11-odd-limit: Difference between revisions
m Superfourth and subfifth are no longer hyphenated |
DesertFreeze (talk | contribs) Partch did not base his 43-tone scale off of the 11-odd-limit; revision |
||
| (10 intermediate revisions by 5 users not shown) | |||
| Line 1: | Line 1: | ||
{{ | {{Odd-limit navigation|11}} | ||
{{ | {{Odd-limit intro|11}} | ||
* [[1/1]] | * [[1/1]] | ||
* '''[[12/11]], [[11/6]]''' | * '''[[12/11]], [[11/6]]''' | ||
| Line 84: | Line 83: | ||
| greater undecimal neutral seventh | | greater undecimal neutral seventh | ||
|} | |} | ||
The smallest [[equal division of the octave]] which is [[consistent]] in the 11-odd-limit is [[22edo]]. | |||
The one which is distinctly consistent in the same is [[58edo]] (also the smallest EDO to be consistent in the [[17-odd-limit]]). | |||
== Link to Harry Partch == | |||
The 11-odd-limit is significant to [[Harry Partch]]'s instruments and theorization. He built his [[:File:Diamond marimba layout.png|diamond marimba]], (along with many other instruments), off of the [[11-odd-limit]], more specifically, his 11-odd-limit [[tonality diamond]], a concept he pioneered and (primarily) created. | |||
== See also == | == See also == | ||
* [[11-limit]] ([[prime limit]]) | * [[11-limit]] ([[prime limit]]) | ||
* [[diamond11]] – as a scale | |||
[[Category:11-odd-limit| ]] <!-- main article --> | [[Category:11-odd-limit| ]] <!-- main article --> | ||