34edo: Difference between revisions
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{{Infobox ET}} | {{Infobox ET}} | ||
{{ | {{ED intro}} | ||
{{Wikipedia| 34 equal temperament }} | {{Wikipedia| 34 equal temperament }} | ||
== Theory == | == Theory == | ||
34edo contains two [[17edo]]'s and the half-octave tritone of 600 | 34edo contains two [[17edo]]'s and the half-octave tritone of 600{{c}}. It excels in approximating harmonics 3, 5, 13, 17, and 23 (2.3.5.13.17.23 [[subgroup]] a.k.a. the no-7's no-11's no-19's 23-limit), with tuning even more accurate than [[31edo]] in the 5-limit, but with a sharp tendency and fifth rather than a flat one, and ''not'' tempering out [[81/80]] unlike 31edo. Its primes 7 and 11 are less accurate, but still usable (with the 34d val for prime 7) with a sharp tendency, in fact mapping all [[15-odd-limit]] intervals consistently except for 7/4 and 8/7 in the 34d val. | ||
34edo's significance in regards to JI approximation comes from making many simple and natural equivalences between JI intervals. For example, a key characteristic of 34edo is that it splits the standard whole tone of [[9/8]] into six parts, such that three chromatic semitones of [[25/24]] or two diatonic semitones of [[16/15]] result in 9/8. Additionally, if you stack a five-step [[10/9]] interval four times, you reach the perfect fifth [[3/2]], supporting [[tetracot]]. This also means that the perfect fifth is mapped to 20 steps. Given that and the fact that the major third [[5/4]] is mapped to 11 steps, one can see that 34edo takes advantage of a natural logarithmic approximation of 5/4 as a portion of 3/2, or equivalently [[6/5]] as a portion of 5/4, resulting in [[gammic temperament]]. It also has the thirds from 17edo: "neogothic" minor and major thirds of about 282 and 424{{c}}, and a neutral third of 353{{c}}. For [[extraclassical tonality]], a tendo third of 459{{c}} and an arto third of 247{{c}} are also available, approximating 13/10 and 15/13 respectively. | |||
34edo supports the [[diatonic scale]], both the simpler 5L 2s [[Moment-of-symmetry scale|moment-of-symmetry]] form and a more complex [[nicetone]] scale representing the [[zarlino]] diatonic. This can be extended into a 12-note chromatic scale of [[10L 2s]] by stacking the two different varieties of semitones, with an intuitive non-MOS form appearing at LLsLLLLLLsLL (created by first subdividing 34edo into the standard [[pentic]] scale and then splitting that into further smaller steps). | |||
[[Stephen Weigel]] recommends [https://youtu.be/NWLbdwFeYrk in this video] the use of 34edo to notate [[Music of Georgia|Georgian music]]. | |||
=== Odd harmonics === | === Odd harmonics === | ||
{{Harmonics in equal|34|intervals=odd}} | {{Harmonics in equal|34|intervals=odd|columns=12}} | ||
== Intervals == | == Intervals == | ||
{{Todo|cleanup|comment=split interval table}} | |||
{| class="wikitable center-all right-2 left-3 left-4 left-5" | {| class="wikitable center-all right-2 left-3 left-4 left-5" | ||
|- | |- | ||
! | ! | ||
! Cents | ! Cents | ||
! Approx. | ! Approx. ratios<ref group="note">{{sg|limit=2.3.5.11.13.17.23 [[subgroup]]}}</ref> | ||
! Ratios of 7<br>Using the 34 Val | ! Ratios of 7<br />Using the 34 Val | ||
! Ratios of 7<br>Using the 34d Val | ! Ratios of 7<br />Using the 34d Val | ||
! colspan="3" | [[Ups and | ! colspan="3" | [[Ups and downs notation]] | ||
