8/3: Difference between revisions

Added color and FJS names, misc. edits, categories
Aura (talk | contribs)
Found this out a few weeks ago
 
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{{Infobox Interval
{{Infobox Interval
| Ratio = 8/3
| Monzo = 3 -1
| Cents = 1698.04500
| Name = perfect eleventh
| Name = perfect eleventh
| Color name = w11, wa 11th
| Color name = w11, wa 11th
| FJS name = P11
| Sound = jid_8_3_pluck_adu_dr220.mp3
| Sound = jid_8_3_pluck_adu_dr220.mp3
}}
}}


'''8/3''' is the ratio between the 3rd and 8th [[harmonic]]s; one octave above [[4/3]]. In non-microtonal music, it is often referred to as the '''perfect eleventh'''.
'''8/3''', the '''perfect eleventh''', is the ratio between the 3rd and 8th [[harmonic]]s; one octave above [[4/3]]. See also [[ed8/3]].


[[Category:3-limit]]
== Chord construction ==
[[Category:Pages with internal sound examples]]
Notably, 8/3 can be used as a framework for chords, but the usage of 8/3 as a framework for chords is intimately connected with the use of [[perfect fifth]]s in the same capacity- at least in [[Octave #Octave equivalence|octave-equivalent]] systems- due to the same pitch classes being involved in both 4:5:6 and 3:5:8 where 5 is kept as the same note, thus rendering the two chords as different voicings of the same underlying harmonic unit.
 
[[Category:Tritave-reduced harmonics]]
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