8/3: Difference between revisions
Added color and FJS names, misc. edits, categories |
Found this out a few weeks ago |
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{{Infobox Interval | {{Infobox Interval | ||
| Name = perfect eleventh | | Name = perfect eleventh | ||
| Color name = w11, wa 11th | | Color name = w11, wa 11th | ||
| Sound = jid_8_3_pluck_adu_dr220.mp3 | | Sound = jid_8_3_pluck_adu_dr220.mp3 | ||
}} | }} | ||
'''8/3''' is the ratio between the 3rd and 8th [[harmonic]]s; one octave above [[4/3]]. | '''8/3''', the '''perfect eleventh''', is the ratio between the 3rd and 8th [[harmonic]]s; one octave above [[4/3]]. See also [[ed8/3]]. | ||
[[ | == Chord construction == | ||
[[Category: | Notably, 8/3 can be used as a framework for chords, but the usage of 8/3 as a framework for chords is intimately connected with the use of [[perfect fifth]]s in the same capacity- at least in [[Octave #Octave equivalence|octave-equivalent]] systems- due to the same pitch classes being involved in both 4:5:6 and 3:5:8 where 5 is kept as the same note, thus rendering the two chords as different voicings of the same underlying harmonic unit. | ||
[[Category:Tritave-reduced harmonics]] | |||