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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
Dr '''Andrew J. Milne''' is Associate Professor of Music Cognition & Computation, School of Humanities and Communication Arts and the MARCS Institute, Western Sydney University, Australia.
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
 
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-08-13 03:19:59 UTC</tt>.<br>
His research includes
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* cross-cultural music cognition
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* cognition of familiar and unfamiliar (microtonal) melody, harmony, and tonality
<h4>Original Wikitext content:</h4>
* cognitive mechanisms and [[Mathematical theory|mathematical]] models related to the perception, performance, and algorithmic generation of [[scale]]s and rhythms
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* developing new musical interfaces in creative, public art, therapeutic, and educational settings (see <nowiki>https://www.dynamictonality.com</nowiki>).
[[http://users.mct.open.ac.uk/ajm2395/Home_Site/Welcome.html]]
 
[[http://www.mcs.open.ac.uk/People/a.j.milne]]
Some of his peer-reviewed articles where microtonality or pitch layouts are a significant component are listed below (articles on other topics such as cross-cultural music cognition, rhythmic structures and their perception, and music for well-being and education, can be accessed from [https://scholar.google.com/citations?user=s-4z35cAAAAJ&hl=en GoogleScholar] and [https://www.researchgate.net/profile/Andrew-Milne-2 ResearchGate]):
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* Milne, A. J. (2024). [https://emusicology.org/index.php/EMR/issue/view/359 Commentary on Buechele, Cooke, & Berezovsky (2024): Entropic models of scales and some extensions]. ''Empirical Musicology Review'', 19(2):144–153.
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Andrew Milne&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;br /&gt;
* Smit, E. A., Milne, A. J., Dean, R. T., and Weidemann, G. (2022). [https://www.researchgate.net/publication/351435104_Evaluative_conditioning_of_responses_to_unfamiliar_chords_by_exposure_to_valenced_images?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Evaluative conditioning of responses to unfamiliar chords by exposure to valenced images]. ''Psychology of Music'', 50(2):579–595.
&lt;a class="wiki_link_ext" href="http://users.mct.open.ac.uk/ajm2395/Home_Site/Welcome.html" rel="nofollow"&gt;http://users.mct.open.ac.uk/ajm2395/Home_Site/Welcome.html&lt;/a&gt;&lt;br /&gt;
* Smit, E. A., Milne, A. J., Dean, R. T., and Weidemann, G. (2022). [https://www.researchgate.net/publication/343919664_Making_the_Unfamiliar_Familiar_The_Effect_of_Exposure_on_Ratings_of_Unfamiliar_Musical_Chords?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Making the unfamiliar familiar: The effect of exposure on ratings of unfamiliar musical chords]. ''Musicae Scientiae'', 26(2):339–363.
&lt;a class="wiki_link_ext" href="http://www.mcs.open.ac.uk/People/a.j.milne" rel="nofollow"&gt;http://www.mcs.open.ac.uk/People/a.j.milne&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
* Smit, E. A., Milne, A. J., Dean, R. T., and Weidemann, G. (2019). [https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0218570 Perception of affect in unfamiliar musical chords]. ''PLOS One'', 14(6):1–28.
* Hearne, G., Milne, A. J., and Dean, R. T. (2019). [https://www.researchgate.net/publication/333700819_Distributional_Analysis_of_n-Dimensional_Feature_Space_for_7-Note_Scales_in_22-TET?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Distributional analysis of ''n''-dimensional feature space for 7-note scales in 22-TET]. In Montiel, M., Gómez-Martín, F., and Agustín-Aquino, O. A., editors, ''Mathematics and Computation in Music'', 7th International Conference, MCM 2019, Madrid, Spain, June 18–21, 2019, pages 201–222, Cham, Switzerland. Springer.
* Stanford, S., Milne, A. J., and MacRitchie, J. (2018). [https://www.researchgate.net/publication/329444492_The_Effect_of_Isomorphic_Pitch_Layouts_on_the_Transfer_of_Musical_Learning?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 The effect of isomorphic pitch layouts on the transfer of musical learning]. ''Applied Sciences'', 8(12):2514.