([[Enharmonic unisons in ups and downs notation|EUs]]: v<sup>4</sup>A1 and ^^d2) | |||
! colspan="2" | [[Solfege|Solfeges]] | ! colspan="2" | [[Solfege|Solfeges]] | ||
|- | |- | ||
| Line 39: | Line 47: | ||
| 1 | | 1 | ||
| 35.294 | | 35.294 | ||
| [[81/80]], [[128/125]], [[51/50]] | | [[81/80]], [[128/125]], [[40/39]], [[45/44]],<br>[[51/50]], [[52/51]], [[55/54]], [[65/64]] | ||
| [[28/27]], [[64/63]] | | [[28/27]], [[64/63]] | ||
| [[36/35]] | | [[36/35]] | ||
| Line 50: | Line 58: | ||
| 2 | | 2 | ||
| 70.588 | | 70.588 | ||
| [[ | | [[23/22]], [[24/23]], [[25/24]], [[26/25]],<br>[[27/26]], [[648/625]], [[33/32]] | ||
| [[21/20]], [[36/35]], [[50/49]] | | [[21/20]], [[36/35]], [[50/49]] | ||
| [[28/27]], [[49/48]] | | [[28/27]], [[49/48]] | ||
| Line 65: | Line 73: | ||
| [[15/14]], [[21/20]] | | [[15/14]], [[21/20]] | ||
| vA1, ^m2 | | vA1, ^m2 | ||
| downaug 1sn, | | downaug 1sn, upminor 2nd | ||
| vD#, ^Eb | | vD#, ^Eb | ||
| fru | | fru | ||
| Line 109: | Line 117: | ||
| | | | ||
| ^M2, vm3 | | ^M2, vm3 | ||
| upmajor 2nd, | | upmajor 2nd, downminor 3rd | ||
| ^E, vF | | ^E, vF | ||
| ru/no | | ru/no | ||
| Line 329: | Line 337: | ||
| | | | ||
| ^M6, vm7 | | ^M6, vm7 | ||
| upmajor 6th, <br>downminor 7th | | upmajor 6th,<br />downminor 7th | ||
| ^B, vC | | ^B, vC | ||
| lu/tho | | lu/tho | ||
| Line 380: | Line 388: | ||
| 32 | | 32 | ||
| 1129.412 | | 1129.412 | ||
| [[48/25]], [[25/13]], [[23/12 | | [[48/25]], [[25/13]], [[23/12]], [[64/33]] | ||
| [[40/21]], [[35/18]], [[49/25]] | | [[40/21]], [[35/18]], [[49/25]] | ||
| [[27/14]], [[96/49]] | | [[27/14]], [[96/49]] | ||
| Line 411: | Line 419: | ||
| do | | do | ||
|} | |} | ||
<references group="note" /> | |||
Chords can be named using ups and downs as C upminor, D downmajor seven, etc. See [[Ups and downs notation #Chord names in other EDOs]]. | |||
== Notation == | |||
=== Stein–Zimmermann–Gould notation === | |||
[[Stein–Zimmermann–Gould notation]] uses sharps and flats combined with quartertone accidentals and arrows: | |||
{{Sharpness-sharp4-szg}} | |||
=== Kite's ups and downs notation === | |||
34edo can also be notated with [[Kite's ups and downs notation|Kite's ups and downs]], spoken as up, dup, downsharp, sharp, upsharp etc. and down, dud, upflat etc. Note that dup is equivalent to dudsharp and dud is equivalent to dupflat. | |||
{{Ups and downs sharpness}} | |||
=== Sagittal notation === | |||
This notation uses the same sagittal sequence as [[41edo #Sagittal notation|41edo]], and is a superset of the notation for [[17edo #Sagittal notation|17edo]]. | |||
==== Evo flavor ==== | |||
<imagemap> | |||
File:34-EDO_Evo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 431 0 591 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 120 106 [[81/80]] | |||
rect 120 80 240 106 [[33/32]] | |||
default [[File:34-EDO_Evo_Sagittal.svg]] | |||
</imagemap> | |||
==== Revo flavor ==== | |||
<imagemap> | |||
File:34-EDO_Revo_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 423 0 583 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 120 106 [[81/80]] | |||
rect 120 80 240 106 [[33/32]] | |||
default [[File:34-EDO_Revo_Sagittal.svg]] | |||
</imagemap> | |||
==== Evo-SZ flavor ==== | |||
<imagemap> | |||
File:34-EDO_Evo-SZ_Sagittal.svg | |||
desc none | |||
rect 80 0 300 50 [[Sagittal_notation]] | |||
rect 423 0 583 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation] | |||
rect 20 80 120 106 [[81/80]] | |||
rect 120 80 240 106 [[33/32]] | |||
