6/5: Difference between revisions
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In [[5-limit]] [[just intonation]], '''6/5''' is the '''just minor third''', '''classic(al) minor third''', or '''ptolemaic minor third'''<ref>For reference, see [[5 | In [[5-limit]] [[just intonation]], '''6/5''' is the '''just minor third''', '''classic(al) minor third''', or '''ptolemaic minor third'''<ref>For reference, see [[5-limit]]. </ref>, measuring about 315.6[[cent|¢]]. It is sharp of the [[Pythagorean]] minor third of [[32/27]] (about 294.1¢) as well as the 300¢ minor third of [[4edo]], [[12edo]] and all other 4n-[[EDO|edos]]. It arises in the [[harmonic series]] between the 5th and 6th harmonics and appears in the [[5-limit]] otonal triad of 4:5:6. A 5-limit minor triad in just intonation can be written 10:12:15, with 6/5 falling between 10 and 12, [[5/4]] falling between 12 and 15, and [[3/2]] falling between 10 and 15. | ||
In higher-limit JI, 6/5 is only one of many minor thirds. A popular one in the [[7-limit]] is [[7/6]] (about 266.9¢), the septimal subminor third, which is [[36/35]] (about 48.8¢) flat of 6/5. Another in the [[13-limit]] is [[13/11]] (about 289.2¢), which is [[66/65]] (about 26.4¢) flat of 6/5. Both of these are more complex intervals than 6/5 and have their own character to them. | In higher-limit JI, 6/5 is only one of many minor thirds. A popular one in the [[7-limit]] is [[7/6]] (about 266.9¢), the septimal subminor third, which is [[36/35]] (about 48.8¢) flat of 6/5. Another in the [[13-limit]] is [[13/11]] (about 289.2¢), which is [[66/65]] (about 26.4¢) flat of 6/5. Both of these are more complex intervals than 6/5 and have their own character to them. | ||
Revision as of 10:32, 15 August 2023
| Interval information |
classic(al) minor third,
ptolemaic minor third
reduced
[sound info]
In 5-limit just intonation, 6/5 is the just minor third, classic(al) minor third, or ptolemaic minor third[1], measuring about 315.6¢. It is sharp of the Pythagorean minor third of 32/27 (about 294.1¢) as well as the 300¢ minor third of 4edo, 12edo and all other 4n-edos. It arises in the harmonic series between the 5th and 6th harmonics and appears in the 5-limit otonal triad of 4:5:6. A 5-limit minor triad in just intonation can be written 10:12:15, with 6/5 falling between 10 and 12, 5/4 falling between 12 and 15, and 3/2 falling between 10 and 15.
In higher-limit JI, 6/5 is only one of many minor thirds. A popular one in the 7-limit is 7/6 (about 266.9¢), the septimal subminor third, which is 36/35 (about 48.8¢) flat of 6/5. Another in the 13-limit is 13/11 (about 289.2¢), which is 66/65 (about 26.4¢) flat of 6/5. Both of these are more complex intervals than 6/5 and have their own character to them.
Approximation by edos
6/5 is very accurately approximated by 19edo (5\19), and hence the enneadecal temperament.
The following edos (up to 200) contain good approximations[2] of the interval 6/5. Errors are given by magnitude, the arrows in the table show if the edo representation is sharp (↑) or flat (↓).
| Edo | deg\edo | Absolute error (¢) |
Relative error (r¢) |
↕ | Equally acceptable multiples [3] |
|---|---|---|---|---|---|
| 15 | 4\15 | 4.3587 | 5.4484 | ↑ | |
| 19 | 5\19 | 0.1482 | 0.2346 | ↑ |
10\38, 15\57, 20\76, 25\95, 30\114, 35\133, 40\152, 45\171, 50\190 |
| 23 | 6\23 | 2.5978 | 4.9791 | ↓ | |
| 34 | 9\34 | 2.0058 | 5.683 | ↑ | |
| 42 | 11\42 | 1.3556 | 4.7445 | ↓ | |
| 53 | 14\53 | 1.3398 | 5.9176 | ↑ | |
| 61 | 16\61 | 0.8872 | 4.5099 | ↓ | |
| 72 | 19\72 | 1.0254 | 6.1523 | ↑ | |
| 80 | 21\80 | 0.6413 | 4.2752 | ↓ | |
| 91 | 24\91 | 0.8422 | 6.3869 | ↑ | |
| 99 | 26\99 | 0.4898 | 4.0406 | ↓ | |
| 110 | 29\110 | 0.7223 | 6.6215 | ↑ | |
| 118 | 31\118 | 0.387 | 3.806 | ↓ | |
| 129 | 34\129 | 0.6378 | 6.8562 | ↑ | |
| 137 | 36\137 | 0.3128 | 3.5714 | ↓ | |
| 156 | 41\156 | 0.2567 | 3.3367 | ↓ | |
| 175 | 46\175 | 0.2127 | 3.1021 | ↓ | |
| 194 | 51\194 | 0.1774 | 2.8675 | ↓ |
See also
- 5/3 – its octave complement
- 5/4 – its fifth complement
- 10/9 – its fourth complement
- Gallery of just intervals
- List of superparticular intervals
- File:Ji-6-5-csound-foscil-220hz.mp3 – another sound example
