Cross-set scale: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Created page with "A '''cross-set scale''' is a scale generated by taking the Cartesian product of two or more scales, or of a scale with itself. As reported..."
 
Inthar (talk | contribs)
No edit summary
 
(22 intermediate revisions by 2 users not shown)
Line 1: Line 1:
A '''cross-set scale''' is a [[scale]] generated by taking the [[Wikipedia:Cartesian product|Cartesian product]] of two or more scales, or of a scale with itself.
A '''cross-set scale''' (or simply '''cross-set''') is a [[scale]] produced by taking every ordered pair in the [[Wikipedia:Cartesian product|Cartesian product]] of two scales, or of a scale with itself, and stacking both elements in each ordered pair. Cross-set scales may also be generalized to more than two initial scales.


As reported by [[Nick Vuci]], "the term Cross-Set as applied to scales is apparently the invention of Praveen Venkataramana".
If the second scale is the inverse of the first scale (e.g. ''a'' becomes 1/''a''), the result is a reciprocal cross-set (scale). If additionally the first scale is a sequence of odd harmonics starting from 1, the result is a [[tonality diamond]].


== Examples ==
The term ''cross-set'' goes back to [[Erv Wilson]].<ref name="Narushima 2017">Narushima, T. (2017). Microtonality and the tuning systems of Erv Wilson. Routledge.</ref>
The 4:5:6:7 cross-set scale is generated by multiplying every pair of intervals from the 4:5:6:7 tetrad ([[1/1]] - [[5/4]] - [[3/2]] - [[7/4]]), including an interval with itself, and [[Octave reduction|octave-reducing]] as necessary. It contains 10 distinct pitches out of 16 combinations.
 
== Notation ==
The notation "chord1 by chord2" has been proposed as shorthand in lists or tables. This is borrowed from previous use on the Xen Wiki where the second chord is an interval ([https://en.xen.wiki/w/1-11-13-15_by_4/3_bihexany example]).
 
== Example ==
The 4:5:6:7 cross-set scale is produced by multiplying every pair of intervals from the 4:5:6:7 tetrad ([[1/1]] - [[5/4]] - [[3/2]] - [[7/4]]), including an interval with itself, and [[Octave reduction|octave-reducing]] as necessary. It contains 10 distinct intervals out of 16 combinations.
{| class="wikitable center-all"
{| class="wikitable center-all"
|-
|-
Line 29: Line 34:


The starting scales do not need to be in [[just intonation]]; a cross-set scale could be constructed from any kind of scale.
The starting scales do not need to be in [[just intonation]]; a cross-set scale could be constructed from any kind of scale.
== Theory ==
In mathematical notation, the cross-set of scales ''A'', ''B'', ..., ''Z'' is (note that interval stacking has been written as addition):
<math>\begin{align*}\text{Cross-set}(A, B, ..., Z) &= A + B + \cdots + Z \\ &= \{ a + b + \cdots + z : (a, b, ..., z) \in A \times B \times \cdots \times Z\}.\end{align*}</math>
In combinatorics, this operation is called a [[wikipedia:Sumset|sumset]].
Subtlety: The cross-set of two ''chords'' is properly an unreduced chord, the sumset of two finite subsets of <math>\mathbb{R},</math> whereas the cross-set of two ''scales'' with the same equave is best thought of as the sumset of two finite subsets of <math>\mathbb{R}/(\text{equave})\mathbb{Z}.</math> (While you can theoretically take a cross-set of scales with incommensurable equaves, that requires thinking of the scales as infinite albeit periodically repeating subsets of <math>\mathbb{R}.</math> In fact, the resulting cross-set is dense in <math>\mathbb{R},</math> thus not properly a scale.)