default [[File:34-EDO_Evo-SZ_Sagittal.svg]] | |||
</imagemap> | |||
== | === Kosmorsky's thoughts === | ||
The chain of fifths gives you the seven naturals, and their sharps and flats. The sharp or flat of a note is (what is commonly called) a neutral second away – the double-sharp means a minor third away from the natural. This has led certain "complainers", in seeking to notate 17 edo, to create an extra character to raise something a small step of which. To render this symbol philosophically harmonious with 34 tone equal temperament, a symbol indicating an adjustment of 1/34 up or down serves the purpose by using two of it, doubled laterally or vertically as composer. This however emphasizes certain aspects of 34edo which ''may not be most efficient expressions of some musical purposes.'' Users can construct their own notation to the needs of the music and performer. As an example, a system with 15 "nominals" like A, B, C … F, instead of seven, might be waste – of paper, or space, or memory if they aren't used consecutively frequently. The system spelled out here has familiarity as an advantage and disadvantage. The spacing of the nominals and lines is the same. Dense chords of certain types would be very impossible to notate. Finally, the table uses ^ and v for "up" and "down", but these might be reserved for adjustments of 1/68th of an octave, being hollow, and filled in triangles are recommended. | |||
== Approximation to JI == | |||
[[File:34ed2.svg|250px|thumb|right|alt=alt : Your browser has no SVG support.|Selected 19-limit intervals approximated in 34edo]] | |||
Like [[17edo]], 34edo contains good approximations of just intervals involving 3, 11, and 13 – specifically, 13/8, 13/12, 13/11, 13/9, 11/9 and their inversions – while failing to closely approximate ratios of 7 given its step size. 34edo adds ratios of 5 into the mix – including 5/4, 6/5, 9/5, 15/8, 13/10, 15/13, and their inversions – as well as 17 – including 17/16, 18/17, 17/12, 17/11, 17/10, 17/13, 17/15 and their inversions. Since it distinguishes between 9/8 and 10/9 (exaggerating the difference between them, the [[syntonic comma]] of 81/80, from 21.5{{c}} to 35.3{{c}}), it is suitable for quasi-5-limit JI but is not a [[meantone]] system. While no number of fifths (3/2) land on major or minor thirds, an even number of major or minor thirds will be the same pitch as a pitch somewhere in the circle of seventeen fifths. | |||
The sharpening of ~13{{c}} of 11/8 can fit with the 9/8 and 13/8 which both are about 7 cents sharp. This is the basis of a subtle trick: the guitarist tunes the high 'E' string flat by several cents, enough to be imperceptible in many contexts, but which makes chords/harmonies against those several intervals tuned more justly. | |||
Likewise the 16{{c}} flat 27\34 approximate 7/4 can be musically useful especially in [[kleismic]] or [[4L 3s]] contexts (with generator a 9\34 minor third). On the other hand, the slightly worse and sharper 7/4, 28\34, sounds more like the "dominant seventh" found in blues and jazz – which some listeners are accustomed to. ([[68edo]] contains a copy of 34edo and has the intervals 7/4 and 11/8 tuned nearly just.) | |||
{{ | === Interval mappings === | ||
{{ | {{Q-odd-limit intervals|34}} | ||
{{Q-odd-limit intervals|34.1|apx=val|header=none|tag=none|title=15-odd-limit intervals by 34d val mapping}} | |||
Of particular interest is the fact that the 34d val allows all 15-odd-limit intervals to be mapped consistently except for 7/4 and 8/7. | |||
== Tuning by ear == | == Tuning by ear == | ||
In principle, one can approximate 34edo by ear using only 5-limit intervals, using the fact that 17edo is very close to a circle of seventeen [[25/24]] chromatic semitones to within 1.5 | In principle, one can approximate 34edo by ear using only 5-limit intervals, using the fact that 17edo is very close to a circle of seventeen [[25/24]] chromatic semitones to within 1.5{{c}}, and using a pure 5/4 which is less than 2{{c}} off for the second chain. The overall tuning error, assuming everything is tuned perfectly, will be less than 3.5{{c}}, or a relative error of less than 10%. | ||
== Approximation to | == Approximation to irrational intervals == | ||
As a Fibonacci number, 34edo contains a fraction of an octave which is a close approximation to the [[logarithmic phi]] – 21 degrees of 34edo, approximately 741.2 | As a Fibonacci number, 34edo contains a fraction of an octave which is a close approximation to the [[logarithmic phi]] – 21 degrees of 34edo, approximately 741.2{{c}}. Repeated iterations of this interval generates [[moment of symmetry]] scales with near-phi relationships between the step sizes. As a 2.3.5.13 temperament, the 21\34 generator is an approximate 20/13, and the temperament tempers out 512/507 and {{monzo| -6 2 6 0 0 -13 }}. From the tempering of 512/507, two 16/13 neutral thirds are an approximate 3/2, defining an essentially tempered neutral triad with a sharp rather than a flat fifth. (On the other hand, the frequency ratio phi is ~ 833{{c}}, and the equal divisions of octave approximating this interval closely are 13edo and [[36edo]].) | ||
=== Counterpoint === | |||
34edo has such an excellent [[sqrt(25/24)]] that the next edo to have a better one is [[441edo|441]]. Every sequence of intervals available in [[17edo]] is reachable by {{W|Contrary motion|strict contrary motion}} in 34edo. | |||
== Regular temperament properties == | == Regular temperament properties == | ||
{| class="wikitable center-4 center-5 center-6" | {| class="wikitable center-4 center-5 center-6" | ||
|- | |||
! rowspan="2" | [[Subgroup]] | ! rowspan="2" | [[Subgroup]] | ||
! rowspan="2" | [[Comma list | ! rowspan="2" | [[Comma list]] | ||
! rowspan="2" | [[Mapping]] | ! rowspan="2" | [[Mapping]] | ||
! rowspan="2" | Optimal<br>8ve | ! rowspan="2" | Optimal<br />8ve stretch (¢) | ||
! colspan="2" | Tuning | ! colspan="2" | Tuning error | ||
|- | |- | ||
! [[TE error|Absolute]] (¢) | ! [[TE error|Absolute]] (¢) | ||
| Line 447: | Line 509: | ||
| 2048/2025, 15625/15552 | | 2048/2025, 15625/15552 | ||
| {{mapping| 34 54 79 }} | | {{mapping| 34 54 79 }} | ||
| | | −1.10 | ||
| 1.03 | | 1.03 | ||
| 2.92 | | 2.92 | ||
| Line 454: | Line 516: | ||
| 50/49, 64/63, 4375/4374 | | 50/49, 64/63, 4375/4374 | ||
| {{mapping| 34 54 79 96 }} (34d) | | {{mapping| 34 54 79 96 }} (34d) | ||
| | | −2.56 | ||
| 2.66 | | 2.66 | ||
| 7.57 | | 7.57 | ||
| Line 461: | Line 523: | ||
| 50/49, 64/63, 99/98, 243/242 | | 50/49, 64/63, 99/98, 243/242 | ||
| {{mapping| 34 54 79 96 118 }} (34d) | | {{mapping| 34 54 79 96 118 }} (34d) | ||
| | | −2.82 | ||
| 2.44 | | 2.44 | ||
| 6.93 | | 6.93 | ||
| Line 468: | Line 530: | ||
| 50/49, 64/63, 78/77, 99/98, 144/143 | | 50/49, 64/63, 78/77, 99/98, 144/143 | ||
| {{mapping| 34 54 79 96 118 126 }} (34d) | | {{mapping| 34 54 79 96 118 126 }} (34d) | ||
