224edo: Difference between revisions
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{{Infobox ET}} | |||
{{ED intro}} | |||
== Theory == | == Theory == | ||
224edo is a very strong [[13-limit]] system | 224edo is a very strong [[13-limit]] system. It is the twelfth [[the Riemann zeta function and tuning #Zeta EDO lists|zeta integral edo]] and is the second-smallest edo after [[87edo|87]] to approximate all of the first 16 harmonics of the harmonic series with [[minimal consistent EDOs|no greater than 25%]] relative error. | ||
As an equal temperament, 224et [[tempering out]] [[32805/32768]] in the [[5-limit]]; [[4375/4374]], [[16875/16807]] and [[65625/65536]] in the [[7-limit]]; [[540/539]], 1375/1372, [[4000/3993]] and notably, the [[quartisma]] in the [[11-limit]]; and [[625/624]], [[729/728]], [[1575/1573]] and [[2200/2197]] in the [[13-limit]], leading to an abundance of precisely-tuned [[essentially tempered chord]]s, including [[swetismic chords]], [[squbemic chords]], and [[petrmic chords]] in the 13-odd-limit, in addition to [[nicolic chords]] in the [[15-odd-limit]]. It defines the [[optimal patent val]] for the [[octoid]] in the 7-, 11- and 13-limit, and for [[mirkwai]], the 7-limit [[planar temperament]] tempering out 16875/16807. It also provides an excellent tuning for [[indra]] and [[shibi]] temperaments. [[217edo]], only a bit smaller, has a worse 13-limit, but it achieves a much higher [[consistency limit]], almost [[31-odd-limit|31-odd]]. | |||
224edo tempers the [[syntonic comma]] to 1/56th of the octave (4 steps) and as a corollary supports the [[barium]] temperament. As a consequence of this, the 224bb val (flattening the fifth by one step) is a tuning for [[meantone]] and is very close (0.15 cents) to the [[quarter-comma meantone]] fifth. The generator however reduces to [[112edo]], being 65\112; that said, the use of both types of fifth enables creation of a closed circle of 24 notes per octave, generated as 16 patent fifths plus 8 bb fifths (as in [[quadrant]] temperament)<ref>[http://www.youtube.com/@Xen-p6p @Xen-p6p] (2026), YouTube post on [https://www.youtube.com/watch?v=Hmjx4wvLG7Q Uccellini - «Aria Sopra La Bergamasca» (1642), arranged for Organ, tuned into Adaptive Just Intonation] rendered by [[Claudi Meneghin]] (2024).</ref>, although a different distribution than the quarter-octave distribution specified by quadrant might be desired for a well-tempered 24 note tuning system. | |||
=== Prime harmonics === | === Prime harmonics === | ||
{{ | {{Harmonics in equal|224|columns=11}} | ||
{{Harmonics in equal|224|columns=11|start=12|collapsed=true|title=Approximation of prime harmonics in 224edo (continued)}} | |||
=== Subsets and supersets === | |||
Since 224 factors into primes as {{nowrap| 2<sup>5</sup> × 7 }}, 224edo has subset edos {{EDOs| 2, 4, 8, 16, 32, 7, 14, 28, 56, and 112 }}. | |||
== Intervals == | |||
{{Todo|create page|comment=Table of 224edo intervals}} | |||
{{Interval table}} | |||
== Notation == | |||
=== Sagittal === | |||
