|
|
| (13 intermediate revisions by 4 users not shown) |
| Line 1: |
Line 1: |
| Various [[22edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
| | #REDIRECT [[22edo chords#Ups and downs notation]] |
| {| class="wikitable"
| |
| |+
| |
| !
| |
| !m3
| |
| !^m3
| |
| !vM3
| |
| !M3
| |
| !P4
| |
| |-
| |
| !triad
| |
| |Cm
| |
| |C^m
| |
| |Cv
| |
| |C
| |
| |C4
| |
| |-
| |
| !vM6
| |
| |Cmv6
| |
| |C^mv6
| |
| |Cv6
| |
| |C,v6
| |
| |C4v6
| |
| |-
| |
| !M6
| |
| |Cm6
| |
| |C^m,6
| |
| |Cv,6
| |
| |C6
| |
| |C4,6
| |
| |-
| |
| !m7
| |
| |Cm7
| |
| |C^m,7
| |
| |Cv,7
| |
| |C7
| |
| |C4,7
| |
| |-
| |
| !^m7
| |
| |Cm^7
| |
| |C^m7
| |
| |Cv^7
| |
| |C,^7
| |
| |C4^7
| |
| |-
| |
| !vM7
| |
| |CmvM7
| |
| |C^mvM7
| |
| |CvM7
| |
| |C,vM7
| |
| |C4vM7
| |
| |-
| |
| !M7
| |
| |CmM7
| |
| |C^mM7
| |
| |Cv,M7
| |
| |CM7
| |
| |C4M7
| |
| |}
| |
| A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.
| |
| | |
| 4:5:6:7 = C vE G Bb is named Cv,7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.
| |
| {| class="wikitable"
| |
| |+
| |
| !chord
| |
| !notes
| |
| ! colspan="2" |ups and downs name
| |
| ! colspan="2" |color name
| |
| |-
| |
| |4:5:6:7
| |
| |C vE G Bb
| |
| |C-down add-7
| |
| |Cv,7
| |
| |C har7
| |
| |Ch7
| |
| |-
| |
| |7/(7:6:5:4)
| |
| |C Eb ^Gb Bb
| |
| |C minor7 upflat-5
| |
| |Cm7(^b5)
| |
| |C sub7
| |
| |Cs7
| |
| |-
| |
| |12/(12:10:8:7)
| |
| |C ^Eb G A
| |
| |C upminor add-6
| |
| |C^m,6
| |
| |C sub6
| |
| |Cs6
| |
| |}
| |
| [[Category:22edo]]
| |