| | | −2.64 | ||
| 2.26 | | 2.26 | ||
| 6.42 | | 6.42 | ||
| Line 475: | Line 537: | ||
| 50/49, 64/63, 78/77, 85/84, 99/98, 144/143 | | 50/49, 64/63, 78/77, 85/84, 99/98, 144/143 | ||
| {{mapping| 34 54 79 96 118 126 139 }} (34d) | | {{mapping| 34 54 79 96 118 126 139 }} (34d) | ||
| | | −2.30 | ||
| 2.26 | | 2.26 | ||
| 6.41 | | 6.41 | ||
|} | |} | ||
In the 5-limit, 34edo [[support]]s [[hanson]], [[srutal]], [[tetracot]], [[würschmidt]] and [[vishnu]] temperaments. It does less well in the [[7-limit]], with two mappings possible for [[7/4]]: a flat one from the [[patent val]], and a sharp one from the 34d val. By way of the patent val 34 supports [[keemun]] temperament, and 34d is an excellent alternative to [[22edo]] for 7-limit [[pajara]] temperament. In the [[11-limit]] | In the 5-limit, 34edo [[support]]s [[hanson]], [[srutal]], [[tetracot]], [[würschmidt]], and [[vishnu]] temperaments. It does less well in the [[7-limit]], with two mappings possible for [[7/4]]: a flat one from the [[patent val]], and a sharp one from the 34d val. By way of the patent val 34 supports [[keemun]] temperament, and 34d is an excellent alternative to [[22edo]] for 7-limit [[pajara]] temperament. In the [[11-limit]], the 34d val supports pajara, vishnu and würschmidt, adding 4375/4374 to the commas of pajara. Among subgroup temperaments, the patent val supports [[semaphore]] on the 2.3.7 subgroup. | ||
=== Uniform maps === | |||
{{Uniform map|edo=34}} | |||
=== Rank-2 temperaments === | === Rank-2 temperaments === | ||
| Line 487: | Line 552: | ||
{| class="wikitable" | {| class="wikitable" | ||
|+Rank-2 temperaments by period and generator | |+ style="font-size: 105%;" | Rank-2 temperaments by period and generator | ||
|- | |- | ||
! Periods<br>per 8ve | ! Periods<br />per 8ve | ||
! Generator | ! Generator | ||
! Cents | ! Cents | ||
| Line 495: | Line 560: | ||
! Temperaments | ! Temperaments | ||
|- | |- | ||
| 1 | | rowspan="8" style="text-align: center;" | 1 | ||
| 1\34 | | 1\34 | ||
| 35.294 | | 35.294 | ||
| Line 501: | Line 566: | ||
| [[Gammic]] | | [[Gammic]] | ||
|- | |- | ||
| 3\34 | | 3\34 | ||
| 105.88 | | 105.88 | ||
| [[11L 1s]]<br /> [[11L 12s]] | | [[11L 1s]]<br />[[11L 12s]] | ||
| | | | ||
|- | |- | ||
| 5\34 | | 5\34 | ||
| 176.471 | | 176.471 | ||
| [[6L 1s]]<br /> [[7L 6s]] <br /> [[7L 13s]] | | [[6L 1s]]<br />[[7L 6s]]<br />[[7L 13s]] | ||
| [[Tetracot]] | | [[Tetracot]], [[bunya]] (34d), [[modus]] (34d), [[monkey]] (34), [[wollemia]] (34) | ||
|- | |- | ||
| 7\34 | | 7\34 | ||
| 247.059 | | 247.059 | ||
| [[5L 4s]] <br /> [[5L 9s]] <br /> [[5L 14s]] <br /> [[5L 19s]] | | [[5L 4s]]<br />[[5L 9s]]<br />[[5L 14s]]<br />[[5L 19s]] | ||
| [[Immunity]] (34) | | [[Immunity]] (34), [[immunized]] (34d) | ||
|- | |- | ||
| 9\34 | | 9\34 | ||
| 317.647 | | 317.647 | ||
| [[4L 3s]]<br /> [[4L 7s]]<br /> [[4L 11s]]<br /> [[15L 4s]] | | [[4L 3s]]<br />[[4L 7s]]<br />[[4L 11s]]<br />[[15L 4s]] | ||
| [[Hanson]] | | [[Hanson]], [[keemun]] (34), [[catalan]] (34d), [[catakleismic]] (34d) | ||
|- | |- | ||
| 11\34 | | 11\34 | ||
| 388.235 | | 388.235 | ||
| [[3L 7s]]<br /> [[3L 10s]]<br /> [[3L 13s]]<br /> [[3L 16s]]<br /> [[3L 19s]] <br />[[3L 22s]]<br /> | | [[3L 7s]]<br />[[3L 10s]]<br />[[3L 13s]]<br />[[3L 16s]]<br />[[3L 19s]]<br />[[3L 22s]]<br /> | ||
| [[Würschmidt]] (34d) | | [[Würschmidt]] (34d), [[worschmidt]] (34) | ||
|- | |- | ||
| 13\34 | | 13\34 | ||