* Milne, A. J. (2018). [https://www.researchgate.net/publication/322499402_Linking_sonic_aesthetics_with_mathematical_theories?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Linking sonic aesthetics with mathematical theories]. In McLean, A. and Dean, R. T., editors, ''The Oxford Handbook of Algorithmic Music'', pages 155–180. Oxford University Press, New York, NY, US.
* Milne, A. J., Bulger, D., and Herff, S. A. (2017). [https://www.researchgate.net/publication/326426872_Exploring_the_space_of_perfectly_balanced_rhythms_and_scales?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Exploring the space of perfectly balanced rhythms and scales]. ''Journal of Mathematics and Music'', 11(2–3):101–133.
* MacRitchie, J. and Milne, A. J. (2017). [https://www.researchgate.net/publication/321268954_Exploring_the_Effects_of_Pitch_Layout_on_Learning_a_New_Musical_Instrument?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Exploring the effects of pitch layout on learning a new musical instrument]. ''Applied Sciences'', 7(12):1218.
* Milne, A. J. and Holland, S. (2016). [https://www.researchgate.net/publication/301664624_Empirically_testing_Tonnetz_voice-leading_and_spectral_models_of_perceived_triadic_distance?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Empirically testing voice-leading, Tonnetz, and spectral models of perceived triadic distance]. ''Journal of Mathematics and Music'', 10(1):59–85.
* Milne, A. J., Laney, R., and Sharp, D. B. (2016). [https://www.researchgate.net/publication/290061836_Testing_a_Spectral_Model_of_Tonal_Affinity_with_Microtonal_Melodies_and_Inharmonic_Spectra?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Testing a spectral model of tonal affinity with microtonal melodies and inharmonic spectra]. ''Musicae Scientiae'', 20(4):465–494.
* Milne, A. J., Bulger, D., Herff, S. A., and Sethares, W. A. (2015). [https://www.researchgate.net/publication/278683682_Perfect_balance_A_novel_principle_for_the_construction_of_musical_scales_and_meters?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Perfect balance: A novel principle for the construction of musical scales and meters]. In Collins, T., Meredith, D., and Volk, A., editors, ''Mathematics and Computation in Music'', volume 9110 of LNAI, pages 97–108, Berlin. Springer.
* Milne, A. J., Laney, R., and Sharp, D. B. (2015). [https://www.researchgate.net/publication/275025321_A_Spectral_Pitch_Class_Model_of_the_Probe_Tone_Data_and_Scalic_Tonality?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 A spectral pitch class model of the probe tone data and scalic tonality]. ''Music Perception'', 32(4):364–393.
* Prechtl, A., Milne, A. J., Holland, S., Laney, R., and Sharp, D. B. (2012). [https://www.researchgate.net/publication/227858612_A_MIDI_Sequencer_That_Widens_Access_to_the_Compositional_Possibilities_of_Novel_Tunings?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 A MIDI sequencer that widens access to the compositional possibilities of novel tunings]. ''Computer Music Journal'', 36(1):42–54.
* Milne, A. J., Sethares, W. A., Laney, R., and Sharp, D. B. (2011). [https://www.researchgate.net/publication/228091913_Modelling_the_similarity_of_pitch_collections_with_expectation_tensors?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Modelling the similarity of pitch collections with expectation tensors]. ''Journal of Mathematics and Music'', 5(1):1–20.
* Milne, A. J., Carlé, M., Sethares, W. A., Noll, T., and Holland, S. (2011). [https://www.researchgate.net/publication/228525814_Scratching_the_scale_labyrinth?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Scratching the scale labyrinth]. In Agon, C., Amiot, E., Andreatta, M., Assayag, G., Bresson, J., and Mandereau, J., editors, ''Mathematics and Computation in Music'', volume 6726 of LNAI, pages 180–195, Berlin. Springer.
