User:Sintel/The mathematics of temperaments part 2: Difference between revisions
Created page with " <div class="normal"> <h1>The mathematics of tuning and temperament (part 2)</h1> <p> Previous part </p> <h2>Commas</h2> <p>..." |
No edit summary |
||
| (One intermediate revision by the same user not shown) | |||
| Line 8: | Line 8: | ||
<h2>Commas</h2> | <h2>Commas</h2> | ||
<p> | <p> | ||
With 5-limit, we have reduced the number of dimensions to 3 | With 5-limit, we have reduced the number of dimensions to 3, and coming from infinitely many this is a pretty good result. For most practical purposes this is still too many though. A 3-dimensional keyboard seems hard to play if you can even build one. | ||
</p> | </p> | ||
<p> | <p> | ||
Let's go to rank-2 take a look at the 3-limit (also known as pythagorean tuning) | Let's go even further, to rank-2, and take a look at the 3-limit (also known as pythagorean tuning): the space generated by <math> \left\{ 2,3 \right\} </math>. Even though the major third isn't in this space, it turns out we can get arbitrarily close. Going up 4 perfect fifths, and down 2 octaves, we get the pythagorean third: <math> 2^{-6} \cdot 3^4 = 81/64 </math>. Its size is about 407.8¢, which is fairly close to the just major third at 386.3¢. You can find better ones further out, but let's try to work with this one since <math> 81/64 </math> is a reasonable looking ratio (the next better one is <math> 8192/6561</math> ). | ||
</p> | </p> | ||
<p> | <p> | ||
| Line 93: | Line 93: | ||
</p> | </p> | ||
<p> | <p> | ||
[[User:Sintel/The mathematics of temperaments part | [[User:Sintel/The mathematics of temperaments part 3|Continued in part 3 (WIP)]] | ||
</p> | </p> | ||
</div> | </div> | ||