| 458.824 | | 458.824 | ||
| [[3L 2s]]<br /> [[5L 3s]]<br /> [[8L 5s]]<br /> [[13L 8s]] | | [[3L 2s]]<br />[[5L 3s]]<br />[[8L 5s]]<br />[[13L 8s]] | ||
| [[Petrtri]] | | [[Petrtri]], [[Goldis]] | ||
|- | |- | ||
| 15\34 | | 15\34 | ||
| 529.412 | | 529.412 | ||
| [[2L 3s]]<br /> [[2L 5s]]<br /> [[7L 2s]]<br /> [[9L 7s]] | | [[2L 3s]]<br />[[2L 5s]]<br />[[7L 2s]]<br />[[9L 7s]] | ||
| [[Mabila]] | | [[Mabila]] | ||
|- | |- | ||
| 2 | | rowspan="8" style="text-align: center;" | 2 | ||
| 2\34 | | 2\34 | ||
| 70.588 | | 70.588 | ||
| [[16L 2s]] | | [[16L 2s]] | ||
| [[Vishnu]] | | [[Vishnu]] | ||
|- | |- | ||
| 3\34 | | 3\34 | ||
| 105.882 | | 105.882 | ||
| [[2L 6s]]<br />[[2L 8s]]<br /> [[10L 2s]]<br /> [[12L 10s]] | | [[2L 6s]]<br />[[2L 8s]]<br />[[10L 2s]]<br />[[12L 10s]] | ||
| [[Srutal]] (34d) | | [[Srutal]] (34d), [[pajara]] (34d), [[diaschismic]] (34) | ||
|- | |- | ||
| 4\34 | | 4\34 | ||
| 141.176 | | 141.176 | ||
| [[2L 6s]]<br /> [[8L 2s]]<br /> [[8L 10s]] | | [[2L 6s]]<br />[[8L 2s]]<br />[[8L 10s]] | ||
| [[Fifive]] | | [[Fifive]], [[crepuscular]] (34d), [[fifives]] (34) | ||
|- | |- | ||
| 5\34 | | 5\34 | ||
| 176.471 | | 176.471 | ||
| [[6L 2s]]<br /> [[6L 8s]]<br /> [[14L 6s]] | | [[6L 2s]]<br />[[6L 8s]]<br />[[14L 6s]] | ||
| [[Stratosphere]] | | [[Stratosphere]] | ||
|- | |- | ||
| 6\34 | | 6\34 | ||
| 211.765 | | 211.765 | ||
| [[4L 2s]] <br /> [[6L 4s]] <br /> [[6L 10s]] <br /> [[6L 16s]] | | [[4L 2s]]<br />[[6L 4s]]<br />[[6L 10s]]<br />[[6L 16s]] | ||
| [[Antikythera]] | | [[Antikythera]] | ||
|- | |- | ||
| 7\34 | | 7\34 | ||
| 247.059 | | 247.059 | ||
| [[4L 2s]] <br /> [[4L 6s]] <br /> [[10L 4s | | [[4L 2s]]<br />[[4L 6s]]<br />[[10L 4s]] | ||
| [[ | | [[Tobago]] | ||
|- | |- | ||
| 8\34 | | 8\34 | ||
| 282.353 | | 282.353 | ||
| [[2L 2s]] <br /> [[4L 2s]] <br /> [[4L 6s]] <br /> [[4L 10s]] <br /> [[4L 14s]] | | [[2L 2s]]<br />[[4L 2s]]<br />[[4L 6s]]<br />[[4L 10s]]<br />[[4L 14s]] | ||
| [[Bikleismic]] | | [[Bikleismic]] | ||
|} | |} | ||
=== Commas === | === Commas === | ||
34et [[tempering out|tempers out]] the following [[comma]]s. This assumes the [[patent val]] {{val| 34 54 79 95 118 126 }}. | |||
{| class="commatable wikitable center-all left-3 right-4 left-6" | {| class="commatable wikitable center-all left-3 right-4 left-6" | ||
|- | |- | ||
! [[Harmonic limit|Prime<br> | ! [[Harmonic limit|Prime<br />limit]] | ||
! [[Ratio]]<ref> | ! [[Ratio]]<ref group="note">{{rd}}</ref> | ||
! [[Monzo]] | ! [[Monzo]] | ||
! [[Cents]] | ! [[Cents]] | ||
| Line 599: | Line 651: | ||
|- | |- | ||
| 3 | | 3 | ||
| | | <abbr title="134217728/129140163">(18 digits)</abbr> | ||
| {{monzo| 27 -17 }} | | {{monzo| 27 -17 }} | ||
| 66.765 | | 66.765 | ||
| Line 620: | Line 672: | ||
|- | |- | ||
| 5 | | 5 | ||
| | | <abbr title="393216/390625">(12 digits)</abbr> | ||
| {{monzo| 17 1 -8 }} | | {{monzo| 17 1 -8 }} | ||
| 11.445 | | 11.445 | ||
| Line 634: | Line 686: | ||
|- | |- | ||
| 5 | | 5 | ||
| | | <abbr title="6115295232/6103515625">(20 digits)</abbr> | ||
| {{monzo| 23 6 -14 }} | | {{monzo| 23 6 -14 }} | ||
| 3.338 | | 3.338 | ||
| Line 652: | Line 704: | ||
| 35.697 | | 35.697 | ||
| Zozo | | Zozo | ||
| | | Semaphoresma, slendro diesis | ||
|- | |- | ||
| 7 | | 7 | ||
| Line 696: | Line 748: | ||
| Superleap | | Superleap | ||
|} | |} | ||
<references /> | <references group="note" /> | ||
== Octave stretch or compression == | |||