224edo can be written in Sagittal using ''almost'' the entire Athenian extension, by virtue of its apotome being equal to 21 edosteps, which is the maximum equal division of the apotome (eda) supported by Athenian. It is identical to [[217edo]]'s Sagittal notation, but it uses the 55C for the +6/-6 alteration instead of 11/7C.<ref>[https://sagittal.org/sagittal.pdf Sagittal – A Microtonal Notation System] by [[George Secor|George D. Secor]] and [[Dave Keenan|David C. Keenan]]</ref> | |||
{| class="wikitable" | |||
|+ Sagittal notation | |||
! colspan="2" |Steps | |||
! 0 | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! 8 | |||
! 9 | |||
! 10 | |||
! 11 | |||
! 12 | |||
! 13 | |||
! 14 | |||
! 15 | |||
! 16 | |||
! 17 | |||
! 18 | |||
! 19 | |||
! 20 | |||
! 21 | |||
|- | |||
! rowspan="2" |Symbol | |||
! Evo | |||
| rowspan="2" | <big>{{sagittal||//|}}</big> | |||
| rowspan="2" | <big>{{sagittal||(}}</big> | |||
| rowspan="2" | <big>{{sagittal|)|(}}</big> | |||
| rowspan="2" | <big>{{sagittal|~|(}}</big> | |||
| rowspan="2" | <big>{{sagittal|/|}}</big> | |||
| rowspan="2" | <big>{{sagittal||)}}</big> | |||
| rowspan="2" | <big>{{sagittal||\}}</big> | |||
| rowspan="2" | <big>{{sagittal|(|(}}</big> | |||
| rowspan="2" | <big>{{sagittal|//|}}</big> | |||
| rowspan="2" | <big>{{sagittal|/|)}}</big> | |||
| rowspan="2" | <big>{{sagittal|/|\}}</big> | |||
| <small>{{sagittal|#}}{{sagittal|\!/}}</small> | |||
| <small>{{sagittal|#}}{{sagittal|\!)}}</small> | |||
| <small>{{sagittal|#}}{{sagittal|\\!}}</small> | |||
| <small>{{sagittal|#}}{{sagittal|(!(}}</small> | |||
| <small>{{sagittal|#}}{{sagittal|!/}}</small> | |||
| <small>{{sagittal|#}}{{sagittal|!)}}</small> | |||
| <small>{{sagittal|#}}{{sagittal|\!}}</small> | |||
| <small>{{sagittal|#}}{{sagittal|~!(}}</small> | |||
| <small>{{sagittal|#}}{{sagittal|)!(}}</small> | |||
| <small>{{sagittal|#}}{{sagittal|!(}}</small> | |||
| <small>{{sagittal|#}}</small> | |||
|- | |||
! Revo | |||
| <big>{{sagittal|(|)}}</big> | |||
| <big>{{sagittal|(|\}}</big> | |||
| <big>{{sagittal|)||(}}</big> | |||
| <big>{{sagittal|~||(}}</big> | |||
| <big>{{sagittal|/||}}</big> | |||
| <big>{{sagittal|||)}}</big> | |||
| <big>{{sagittal|||\}}</big> | |||
| <big>{{sagittal|(||(}}</big> | |||
| <big>{{sagittal|//||}}</big> | |||
| <big>{{sagittal|/||)}}</big> | |||
| <big>{{sagittal|/||\}}</big> | |||
|} | |||
Because it uses the entire Athenian system (except for {{sagittal|(|}} {{sagittal|(!}} {{sagittal|)||~}} {{sagittal|)!!~}} since it tempers [[1240029/1239040]]), it allows no accidental enharmonic respellings | |||
=== Ups-and-downs notation === | |||
The 4-up (quup) alteration maps to the pythagorean/syntonic comma. | |||
{| class="wikitable" style="text-align:center;" | |||
|+ Ups-and-downs notation | |||
! rowspan="6" | 224edosteps | |||
! 0 | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
! 5 | |||
! 6 | |||
! 7 | |||
! 8 | |||
! 9 | |||
! 10 | |||
|- | |||
| rowspan="2" | h | |||
| ^ | |||
| ^^ | |||
| ^^^ | |||
| v> | |||
| > | |||
| ^> | |||
| ^^> | |||
| ^^^> | |||
| v>> | |||
| >> | |||
|- | |||
| <<<<# | |||
| ^<<<<# | |||
| vvv<<<# | |||
| vv<<<# | |||
| v<<<# | |||
| <<<# | |||
| ^<<<# | |||
| vvv<<# | |||
| vv<<# | |||
| v<<# | |||
|- | |||
! 11 | |||
! 12 | |||
