt;br /&gt;
&lt;u&gt;&lt;em&gt;(&amp;quot;African music.&amp;quot; Encyclopædia Britannica. 2009. Encyclopædia Britannica Online. 05 Jul. 2009 &amp;lt;&lt;!-- ws:start:WikiTextUrlRule:199:http://www.britannica.com/EBchecked/topic/719112/African-music --&gt;&lt;a class="wiki_link_ext" href="http://www.britannica.com/EBchecked/topic/719112/African-music" rel="nofollow"&gt;http://www.britannica.com/EBchecked/topic/719112/African-music&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:199 --&gt;&amp;gt;.&lt;/em&gt;&lt;/u&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
A Thai xylophone measured by Morton (1974) &amp;quot;varied only plus or minus 5 cents,&amp;quot; from 7-TET. A Ugandan Chopi xylophone measured by Haddon (1952) was also tuned to this system.&lt;br /&gt;
A Thai xylophone measured by Morton (1974) &amp;quot;varied only plus or minus 5 cents,&amp;quot; from 7-TET. A Ugandan Chopi xylophone measured by Haddon (1952) was also tuned to this system.&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc7"&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt; &lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc7"&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt; &lt;/h3&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc8"&gt;&lt;a name="x7 Equal Divisions of the Octave-Melody-Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Music&lt;/h3&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc8"&gt;&lt;a name="x7 Equal Divisions of the Octave-Melody-Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Music&lt;/h3&gt;
  &lt;a class="wiki_link_ext" href="http://eceserv0.ece.wisc.edu/%7Esethares/mp3s/pagans.html" rel="nofollow"&gt;Pagan's Revenge&lt;/a&gt; by Bill Sethares (synthetic gamelan)&lt;br /&gt;
  &lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://eceserv0.ece.wisc.edu/%7Esethares/mp3s/pagans.html" rel="nofollow"&gt;Pagan's Revenge&lt;/a&gt; by Bill Sethares (synthetic gamelan)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/works.html" rel="nofollow"&gt;I dream of Tibet&lt;/a&gt; by Aaron K. Johnson (electronic swirlies)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.akjmusic.com/works.html" rel="nofollow"&gt;I dream of Tibet&lt;/a&gt; by Aaron K. Johnson (electronic swirlies)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.mp3.com.au/album.asp?id=3227" rel="nofollow"&gt;Seven Equal Trio&lt;/a&gt; by Robert Walker ((synth) violin, viola, glockenspiel)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.mp3.com.au/album.asp?id=3227" rel="nofollow"&gt;Seven Equal Trio&lt;/a&gt; by Robert Walker ((synth) violin, viola, glockenspiel)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.h-pi.com/midi/7ET.mid" rel="nofollow"&gt;Two-part Invention in 7TET&lt;/a&gt; by Aaron Hunt (two parts!)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.h-pi.com/midi/7ET.mid" rel="nofollow"&gt;Two-part Invention in 7TET&lt;/a&gt; by Aaron Hunt (two parts!)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.uvnitr.cz/flaoyg/flao_yg/pavouci.html" rel="nofollow"&gt;Pavouci&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://www.uvnitr.cz/flaoyg/flao_yg/kelt.html" rel="nofollow"&gt;Kelt&lt;/a&gt; by Milan Guštar&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.uvnitr.cz/flaoyg/flao_yg/pavouci.html" rel="nofollow"&gt;Pavouci&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://www.uvnitr.cz/flaoyg/flao_yg/kelt.html" rel="nofollow"&gt;Kelt&lt;/a&gt; by Milan Guštar&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.seraph.it/dep/det/7edo%20dance.mp3" rel="nofollow"&gt;7edo Dance&lt;/a&gt; by Carlo Serafini&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;a class="wiki_link_ext" href="http://www.seraph.it/dep/det/7edo%20dance.mp3" rel="nofollow"&gt;7edo Dance&lt;/a&gt; by Carlo Serafini&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.ronsword.com/sounds/7edo2.mp3" rel="nofollow" target="_blank"&gt;7-edo Acoustic drone Improvisation I&lt;/a&gt; by Ron Sword&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.ronsword.com/sounds/7edo3.mp3" rel="nofollow" target="_blank"&gt;7-edo Acoustic drone Improvisation II&lt;/a&gt; by Ron Sword&lt;/body&gt;&lt;/html&gt;</pre></div>