34edo's [[prime]]s 3, 5, 11 and 13 are all tuned sharp, and it has two about equally bad mappings of 7, so 34edo can benefit from [[octave shrinking]]. Some compressed-octave 34edo tunings (least to most compressed) include [[ed5|79ed5]], [[ed12|122ed12]], [[ed6|88ed6]], [[zpi|144zpi]] or [[54edt]]. | |||
== Scales == | |||
=== MOS scales === | |||
{{main|List of MOS scales in 34edo}} | |||
* [[Antikythera]][6]: 6 5 6 6 5 6 | |||
* Antikythera[16]: 1 4 1 1 4 1 4 1 1 4 1 1 4 1 4 1 | |||
* [[Diaschismic]][8]: 3 8 3 3 3 8 3 3 | |||
* Diaschismic[10]: 3 3 5 3 3 3 3 5 3 3 | |||
* Diaschismic[12]: 3 3 2 3 3 3 3 3 2 3 3 3 | |||
* Diaschismic[22]: 2 1 2 1 2 1 2 1 2 1 2 2 1 2 1 2 1 2 1 2 1 2 | |||
* [[Hanson]][7]: 2 7 2 7 2 7 7 | |||
* Hanson[11]: 2 5 2 2 5 2 2 5 2 5 2 | |||
* Hanson[15]: 2 3 2 2 2 3 2 2 2 3 2 2 2 3 2 | |||
* Hanson[19]: 2 2 1 2 2 2 2 1 2 2 2 1 2 2 2 2 1 2 2 | |||
* [[Tetracot]][7]: 5 5 5 5 5 5 4 | |||
* Tetracot[13]: 4 1 4 1 4 1 4 1 4 1 4 1 4 | |||
* [[Tobago]][6]: 3 7 7 3 7 7 | |||
* Tobago[10]: 3 4 3 4 3 3 4 3 4 3 | |||
* Tobago[14]: 3 1 3 3 3 1 3 3 1 3 3 3 1 3 | |||
* Tobago[24]: 1 2 1 2 1 1 2 1 2 1 2 1 1 2 1 2 1 1 2 1 2 1 2 1 | |||
=== Ternary scales === | |||
* [[Blackdye]] (5:3:1) | |||
* [[Diachrome]] (5:2:1) | |||
* [[Cthon5m]] (4:2:1) | |||
== | === Combination product sets === | ||
=== | * [[1-3-5-9 hexany]]: 6 5 9 5 6 3 | ||
* Rotated [[1-3-5-11 hexany]]: 5 4 7 4 5 9 | |||
* Rotated [[1-3-5-13 hexany]]: 9 4 7 4 9 1 | |||
* Rotated [[1-5-9-11 hexany]]: 5 5 13 5 5 1 | |||
* Rotated [[1-5-9-13 hexany]]: 5 6 7 6 5 5 | |||
* [[1-5-9-15 hexany]]: 6 3 2 3 6 16 | |||
* Rotated [[1-5-11-13 hexany]]: 3 8 5 5 5 8 | |||
* Rotated [[1-9-11-13 hexany]]: 9 1 10 6 2 6 | |||
* [[3-5-9-11 hexany]]: 5 15 5 4 1 4 | |||
* Rotated [[3-5-9-13 hexany]]: 7 9 4 1 4 9 | |||
* [[3-5-11-13 hexany]]: 4 1 4 4 27 4 | |||
* [[3-5-15-19 hexany]]: 8 3 9 3 8 3 | |||
* Rotated [[3-5-15-27 hexany]]: 6 8 6 5 4 5 | |||
=== Others === | |||
* Patent rotated [[5afdo]]: 6 5 9 7 7 | |||
* 34d rotated [[5afdo]]: 6 5 9 8 6 | |||
* [[6afdo]]: 8 6 6 5 5 4 | |||
== | == Instruments == | ||
=== Lumatone === | |||
* [[Lumatone mapping for 34edo]] | |||
=== Skip fretting === | |||
* [[Skip fretting system 34 2 9]] | |||
* [[Skip fretting system 34 2 11]] | |||
== Music == | == Music == | ||
=== Modern renderings === | |||
; {{W|Johann Sebastian Bach}} | |||
* [https://www.youtube.com/watch?v=Mni0bsUVgHk "Ricercar a 6" from ''The Musical Offering'', BWV 1079] (1747) – with syntonic-comma adjustment, rendered by Claudi Meneghin (2025) | |||
; {{W|Frederick Chopin}} | |||
* [https://www.youtube.com/shorts/641q8UQRkc8 ''Prelude op. 28 no. 7 in A major''] (1836) – rendered by Claudi Meneghin (2025) | |||
; {{W|Scott Joplin}} | |||
* ''Maple Leaf Rag'' (1899) – rendered by Claudi Meneghin ([https://www.youtube.com/watch?v=CwMem5p1R6Y 2024], [https://www.youtube.com/shorts/yMsZIxNp_FY 2025]) | |||
; {{W|Marco Uccellini}} | |||
* [https://www.youtube.com/watch?v=AOPOHIOgqhQ ''Aria Sopra La Bergamasca''] – arranged for Organ and rendered by Claudi Meneghin (2024) | |||
=== 21st century === | |||
; [[bili_33093783396]] | |||
* [https://www.bilibili.com/video/BV1CggPztEEi/ ''A Show of Tetracot Modulation''] (2025) | |||
; [[Flora Canou]] | ; [[Flora Canou]] | ||