! 13 | |||
! 14 | |||
! 15 | |||
! 16 | |||
! 17 | |||
! 18 | |||
! 19 | |||
! 20 | |||
! 21 | |||
|- | |||
| ^>> | |||
| ^^>> | |||
| ^^^>> | |||
| v>>> | |||
| >>> | |||
| ^>>> | |||
| ^^>>> | |||
| ^^^>>> | |||
| v>>>> | |||
| >>>> | |||
| rowspan="2" |# | |||
|- | |||
| <<# | |||
| ^<<# | |||
| vvv<# | |||
| vv<# | |||
| v<# | |||
| <# | |||
| ^<# | |||
| vvv# | |||
| vv# | |||
| v# | |||
|} | |||
== Approximation to JI == | |||
=== Interval mappings === | |||
{{Q-odd-limit intervals}} | |||
== Regular temperament properties == | == Regular temperament properties == | ||
{| class="wikitable center-4 center-5 center-6" | {| class="wikitable center-4 center-5 center-6" | ||
! rowspan="2" | Subgroup | |- | ||
! rowspan="2" | [[Subgroup]] | |||
! rowspan="2" | [[Comma list]] | ! rowspan="2" | [[Comma list]] | ||
! rowspan="2" | [[Mapping]] | ! rowspan="2" | [[Mapping]] | ||
| Line 21: | Line 184: | ||
|- | |- | ||
| 2.3 | | 2.3 | ||
| {{ | | {{Monzo| -355 224 }} | ||
| | | {{Mapping| 224 355 }} | ||
| +0.053 | | +0.053 | ||
| 0.0534 | | 0.0534 | ||
| Line 29: | Line 192: | ||
| 2.3.5 | | 2.3.5 | ||
| 32805/32768, {{monzo| -5 -32 24 }} | | 32805/32768, {{monzo| -5 -32 24 }} | ||
| | | {{Mapping| 224 355 520 }} | ||
| +0.122 | | +0.122 | ||
| 0.1059 | | 0.1059 | ||
| Line 36: | Line 199: | ||
| 2.3.5.7 | | 2.3.5.7 | ||
| 4375/4374, 16875/16807, 32805/32768 | | 4375/4374, 16875/16807, 32805/32768 | ||
| | | {{Mapping| 224 355 520 629 }} | ||
| +0.018 | | +0.018 | ||
| 0.2009 | | 0.2009 | ||
| Line 43: | Line 206: | ||
| 2.3.5.7.11 | | 2.3.5.7.11 | ||
| 540/539, 1375/1372, 4000/3993, 32805/32768 | | 540/539, 1375/1372, 4000/3993, 32805/32768 | ||
| | | {{Mapping| 224 355 520 629 775 }} | ||
| | | −0.012 | ||
| 0.1899 | | 0.1899 | ||
| 3.54 | | 3.54 | ||
|- | |- | ||
| 2.3.5.7.11.13 | | 2.3.5.7.11.13 | ||
| 540/539, 625/624, 729/728, 1375/1372, | | 540/539, 625/624, 729/728, 1375/1372, 2200/2197 | ||
| | | {{Mapping| 224 355 520 629 775 829 }} | ||
| | | −0.035 | ||
| 0.1805 | | 0.1805 | ||
| 3.37 | | 3.37 | ||
|- | |||
| 2.3.5.7.11.13.17 | |||
| 375/374, 540/539, 625/624, 715/714, 729/728, 2200/2197 | |||
| {{Mapping| 224 355 520 629 775 829 916 }} | |||
| −0.106 | |||
| 0.2420 | |||
| 4.52 | |||
|} | |} | ||
* 224et has a lower relative error than any previous equal temperaments in the 13-limit, being the first to beat [[72edo|72]]. The next equal temperament that does better in terms of either absolute or relative error is [[270edo|270]]. | |||
* It is also notable in the 11- and 17-limit, with lower absolute errors than any previous equal temperaments. In the 11-limit it is the first to beat [[152edo|152]] and is superseded by [[239edo|239]]. In the 17-limit it is the first to beat [[217edo|217]] and is superseded by 270. | |||
=== Rank-2 temperaments === | === Rank-2 temperaments === | ||
{| class="wikitable center-all left-5" | {| class="wikitable center-all left-5" | ||
|+Table of rank-2 temperaments by generator | |+ style="font-size: 105%;" | Table of rank-2 temperaments by generator | ||
! Periods<br>per | |- | ||
! Generator | ! Periods<br>per 8ve | ||
! Cents | ! Generator* | ||
