63edo: Difference between revisions

+RTT table and rank-2 temps table
Rank-2 temperaments: 81/80 can't be the associated ratio for 1\63 in Sevond, because 63edo maps 81/80 inconsistently to 2\63; I think 64/63 fits the bill, but better check on that
 
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== Theory ==
== Theory ==
63edo [[tempering out|tempers out]] [[3125/3072]] in the 5-limit and [[225/224]], [[245/243]], and [[875/864]] in the 7-limit, so that it [[support]]s [[magic]] temperament. In the 11-limit it tempers out [[100/99]], supporting 11-limit magic, plus [[385/384]] and [[540/539]], [[896/891]]. In the 13-limit it tempers out [[169/168]], [[275/273]], [[640/637]], [[352/351]], [[364/363]] and [[676/675]]. It provides the [[optimal patent val]] for [[immune]], the {{nowrap| 29 & 34d }} temperament in the 7-, 11- and 13-limit.  
63edo is almost [[consistent]] to the [[15-odd-limit]]; the only inconsistency is that [[10/9]] is mapped to 9\63 (1\7, the same as what [[11/10]] is mapped to consistently) so that it is almost 11{{cent}} out of tune. This corresponds to 63edo exaggerating the syntonic comma, [[81/80]], to two steps, so that it finds a somewhat flat mean-tone between ~10/9 and ~9/8.
 
As an equal temperament, it [[tempering out|tempers out]] [[3125/3072]] in the 5-limit and [[225/224]], [[245/243]], and [[875/864]] in the 7-limit, so that it [[support]]s [[magic]] temperament. In the 11-limit it tempers out [[100/99]], supporting 11-limit magic, plus [[385/384]] and [[540/539]], [[896/891]]. In the 13-limit it tempers out [[169/168]], [[275/273]], [[640/637]], [[352/351]], [[364/363]] and [[676/675]]. It provides the [[optimal patent val]] for [[immune]], the {{nowrap| 29 & 34d }} temperament in the 7-, 11- and 13-limit.  


63 is also a fascinating division to look at in the [[47-limit]]. Although it does not deal as well with primes 5, 17, 19, 37 and 41, it excels in the 2.3.7.11.13.23.29.31.43.47 [[subgroup]], and is a great candidate for a [[gentle]] tuning. Its regular augmented fourth (+6 fifths) is less than 0.3 cents sharp of [[23/16]], therefore tempering out [[736/729]]. Its diesis (+12 fifths) can represent [[33/32]], [[32/31]], [[30/29]], [[29/28]], [[28/27]], as well as [[91/88]], and more, so it is very versatile, making chains of fifths of 12 tones or longer very useful in covering harmonic and melodic ground while providing a lot of different colour in different keys. We can take advantage of the representation of 27:28:29:30:31:32:33, which splits [[11/9]] into six "small dieses" as a result; here it can be seen more clearly why these are not regular quarter-tones so are best distinguished from such with the qualifier "large", as otherwise we would expect to see some flavour of minor third after six of them.  
63 is also a fascinating division to look at in the [[47-limit]]. Although it does not deal as well with primes 5, 17, 19, 37 and 41, it excels in the 2.3.7.11.13.23.29.31.43.47 [[subgroup]], and is a great candidate for a [[gentle]] tuning. Its regular augmented fourth (+6 fifths) is less than 0.3 cents sharp of [[23/16]], therefore tempering out [[736/729]]. Its diesis (+12 fifths) can represent [[33/32]], [[32/31]], [[30/29]], [[29/28]], [[28/27]], as well as [[91/88]], and more, so it is very versatile, making chains of fifths of 12 tones or longer very useful in covering harmonic and melodic ground while providing a lot of different colour in different keys. We can take advantage of the representation of 27:28:29:30:31:32:33, which splits [[11/9]] into six "small dieses" as a result; here it can be seen more clearly why these are not regular quarter-tones so are best distinguished from such with the qualifier "large", as otherwise we would expect to see some flavour of minor third after six of them.  
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| 10
| 10
| 190.5
| 190.5
| [[29/26]], [[39/35]], [[49/44]]
| [[19/17]], [[29/26]], [[39/35]], [[49/44]]
|-
|-
| 11
| 11
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| 53
| 53
| 1009.5
| 1009.5
| [[52/29]], [[70/39]], [[88/49]]
| [[34/19]], [[52/29]], [[70/39]], [[88/49]]
|-
|-
| 54
| 54
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== Notation ==
== Notation ==
=== Ups and downs notation ===
63edo can be notated using [[ups and downs notation|ups and downs]]. Trup is equivalent to quudsharp, trudsharp is equivalent to quup, etc.
{{Sharpness-sharp7a}}
Alternatively, sharps and flats with arrows borrowed from [[Helmholtz–Ellis notation]] can be used:
{{Sharpness-sharp7}}
=== Sagittal notation ===
=== Sagittal notation ===
This notation uses the same sagittal sequence as [[56edo #Sagittal notation|56edo]].
This notation uses the same sagittal sequence as [[56edo #Sagittal notation|56edo]].
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</imagemap>
</imagemap>


=== Ups and downs notation ===
== Approximation to JI ==
Using [[Helmholtz–Ellis]] accidentals, 63edo can be notated using [[ups and downs notation]]:
=== Interval mappings ===
{{Sharpness-sharp7}}
{{Q-odd-limit intervals}}


== Approximation to JI ==
=== Zeta peak index ===
=== Zeta peak index ===
{| class="wikitable center-all"
{{ZPI
|-
| zpi = 321
! colspan="3" | Tuning
| steps = 63.0192885705350
! colspan="3" | Strength
| step size = 19.0417890652143
! colspan="2" | Closest edo
| tempered height = 6.768662
! colspan="2" | Integer limit
| pure height = 6.534208
|-
| integral = 1.049023
! ZPI
| gap = 15.412920
! Steps per octave
| octave = 1199.63271110850
! Step size (cents)
| consistent = 8
! Height
| distinct = 8
! Integral
}}
! Gap
! Edo
! Octave (cents)
! Consistent
! Distinct
|-
| [[321zpi]]
| 63.0192885705350
| 19.0417890652143
| 6.768662
| 1.049023
| 15.412920
| 63edo
| 1199.63271110850
| 8
| 8
|}


== Regular temperament properties ==
== Regular temperament properties ==
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| 26\63<br>(1\63)
| 26\63<br>(1\63)
| 495.24<br>(19.05)
| 495.24<br>(19.05)
| 4/3<br>(81/80)
| 4/3<br>(64/63)
| [[Sevond]]
| [[Sevond]]
|-
|-
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* Timeywimey (original/default tuning): 16 10 7 4 11 5 10
* Timeywimey (original/default tuning): 16 10 7 4 11 5 10
* Sandcastle (original/default tuning): 8 10 8 11 8 8 10
* Sandcastle (original/default tuning): 8 10 8 11 8 8 10
== Instruments ==
* [[Lumatone mapping for 63edo]]
* [[Skip fretting system 63 3 17]]


== Music ==
== Music ==
; [[Bryan Deister]]
* [https://www.youtube.com/shorts/IYLzF4ogl_w ''microtonal improvisation in 63edo''] (2025)
; [[Cam Taylor]]
; [[Cam Taylor]]
* [https://soundcloud.com/cam-taylor-2-1/12tone63edo1 ''Improvisation in 12-tone fifths chain''] (2015)
* [https://soundcloud.com/cam-taylor-2-1/12tone63edo1 ''Improvisation in 12-tone fifths chain''] (2015)