* [https://soundcloud.com/floracanou/october-dieting-plan?in=floracanou/sets/totmc-suite | * [https://soundcloud.com/floracanou/october-dieting-plan?in=floracanou/sets/totmc-suite "October Dieting Plan"] from [https://soundcloud.com/floracanou/sets/totmc-suite ''TOTMC Suite''] (2023–2025) – in [[modus]], 34edo tuning | ||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/uVZ6tJ1y6ak ''34edo improv''] (2025) | |||
* [https://www.youtube.com/shorts/Azk7a2bAwOo ''In My Room - Julia Wolf (microtonal cover in 34edo)''] (2026) | |||
* [https://www.youtube.com/shorts/PDANHoJhs3I ''34edo groove''] (2026) | |||
* [https://www.youtube.com/watch?v=CY4IlT1UEFs ''groove 34edo''] (2026) | |||
; [[E8 Heterotic]] | ; [[E8 Heterotic]] | ||
| Line 720: | Line 842: | ||
; [[Francium]] | ; [[Francium]] | ||
* "Travel To Stay" from ''Mysteries'' (2023) – [https://open.spotify.com/track/2S2UlMKNNL5yB3280KpgvK Spotify] | [https://francium223.bandcamp.com/track/travel-to-stay Bandcamp] | [https://www.youtube.com/watch?v=fDkW1SnMcdw YouTube] | * "Travel To Stay" from ''Mysteries'' (2023) – [https://open.spotify.com/track/2S2UlMKNNL5yB3280KpgvK Spotify] | [https://francium223.bandcamp.com/track/travel-to-stay Bandcamp] | [https://www.youtube.com/watch?v=fDkW1SnMcdw YouTube] | ||
* "Locksmiths" from ''The Decatonic Album'' (2024) – [https://open.spotify.com/track/2Hzun107B8bxcZaMOClN6T Spotify] | [https://francium223.bandcamp.com/track/locksmiths Bandcamp] | [https://www.youtube.com/watch?v=pQLbtF0Obhc YouTube] | |||
* [https://www.youtube.com/watch?v=HG0kJBHjuZ4 ''Plane Sonatina No. 2''] (2025) | |||
* [https://www.youtube.com/watch?v=ZrjbxQbdVw4 ''cucumber service''] (2025) | |||
; [[Adam Freese]] | ; [[Adam Freese]] | ||
| Line 741: | Line 866: | ||
; [[Robin Perry]] | ; [[Robin Perry]] | ||
* [https://www.youtube.com/watch?v=FXTM0HeuExk ''Uncomfortable In Crowds'' (extended)] (2013) | * [https://www.youtube.com/watch?v=FXTM0HeuExk ''Uncomfortable In Crowds'' (extended)] (2013) | ||
; [[Phanomium]] | |||
* [https://www.youtube.com/watch?v=-Q_flRRyGvI ''dreamwalking''] (2025) | |||
; [[Tapeworm Saga]] | |||
* [https://www.youtube.com/watch?v=BhgxwP9_cSw ''A 3/4 piece in 34edo on 12/31/23''] (2023) | |||
; [[Shanyuan Baihe-Yuri]] (杉原百合-Yuri) | |||
* [https://www.bilibili.com/video/BV1CK411b72L/ ''Lost Memories -1#''] (2023) | |||
* [https://www.bilibili.com/video/BV1Dw411h7Af/ ''Hold a Memorial Ceremony for Myself''] (2023) | |||
; [[Sintel]] | |||
* [https://www.youtube.com/watch?v=hM7p_VVyeQ0 ''Diversion in 34edo''] (2021) – [https://www.youtube.com/watch?v=yTG0z4Znimw transcription by Stephen Weigel] | |||
; [[Cam Taylor]] | |||
* [https://www.youtube.com/watch?v=kPeYshif0xQ ''Tetracot in 34EDO on the Lumatone''] (2021) | |||
* [https://www.youtube.com/watch?v=fbrXu7ls5tI ''34-equal Luma: a little sentimental''] (2023) | |||
* [https://www.youtube.com/watch?v=9ORQlBmu_60 ''34 equal: classic triads''] (2023) | |||
* [https://www.youtube.com/watch?v=zojGuuJqGQk&t=2s ''Diaschismatic/Srutal<nowiki>[12]</nowiki> in 34-equal on the harpsichord''] (2024) | |||
* [https://www.youtube.com/watch?v=t6t6gwx7CZ8 ''A different 12-tone subset of 34-equal (or thereabouts) on the harpsichord ''] (2024) | |||
; [[Userminusone]] | ; [[Userminusone]] | ||
| Line 764: | Line 909: | ||
== See also == | == See also == | ||
* [[ | * [[Diaschismic–tetracot equivalence continuum]] | ||
== External links == | == External links == | ||
| Line 778: | Line 922: | ||
[[Category:Oneirotonic]] | [[Category:Oneirotonic]] | ||
[[Category:Listen]] | [[Category:Listen]] | ||
[[Category:Würschmidt]] | |||
[[Category:Tetracot]] | |||