* Milne, A. J., Xambó, A., Laney, R., Sharp, D. B., Prechtl, A., and Holland, S. (2011). [https://www.researchgate.net/publication/215646463_Hex_Player-a_virtual_musical_controller?_sg%5B0%5D=FiHum0p5tqofjK6RCALKiuEEl4azSFsz460bxHSNpWJZu-aftu42De7W9BKt4Y5Rkk8ikwjtHALy3Q2E-r3R-vATiV2ciSAglBvDbk-V.ReZi_vNwppM3Xc1uUePemXelW32wH5nJkXgLRYQdGRvCeu3gmKhhPINT8QWYZag9tx_xzF31Y0R-rlfgP4ZePw&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Hex player—a virtual musical controller]. In Jensenius, A. R. and Godøy, R. I., editors, ''Proceedings of the 2011 International Conference on New Interfaces for Musical Expression (NIME11)'', pages 244–247, Oslo, Norway.
* Sethares, W. A., Milne, A. J., Tiedje, S., Prechtl, A., and Plamondon, J. (2009). [https://www.researchgate.net/publication/228091843_Spectral_Tools_for_Dynamic_Tonality_and_Audio_Morphing?_sg%5B0%5D=JrzgbzBVAmCXS5RvsSYPr6fTu6UvpYVMXEQkGZDk91DVr5tjWPp1-92e9BLrAzYUnxa0Sil2t_kHtnN92hb4ERBPTnEWflUHq04Cnqq6.s930uUvOFI_X8CJjpIPehP1d2f5B4I0dU_WmlHvcwmgYFjW7eeWtZk7c7CYJdKLHyjh_GQoveVWIiLry07hoqA&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Spectral tools for Dynamic Tonality and audio morphing]. ''Computer Music Journal'', 33(2):71–84.
* Milne, A. J., Sethares, W. A., and Plamondon, J. (2008). [https://www.researchgate.net/publication/228091827_Tuning_continua_and_keyboard_layouts?_sg%5B0%5D=JrzgbzBVAmCXS5RvsSYPr6fTu6UvpYVMXEQkGZDk91DVr5tjWPp1-92e9BLrAzYUnxa0Sil2t_kHtnN92hb4ERBPTnEWflUHq04Cnqq6.s930uUvOFI_X8CJjpIPehP1d2f5B4I0dU_WmlHvcwmgYFjW7eeWtZk7c7CYJdKLHyjh_GQoveVWIiLry07hoqA&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Tuning continua and keyboard layouts]. ''Journal of Mathematics and Music'', 2(1):1–19.
* Milne, A. J., Sethares, W. A., and Plamondon, J. (2007). [https://www.researchgate.net/publication/228091824_Isomorphic_Controllers_and_Dynamic_Tuning_Invariant_Fingering_over_a_Tuning_Continuum?_sg%5B0%5D=JrzgbzBVAmCXS5RvsSYPr6fTu6UvpYVMXEQkGZDk91DVr5tjWPp1-92e9BLrAzYUnxa0Sil2t_kHtnN92hb4ERBPTnEWflUHq04Cnqq6.s930uUvOFI_X8CJjpIPehP1d2f5B4I0dU_WmlHvcwmgYFjW7eeWtZk7c7CYJdKLHyjh_GQoveVWIiLry07hoqA&_tp=eyJjb250ZXh0Ijp7ImZpcnN0UGFnZSI6InByb2ZpbGUiLCJwYWdlIjoicHJvZmlsZSIsInBvc2l0aW9uIjoicGFnZUNvbnRlbnQifX0 Isomorphic controllers and Dynamic Tuning: Invariant fingering over a tuning continuum]. ''Computer Music Journal'', 31(4):15–32.
 
== External links ==
* [https://soundcloud.com/andrew-j-milne/sets/microtonal?si=e92d6614eb9849a2b1c338fae6003c32&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing Microtonal compositions on SoundCloud]
* [https://scholar.google.com/citations?user=s-4z35cAAAAJ&hl=en ‪Andrew J. Milne‬ &#45; ‪Google Scholar‬]
* [https://www.researchgate.net/profile/Andrew-Milne-2 ResearchGate Profile]
* [https://researchers.westernsydney.edu.au/en/persons/andrew-milne Western Sydney University Profile]
* [https://www.dynamictonality.com/ Dynamic Tonality]
 
{{DEFAULTSORT:Milne, Andrew}}
[[Category:People]]
[[Category:Composers]]
[[Category:Theorists]]
Retrieved from "https://en.xen.wiki/w/Andrew_Milne"