! Associated<br>ratio | ! Cents* | ||
! | ! Associated<br>ratio* | ||
! Temperament | |||
|- | |- | ||
| 1 | | 1 | ||
| Line 75: | Line 248: | ||
| 316.07 | | 316.07 | ||
| 6/5 | | 6/5 | ||
| [[Counterkleismic]] | | [[Counterkleismic]] / counterlytic | ||
|- | |- | ||
| 1 | | 1 | ||
| Line 99: | Line 272: | ||
| 498.21 | | 498.21 | ||
| 4/3 | | 4/3 | ||
| [[ | | [[Pontiac]] / [[ponta]] | ||
|- | |- | ||
| 1 | | 1 | ||
| Line 106: | Line 279: | ||
| 11/8 | | 11/8 | ||
| [[Emkay]] | | [[Emkay]] | ||
|- | |||
| 1 | |||
| 111\224 | |||
| 594.64 | |||
| 55/39 | |||
| [[Gaster temperament|Gaster]] | |||
|- | |- | ||
| 2 | | 2 | ||
| Line 122: | Line 301: | ||
| 33\224 | | 33\224 | ||
| 176.79 | | 176.79 | ||
| | | 195/176 | ||
| [[Quatracot]] | | [[Quatracot]] | ||
|- | |- | ||
| Line 138: | Line 317: | ||
|- | |- | ||
| 4 | | 4 | ||
| 15\224 | | 71\224<br>(15\224) | ||
| 80.36 | | 380.36<br>(80.36) | ||
| 22/21 | | 81/65<br>(22/21) | ||
| [[Quasithird]] | | [[Quasithird]] | ||
|- | |- | ||
| 4 | | 4 | ||
| | | 93\224<br>(19\224) | ||
| | | 498.21<br>(101.79) | ||
| | | 4/3<br>(35/33) | ||
| [[Quadrant]] | | [[Quadrant]] | ||
|- | |- | ||
| Line 152: | Line 331: | ||
| 97\224<br>(1\224) | | 97\224<br>(1\224) | ||
| 519.64<br>(5.36) | | 519.64<br>(5.36) | ||
| 27/20<br> | | 27/20<br>(325/324) | ||
| [[Brahmagupta]] | | [[Brahmagupta]] | ||
|- | |- | ||
| Line 160: | Line 339: | ||
| 4/3<br>(99/98) | | 4/3<br>(99/98) | ||
| [[Septant]] | | [[Septant]] | ||
|- | |- | ||
| 8 | | 8 | ||
| Line 172: | Line 345: | ||
| 4/3<br>(36/35) | | 4/3<br>(36/35) | ||
| [[Octant]] | | [[Octant]] | ||
|- | |||
| 8 | |||
| 109\224<br>(3\224) | |||
| 583.93<br>(16.07) | |||
| 7/5<br>(100/99) | |||
| [[Octoid]] | |||
|- | |||
| 14 | |||
| 93\224<br>(3\224) | |||
| 498.21<br>(16.07) | |||
| 4/3<br>(105/104) | |||
| [[Silicon]] | |||
|- | |- | ||
| 28 | | 28 | ||
| 3\224 | | 93\224<br>(3\224) | ||
| 16.07 | | 498.21<br>(16.07) | ||
| 126/125 | | 4/3<br>(126/125) | ||
| [[Oquatonic]] | | [[Oquatonic]] | ||
|- | |||
| 32 | |||
| 50\224<br>(1\224) | |||
| 267.86<br>(5.36) | |||
| 245/143<br>(???) | |||
| [[Germanium]] | |||
|- | |||
| 32 | |||
| 93\224<br>(2\224) | |||
| 498.21<br>(10.71) | |||
| 4/3<br>(???) | |||
| [[Bezique]] | |||
|- | |||
| 56 | |||
| 93\224<br>(3\224) | |||
| 498.21<br>(16.07) | |||
| 4/3<br>(126/125) | |||
| [[Barium]] | |||
|} | |} | ||
<nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct | |||
== Music == | == Music == | ||
[ | ; [[Mercury Amalgam]] | ||
* [https://www.youtube.com/watch?v=iFi1zKsRBfY ''Kindness Is A Weakness''] (2023) – Octant[24], Hemigamera[26], Oquatonic[56], Bezique[64] in 224edo tuning | |||
[[Category: | ; [[Gene Ward Smith]] | ||
* ''Dreyfus'' (archived 2010) – [https://soundcloud.com/genewardsmith/genewardsmith-dreyfus SoundCloud] | [https://www.archive.org/details/Dreyfus details] | [https://www.archive.org/download/Dreyfus/Genewardsmith-Dreyfus.mp3 play] – Octoid[72] in 224edo tuning | |||
== References == | |||
[[Category:Listen]] | |||
[[Category:Canopic]] | |||
[[Category:Indra]] | [[Category:Indra]] | ||
[[Category: | [[Category:Shibi]] | ||
[[Category:Octoid]] | [[Category:Octoid]] | ||