== Music ==
== Music ==
=== 4:5:6:7 cross-set tuning ===
=== 4:5:6:7 cross-set scale ===
; [[Nick Vuci]]
; [[Nick Vuci]]
* [[File:NV-20210528-4567CrossSet-PreludeAndFugue.mp3|Prelude and Fugue]]
* [[:File:NV-20210528-4567CrossSet-PreludeAndFugue.mp3|Prelude and Fugue]]
* [[File:NV-20210523-4567crossSet-jam-synthOne padVKAnalyzer.mp3|Short ambient piece]]
* [[:File:NV-20210523-4567crossSet-jam-synthOne padVKAnalyzer.mp3|Short ambient piece]]
* [[File:NV-20210508-4567CrossSet-SynthOne Garageband.mp3|Improv]]
* [[:File:NV-20210508-4567CrossSet-SynthOne Garageband.mp3|Improv]]


; [[Frédéric Gagné]]
; [[Frédéric Gagné]]
* [https://musescore.com/user/5995996/scores/11287339|''Floating in Outer Space'']
* [https://youtu.be/MkfA_mtfrRQ ''Floating in Outer Space'']


== See also ==
== References ==
* [[Tonality diamond]]
<references />


[[Category:Scale]]
[[Category:Scale]]

Latest revision as of 13:12, 16 April 2026

A cross-set scale (or simply cross-set) is a scale produced by taking every ordered pair in the Cartesian product of two scales, or of a scale with itself, and stacking both elements in each ordered pair. Cross-set scales may also be generalized to more than two initial scales.

If the second scale is the inverse of the first scale (e.g. a becomes 1/a), the result is a reciprocal cross-set (scale). If additionally the first scale is a sequence of odd harmonics starting from 1, the result is a tonality diamond.

The term cross-set goes back to Erv Wilson.[1]

Notation

The notation "chord1 by chord2" has been proposed as shorthand in lists or tables. This is borrowed from previous use on the Xen Wiki where the second chord is an interval (example).

Example

The 4:5:6:7 cross-set scale is produced by multiplying every pair of intervals from the 4:5:6:7 tetrad (1/1 - 5/4 - 3/2 - 7/4), including an interval with itself, and octave-reducing as necessary. It contains 10 distinct intervals out of 16 combinations.

1/1 × 1/1
1/1
5/4 × 1/1
5/4
3/2 × 1/1
3/2
7/4 × 1/1
7/4
1/1 × 5/4
5/4
5/4 × 5/4
25/16
3/2 × 5/4
15/8
7/4 × 5/4
35/32
1/1 × 3/2
3/2
5/4 × 3/2
15/8
3/2 × 3/2
9/8
7/4 × 3/2
21/16
1/1 × 7/4
7/4
5/4 × 7/4
35/32
3/2 × 7/4
21/16
7/4 × 7/4
49/32

The starting scales do not need to be in just intonation; a cross-set scale could be constructed from any kind of scale.

Theory

In mathematical notation, the cross-set of scales A, B, ..., Z is (note that interval stacking has been written as addition):

[math]\displaystyle{ \begin{align*}\text{Cross-set}(A, B, ..., Z) &= A + B + \cdots + Z \\ &= \{ a + b + \cdots + z : (a, b, ..., z) \in A \times B \times \cdots \times Z\}.\end{align*} }[/math]

In combinatorics, this operation is called a sumset.

Subtlety: The cross-set of two chords is properly an unreduced chord, the sumset of two finite subsets of [math]\displaystyle{ \mathbb{R}, }[/math] whereas the cross-set of two scales with the same equave is best thought of as the sumset of two finite subsets of [math]\displaystyle{ \mathbb{R}/(\text{equave})\mathbb{Z}. }[/math] (While you can theoretically take a cross-set of scales with incommensurable equaves, that requires thinking of the scales as infinite albeit periodically repeating subsets of [math]\displaystyle{ \mathbb{R}. }[/math] In fact, the resulting cross-set is dense in [math]\displaystyle{ \mathbb{R}, }[/math] thus not properly a scale.)

Music

4:5:6:7 cross-set scale

Nick Vuci
Frédéric Gagné

References

  1. Narushima, T. (2017). Microtonality and the tuning systems of Erv Wilson. Routledge.