Scale: Difference between revisions
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Scales are generally treated with a greater focus on melody, while chords are generally treated with a greater focus on harmony. That said, the boundary between the two is fuzzy, and some musicians use the term ''scale-chord'' to refer to a set of pitches that is treated both as a scale and as a chord. | Scales are generally treated with a greater focus on melody, while chords are generally treated with a greater focus on harmony. That said, the boundary between the two is fuzzy, and some musicians use the term ''scale-chord'' to refer to a set of pitches that is treated both as a scale and as a chord. | ||
== Reentrant scales == | |||
A '''reentrant scale''' features at least one '''[[Kite's thoughts on negative intervals|negative step]]''', going backwards relative to the general direction of the scale. Although a reentrant scale is not strictly ascending or descending, its ascending and descending forms are determined by its general direction. | |||
This concept is mostly relevant when applying extreme tunings to abstract scales, causing some steps to have a negative size in order to preserve the abstract scale's usual structure. For example, if you try to generate a [[MOS scale]] with a [[generator]] whose size falls outside of the generator range of all possible MOS patterns with the same given number of notes, you should obtain a negative MOS scale. A 7-tone scale with a 295{{cent}} generator is just outside of the range for [[4L 3s]], and can be interpreted as a 4L 3s scale with 315{{cent}} large steps and -20{{cent}} (negative) small steps. | |||
== See also == | == See also == |