Retuning 12edo to Orwell9: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
The 9-note MOS Orwell[9] may be considered to be a chord, the [[orwell_tetrad|orwell nonad]], so that nothing very disharmonious is likely to arise from any combinations of tones which avoid too many simultaneous semitones. Hence, it is possible to retune a piece in 12edo to Orwell[9] by means of the following scale:
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-10-14 19:51:37 UTC</tt>.<br>
: The original revision id was <tt>264937190</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The 9-note MOS Orwell[9] may be considered to be a chord, the [[orwell tetrad|orwell nonad]], so that nothing very disharmonious is likely to arise from any combinations of tones which avoid too many simultaneous semitones. Hence, it is possible to retune a piece in 12edo to Orwell[9] by means of the following scale:


<pre>
! orwell9-12.scl
! orwell9-12.scl
Twelve notes of Orwell[9], POTE tuning
Twelve notes of Orwell[9], POTE tuning
Line 24: Line 18:
1085.70451
1085.70451
1200.00000
1200.00000
</pre>


Some examples of this process are as follows:
Some examples of this process are as follows:


[[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/k404-orwell9.mp3|Scarlatti K 404]]
* [http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/k404-orwell9.mp3 Scarlatti K 404]
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/reger135b-fantasie-orwell9.mp3|Reger Fantasie Op 135b]]
* [http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/reger135b-fantasie-orwell9.mp3 Reger Fantasie Op 135b]
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/swing-orwell9.mp3|John Williams Swing, Swing, Swing]]
* [http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/swing-orwell9.mp3 John Williams Swing, Swing, Swing]
</pre></div>
 
<h4>Original HTML content:</h4>
[[category:listen]]
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Retuning 12edo to Orwell9&lt;/title&gt;&lt;/head&gt;&lt;body&gt;The 9-note MOS Orwell[9] may be considered to be a chord, the &lt;a class="wiki_link" href="/orwell%20tetrad"&gt;orwell nonad&lt;/a&gt;, so that nothing very disharmonious is likely to arise from any combinations of tones which avoid too many simultaneous semitones. Hence, it is possible to retune a piece in 12edo to Orwell[9] by means of the following scale:&lt;br /&gt;
[[category:retuned]]
&lt;br /&gt;
! orwell9-12.scl&lt;br /&gt;
Twelve notes of Orwell[9], POTE tuning&lt;br /&gt;
12&lt;br /&gt;
!&lt;br /&gt;
157.13063&lt;br /&gt;
157.13063&lt;br /&gt;
271.42613&lt;br /&gt;
428.55676&lt;br /&gt;
542.85225&lt;br /&gt;
542.85225&lt;br /&gt;
699.98289&lt;br /&gt;
814.27838&lt;br /&gt;
971.40901&lt;br /&gt;
971.40901&lt;br /&gt;
1085.70451&lt;br /&gt;
1200.00000&lt;br /&gt;
&lt;br /&gt;
Some examples of this process are as follows:&lt;br /&gt;
&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/k404-orwell9.mp3" rel="nofollow"&gt;Scarlatti K 404&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/reger135b-fantasie-orwell9.mp3" rel="nofollow"&gt;Reger Fantasie Op 135b&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/transformers/swing-orwell9.mp3" rel="nofollow"&gt;John Williams Swing, Swing, Swing&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Latest revision as of 19:01, 8 December 2018

The 9-note MOS Orwell[9] may be considered to be a chord, the orwell nonad, so that nothing very disharmonious is likely to arise from any combinations of tones which avoid too many simultaneous semitones. Hence, it is possible to retune a piece in 12edo to Orwell[9] by means of the following scale:

! orwell9-12.scl
Twelve notes of Orwell[9], POTE tuning
12
!
157.13063
157.13063
271.42613
428.55676
542.85225
542.85225
699.98289
814.27838
971.40901
971.40901
1085.70451
1200.00000

Some examples of this process are as follows: