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Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson [[Seigneur Dieu ta pitié]] of 1558. Costeley understood and desired the circulating aspect of this tuning, which he defined as dividing the just major second into three approximately equal parts. Costeley had other compositions that made use of intervals, such as the diminished third, which have a meaningful context in 19edo, but not in other tuning systems contemporary with the work.
Interest in this tuning system goes back to the sixteenth century, when composer Guillaume Costeley used it in his chanson [[Seigneur Dieu ta pitié]] of 1558. Costeley understood and desired the circulating aspect of this tuning, which he defined as dividing the just major second into three approximately equal parts. Costeley had other compositions that made use of intervals, such as the diminished third, which have a meaningful context in 19edo, but not in other tuning systems contemporary with the work.


In 1577 music theorist Francisco de Salinas proposed [[1/3-comma meantone|{{frac|1|3}}-comma meantone]], in which the fifth is 694.786{{c}}; the fifth of 19edo is 694.737{{c}}, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which comes within less than one cent of closing exactly, so that his suggestion is effectively 19edo.
In 1577, music theorist Francisco de Salinas proposed [[1/3-comma meantone]], in which the fifth is 694.786{{c}}; the fifth of 19edo is 694.737{{c}}, which is only a twentieth of a cent flatter. Salinas suggested tuning nineteen tones to the octave to this tuning, which comes within less than one cent of closing exactly, so that his suggestion is effectively 19edo.


In 1835, mathematician and music theorist Wesley Woolhouse proposed it as a more practical alternative to meantone tunings he regarded as better, such as [[50edo|50 equal temperament]] ([http://www.tonalsoft.com/sonic-arts/monzo/woolhouse/essay.htm summary of Woolhouse's essay]).
In 1835, mathematician and music theorist Wesley Woolhouse proposed it as a more practical alternative to meantone tunings he regarded as better, such as [[50edo|50 equal temperament]] ([http://www.tonalsoft.com/sonic-arts/monzo/woolhouse/essay.htm summary of Woolhouse's essay]).


== Theory ==
== Theory ==
19edo is the second edo, after [[12edo]] which is able to approximate [[5-limit]] intervals and chords with tolerable accuracy (unless you count [[15edo]], which has a 18-cent-sharp fifth). Having an almost just minor third and perfect fifths and major thirds about 7 cents flat, it serves as a good tuning for [[meantone]]. Unlike 12edo, where [[enharmonic]] notes are conflated, 19edo distinguishes them, and differs from [[17edo]] in that its [[diatonic semitone]] is wider than the [[chromatic semitone]], rather than narrower. In fact, it is nearly identical to the enharmonic scale of [[1/3-comma meantone]], and can be considered a closed form thereof.  
19edo is the second edo, after [[12edo]], which is able to approximate [[5-limit]] intervals and chords with tolerable accuracy (unless you count [[15edo]], which has a 18-[[cent]]-sharp fifth). Having an almost just minor third and perfect fifths and major thirds about 7 cents flat, it serves as a good tuning for [[meantone]]. Unlike 12edo, where [[enharmonic]] notes are conflated, 19edo distinguishes them, and differs from [[17edo]] in that its [[diatonic semitone]] is wider than the [[chromatic semitone]], rather than narrower. In fact, it is nearly identical to the enharmonic scale of [[1/3-comma meantone]], and can be considered a closed form thereof.  


It is less successful in the [[7-limit]] as it conflates the septimal subminor third ([[7/6]]) with the septimal whole tone ([[8/7]]), but it is still better than 12edo.  
It is less successful in the [[7-limit]] as it conflates the septimal subminor third ([[7/6]]) with the septimal whole tone ([[8/7]]), but it is still better than 12edo overall.  


=== Prime harmonics ===
=== Prime harmonics ===
Line 56: Line 56:


== Intervals ==
== Intervals ==
{| class="wikitable right-1 right-2 center-5 center-8"
{| class="wikitable center-1 right-2"
|-
|-
! [[Degree|#]]
! [[Degree|#]]
! [[Cent]]s
! [[Cent]]s
! [[Interval category|Interval categories]]
! Note
! Approximated ratios<ref group="note">As a [[2.3.5.7.13 subgroup|2.3.5.7.13-]][[subgroup]] temperament.</ref>
! Approximated ratios<ref group="note">As a [[2.3.5.7.13 subgroup|2.3.5.7.13-subgroup]] temperament</ref>
! [[Interval category]]
|-
|-
| 0
| 0
| 0.0
| 0.0
| D
| [[1/1]]
| Unison (prime)
| Unison (prime)
| [[1/1]]
|-
|-
| 1
| 1
| 63.2
| 63.2
| D♯
| [[25/24]], [[26/25]], [[27/26]], [[28/27]]
| Augmented unison
| Augmented unison
| [[25/24]], [[26/25]], [[27/26]], [[28/27]]
|-
|-
| 2
| 2
| 126.3
| 126.3
| E♭
| [[13/12]], [[14/13]], [[15/14]], [[16/15]]
| Minor second
| Minor second
| [[13/12]], [[14/13]], [[15/14]], [[16/15]]
|-
|-
| 3
| 3
| 189.5
| 189.5
| E
| [[9/8]], [[10/9]]
| Major second
| Major second
| [[9/8]], [[10/9]]
|-
|-
| 4
| 4
| 252.6
| 252.6
| Augmented second<br />Diminished third
| E♯/F♭
| [[7/6]], [[8/7]], [[15/13]]
| [[7/6]], [[8/7]], [[15/13]]
| Augmented second/<br>Diminished third
|-
|-
| 5
| 5
| 315.8
| 315.8
| F
| [[6/5]]
| Minor third
| Minor third
| [[6/5]]
|-
|-
| 6
| 6
| 378.9
| 378.9
| F♯
| [[5/4]], [[16/13]], [[56/45]]
| Major third
| Major third
| [[5/4]], [[16/13]], [[56/45]]
|-
|-
| 7
| 7
| 442.1
| 442.1
| Augmented third
| F𝄪/G♭
| [[9/7]], [[13/10]], [[21/16]], [[32/25]]
| [[9/7]], [[13/10]], [[21/16]], [[32/25]]
| Augmented third/<br>Diminished fourth
|-
|-
| 8
| 8
| 505.3
| 505.3
| G
| [[4/3]], [[75/56]]
| Perfect fourth
| Perfect fourth
| [[4/3]], [[75/56]]
|-
|-
| 9
| 9
| 568.4
| 568.4
| G♯
| [[7/5]], [[18/13]], [[25/18]]
| Augmented fourth<br>(Small [[tritone]])
| Augmented fourth<br>(Small [[tritone]])
| [[7/5]], [[18/13]], [[25/18]]
|-
|-
| 10
| 10
| 631.6
| 631.6
| A♭
| [[10/7]], [[13/9]], [[36/25]]
| Diminished fifth<br>(Large [[tritone]])
| Diminished fifth<br>(Large [[tritone]])
| [[10/7]], [[13/9]], [[36/25]]
|-
|-
| 11
| 11
| 694.7
| 694.7
| A
| [[3/2]], [[112/75]]
| Perfect fifth
| Perfect fifth
| [[3/2]], [[112/75]]
|-
|-
| 12
| 12
| 757.9
| 757.9
| Augmented fifth
| A♯/B𝄫
| [[14/9]], [[20/13]], [[25/16]], [[32/21]]
| [[14/9]], [[20/13]], [[25/16]], [[32/21]]
| Augmented fifth/<br>Diminished sixth
|-
|-
| 13
| 13
| 821.1
| 821.1
| B♭
| [[8/5]], [[13/8]], [[45/28]]
| Minor sixth
| Minor sixth
| [[8/5]], [[13/8]], [[45/28]]
|-
|-
| 14
| 14
| 884.2
| 884.2
| B
| [[5/3]]
| Major sixth
| Major sixth
| [[5/3]]
|-
|-
| 15
| 15
| 947.4
| 947.4
| B♯/C♭
| [[7/4]], [[12/7]], [[26/15]]
| Augmented sixth<br>Diminished seventh
| Augmented sixth<br>Diminished seventh
| [[7/4]], [[12/7]], [[26/15]]
|-
|-
| 16
| 16
| 1010.5
| 1010.5
| C
| [[9/5]], [[16/9]]
| Minor seventh
| Minor seventh
| [[9/5]], [[16/9]]
|-
|-
| 17
| 17
| 1073.7
| 1073.7
| C♯
| [[13/7]], [[15/8]], [[24/13]], [[28/15]]
| Major seventh
| Major seventh
| [[13/7]], [[15/8]], [[24/13]], [[28/15]]
|-
|-
| 18
| 18
| 1136.8
| 1136.8
| D♭
| [[25/13]], [[27/14]], [[48/25]], [[52/27]]
| Augmented seventh
| Augmented seventh
| [[25/13]], [[27/14]], [[48/25]], [[52/27]]
|-
|-
| 19
| 19
| 1200.0
| 1200.0
| D
| [[2/1]]
| Octave
| Octave
| [[2/1]]
|}
|}
<references group="note"/>
<references group="note"/>
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|-
|-
| gu (5-under)
| gu (5-under)
| 12:10:8:7 or 1:6/5:3/2:12/7
| 1/(12:10:8:7)<br>(1–6/5–3/2–12/7)
| 0–5–11–15
| 0–5–11–15
| C–E♭–G–A♯
| C–E♭–G–A♯
Line 393: Line 414:


For a more complete list, see [[19edo chords #Ups and downs notation]] and [[Kite's ups and downs notation #Chords and chord progressions]].
For a more complete list, see [[19edo chords #Ups and downs notation]] and [[Kite's ups and downs notation #Chords and chord progressions]].


== Notation ==
== Notation ==
=== Standard notation ===
=== Standard notation ===
Standard 12edo notation can be used, whether it is staff notation (with five lines), letter [[chain-of-fifths notation]] (with standard accidentals), solfege, or sargam. Note that D# and Eb are two different notes.
Standard 12edo notation can be used, whether it is staff notation (with five lines), letter [[chain-of-fifths notation]] (with standard accidentals), solfège, or sargam. Note that D# and Eb are two different notes.


Any 19edo note or interval can be [[Enharmonic unison|respelled enharmonically]] by adding a double-diminished 2nd to it or subtracting one from it. Adding a dd2 is equivalent to finding the 12edo equivalent with a higher degree, then diminishing it. For example, C# becomes Db, which is diminished to become Dbb.
Any 19edo note or interval can be [[enharmonic unison|respelled enharmonically]] by adding a double-diminished second to it or subtracting one from it. Adding a dd2 is equivalent to finding the 12edo equivalent with a higher degree, then diminishing it. For example, C# becomes Db, which is diminished to become Dbb.


{| class="wikitable right-1 right-2 center-3 center-4"
{| class="wikitable right-1 right-2 center-3 center-4"
|+ style="font-size: 105%;" | Notation of 19edo
|+ style="font-size: 105%;" | Notation of 19edo
|-
|-
! rowspan="2" | [[Degree]]
! rowspan="2" | [[Degree|#]]
! rowspan="2" | [[Cent]]s
! rowspan="2" | [[Cent]]s
! colspan="2" | [[Chain-of-fifths notation|Standard Notation]]
! colspan="2" | [[Chain-of-fifths notation|Standard notation]]
|-
|-
! [[5L 2s|Diatonic Interval Names]]
! [[5L 2s|Diatonic interval names]]
! Note Names<br />on D
! Note names<br>on D
|-
|-
| 0
| 0
| 0.00
| 0.0
| '''Perfect unison (P1)'''
| '''Perfect unison (P1)'''
| '''D'''
| '''D'''
|-
|-
| 1
| 1
| 63.16
| 63.2
| Augmented unison (A1)<br />Diminished second (d2)
| Augmented unison (A1)<br>Diminished second (d2)
| D#<br />Ebb
| D#<br>Ebb
|-
|-
| 2
| 2
| 126.32
| 126.3
| Doubly augmented unison (AA1)<br />Minor second (m2)
| Doubly augmented unison (AA1)<br>Minor second (m2)
| Dx<br />Eb
| Dx<br>Eb
|-
|-
| 3
| 3
| 189.47
| 189.5
| '''Major second (M2)'''<br />Doubly diminished third (dd3)
| '''Major second (M2)'''<br>Doubly diminished third (dd3)
| '''E'''<br />Fbb
| '''E'''<br>Fbb
|-
|-
| 4
| 4
| 252.63
| 252.6
| Augmented second (A2)<br />Diminished third (d3)
| Augmented second (A2)<br>Diminished third (d3)
| E#<br />Fb
| E#<br>Fb
|-
|-
| 5
| 5
| 315.79
| 315.8
| Doubly augmented second (AA2)<br />'''Minor third (m3)'''
| Doubly augmented second (AA2)<br>'''Minor third (m3)'''
| Ex<br />'''F'''
| Ex<br>'''F'''
|-
|-
| 6
| 6
| 378.95
| 378.9
| '''Major third (M3)'''<br />Doubly diminished fourth (dd4)
| '''Major third (M3)'''<br>Doubly diminished fourth (dd4)
| '''F#'''<br />Gbb
| '''F#'''<br>Gbb
|-
|-
| 7
| 7
| 442.11
| 442.1
| Augmented third (A3)<br />Diminished fourth (d4)
| Augmented third (A3)<br>Diminished fourth (d4)
| Fx<br />Gb
| Fx<br>Gb
|-
|-
| 8
| 8
| 505.26
| 505.3
| '''Perfect fourth (P4)'''
| '''Perfect fourth (P4)'''
| '''G'''
| '''G'''
|-
|-
| 9
| 9
| 568.42
| 568.4
| Augmented fourth (A4)<br />Doubly diminished fifth (dd5)
| Augmented fourth (A4)<br>Doubly diminished fifth (dd5)
| G#<br />Abb
| G#<br>Abb
|-
|-
| 10
| 10
| 631.58
| 631.6
| Doubly augmented fourth (AA4)<br />Diminished fifth (d5)
| Doubly augmented fourth (AA4)<br>Diminished fifth (d5)
| Gx<br />Ab
| Gx<br>Ab
|-
|-
| 11
| 11
| 694.74
| 694.7
| '''Perfect fifth (P5)'''
| '''Perfect fifth (P5)'''
| '''A'''
| '''A'''
|-
|-
| 12
| 12
| 757.89
| 757.9
| Augmented fifth (A5)<br />Diminished sixth (d6)
| Augmented fifth (A5)<br>Diminished sixth (d6)
| A#<br />Bbb
| A#<br>Bbb
|-
|-
| 13
| 13
| 821.05
| 821.1
| Doubly augmented fifth (AA5)<br />Minor sixth (m6)
| Doubly augmented fifth (AA5)<br>Minor sixth (m6)
| Ax<br />Bb
| Ax<br>Bb
|-
|-
| 14
| 14
| 884.21
| 884.2
| '''Major sixth (M6)'''<br />Doubly diminished seventh (dd7)
| '''Major sixth (M6)'''<br>Doubly diminished seventh (dd7)
| '''B'''<br />Cbb
| '''B'''<br>Cbb
|-
|-
| 15
| 15
| 947.37
| 947.4
| Augmented sixth (A6)<br />Diminished seventh (d7)
| Augmented sixth (A6)<br>Diminished seventh (d7)
| B#<br />Cb
| B#<br>Cb
|-
|-
| 16
| 16
| 1010.53
| 1010.5
| Doubly augmented sixth (AA6)<br />'''Minor seventh (m7)'''
| Doubly augmented sixth (AA6)<br>'''Minor seventh (m7)'''
| Bx<br />'''C'''
| Bx<br>'''C'''
|-
|-
| 17
| 17
| 1073.68
| 1073.7
| Major seventh (M7)<br />Doubly diminished octave (dd8)
| Major seventh (M7)<br>Doubly diminished octave (dd8)
| C#<br />Dbb
| C#<br>Dbb
|-
|-
| 18
| 18
| 1136.84
| 1136.8
| Augmented seventh (A7)<br />Diminished octave (d8)
| Augmented seventh (A7)<br>Diminished octave (d8)
| Cx<br />Db
| Cx<br>Db
|-
|-
| 19
| 19
| 1200.00
| 1200.0
| '''Perfect octave (P8)'''
| '''Perfect octave (P8)'''
| '''D'''
| '''D'''
Line 513: Line 535:
In 19edo:
In 19edo:
* [[Ups and downs notation]] is identical to standard notation;
* [[Ups and downs notation]] is identical to standard notation;
* Mixed [[sagittal notation]] is identical to standard notation, but pure sagittal notation exchanges sharps (&#x266F;) and flats (&#x266D;) for sagittal sharp ([[File:Sagittal sharp.png]]) and sagittal flat ([[File:Sagittal flat.png]]) respectively.
* Mixed [[sagittal notation]] is identical to standard notation, but pure sagittal notation exchanges sharps (♯) and flats (♭) for sagittal sharp ([[File:Sagittal sharp.png]]) and sagittal flat ([[File:Sagittal flat.png]]) respectively.


{{Sharpness-sharp1}}
{{Sharpness-sharp1}}


=== Sagittal notation ===
=== Sagittal notation ===
This notation uses the same sagittal sequence as EDOs [[5edo#Sagittal notation|5]], [[12edo#Sagittal notation|12]], and [[26edo#Sagittal notation|26]], and is a subset of the notations for EDOs [[38edo#Sagittal notation|38]], [[57edo#Sagittal notation|57]], and [[76edo#Sagittal notation|76]].
This notation uses the same sagittal sequence as edos [[5edo #Sagittal notation|5]], [[12edo #Sagittal notation|12]], and [[26edo #Sagittal notation|26]], and is a subset of the notations for edos [[38edo #Sagittal notation|38]], [[57edo #Sagittal notation|57]], and [[76edo #Sagittal notation|76]].


==== Evo flavor ====
==== Evo flavor ====
{{Sagittal chart|Evo}}
{{Sagittal chart|Evo}}


Because it includes no Sagittal symbols, this Evo Sagittal notation is also a conventional notation.
Because it includes no Sagittal symbols, this Evo Sagittal notation is identical to conventional notation.


==== Revo flavor ====
==== Revo flavor ====
Line 530: Line 552:
=== Dodecatonic notation ===
=== Dodecatonic notation ===
{| class="wikitable right-1 right-2 mw-collapsible mw-collapsed"
{| class="wikitable right-1 right-2 mw-collapsible mw-collapsed"
|+ style="font-size: 105%; white-space: nowrap;" | Dodecatonic Notation of 19edo
|+ style="font-size: 105%; white-space: nowrap;" | Dodecatonic notation of 19edo
|-
|-
! [[Degree]]
! [[Degree|#]]
! [[Cent]]s
! [[Cent]]s
! Interval Names
! Interval names
|-
|-
| 0
| 0
| 0.00
| 0.0
| P1
| P1
|-
|-
| 1
| 1
| 63.16
| 63.2
| A1, m2
| A1, m2
|-
|-
| 2
| 2
| 126.32
| 126.3
| M2, m3
| M2, m3
|-
|-
| 3
| 3
| 189.47
| 189.5
| M3
| M3
|-
|-
| 4
| 4
| 252.63
| 252.6
| m4, A3
| m4, A3
|-
|-
| 5
| 5
| 315.79
| 315.8
| M4, m5
| M4, m5
|-
|-
| 6
| 6
| 378.95
| 378.9
| M5
| M5
|-
|-
| 7
| 7
| 442.11
| 442.1
| A5, d6
| A5, d6
|-
|-
| 8
| 8
| 505.26
| 505.3
| P6
| P6
|-
|-
| 9
| 9
| 568.42
| 568.4
| A6, m7
| A6, m7
|-
|-
| 10
| 10
| 631.58
| 631.6
| M7, d8
| M7, d8
|-
|-
| 11
| 11
| 694.74
| 694.7
| P8
| P8
|-
|-
| 12
| 12
| 757.89
| 757.9
| A8, m9
| A8, m9
|-
|-
| 13
| 13
| 821.05
| 821.1
| M9, m10
| M9, m10
|-
|-
| 14
| 14
| 884.21
| 884.2
| M10
| M10
|-
|-
| 15
| 15
| 947.37
| 947.4
| m11, A10
| m11, A10
|-
|-
| 16
| 16
| 1010.53
| 1010.5
| M11, m12
| M11, m12
|-
|-
| 17
| 17
| 1073.68
| 1073.7
| M12
| M12
|-
|-
| 18
| 18
| 1136.84
| 1136.8
| A12, d13
| A12, d13
|-
|-
| 19
| 19
| 1200.00
| 1200.0
| P13
| P13
|}
|}
Line 956: Line 978:
| 23
| 23
| [[70/69]]
| [[70/69]]
| {{monzo| 1 -1 1 1 0 0 0 0 -}}
| {{monzo| 1 -1 1 1 0 0 0 0 -1 }}
| 24.91
| 24.91
| Twethuzoyo
| Twethuzoyo
Line 1,037: Line 1,059:
| M2
| M2
| [[1L&nbsp;5s]], [[6L&nbsp;1s]], [[6L&nbsp;7s]]
| [[1L&nbsp;5s]], [[6L&nbsp;1s]], [[6L&nbsp;7s]]
| [[Deutone]]<br>[[Spell]]
| [[Deutone]] <br>[[Xenial]] / [[Sensamagic clan #Xenia|Xenia]] <br>[[Spell]]
|-
|-
| 4
| 4
Line 1,043: Line 1,065:
| A2, d3
| A2, d3
| [[1L&nbsp;3s]], [[4L&nbsp;1s]], <br>[[5L&nbsp;4s]], [[5L&nbsp;9s]]
| [[1L&nbsp;3s]], [[4L&nbsp;1s]], <br>[[5L&nbsp;4s]], [[5L&nbsp;9s]]
| [[Godzilla]]
| [[Godzilla]] / [[Helayo]]
|-
|-
| 5
| 5
Line 1,073: Line 1,095:
| A4
| A4
| [[2L&nbsp;3s]], [[2L&nbsp;5s]], [[2L&nbsp;7s]], <br>[[2L&nbsp;9s]], [[2L&nbsp;11s]], [[2L&nbsp;13s]], <br>[[2L&nbsp;15s]]
| [[2L&nbsp;3s]], [[2L&nbsp;5s]], [[2L&nbsp;7s]], <br>[[2L&nbsp;9s]], [[2L&nbsp;11s]], [[2L&nbsp;13s]], <br>[[2L&nbsp;15s]]
| [[Liese]] / [[pycnic]]<br>[[Triton]]
| [[Liese]] <br>[[Triton]] / [[pycnic]]
|}
|}


Line 1,086: Line 1,108:


==== Octave-equivalent mosses ====
==== Octave-equivalent mosses ====
* [[meantone]] pentatonic, [[2L 3s]] (gen = 11\19): 3 3 5 3 5
* [[Meantone]] pentic, [[2L 3s]] (gen = 11\19): 3 3 5 3 5
* [[meantone]] diatonic, [[5L 2s]] (gen = 11\19): 3 3 2 3 3 3 2
* [[Meantone]] diatonic, [[5L 2s]] (gen = 11\19): 3 3 2 3 3 3 2
* [[meantone]] chromatic, [[7L 5s]] (gen = 11\19): 2 1 2 1 2 2 1 2 1 2 1 2
* [[Meantone]] chromatic, [[7L 5s]] (gen = 11\19): 2 1 2 1 2 2 1 2 1 2 1 2
* [[semaphore]][5], [[4L 1s]] (gen = 4\19): 4 4 3 4 4
* [[Semaphore]][5], [[4L 1s]] (gen = 4\19): 4 4 3 4 4
* [[semaphore]][9], [[5L 4s]] (gen = 4\19): 3 1 3 1 3 3 1 3 1
* [[Semaphore]][9], [[5L 4s]] (gen = 4\19): 3 1 3 1 3 3 1 3 1
* [[semaphore]][14], [[5L 9s]] (gen = 4\19): 2 1 2 1 1 2 1 1 2 1 1 2 1 1
* [[Semaphore]][14], [[5L 9s]] (gen = 4\19): 2 1 2 1 1 2 1 1 2 1 1 2 1 1
* [[sensi]][5], [[2L 3s]] (gen = 7\19): 5 2 5 2 5
* [[Sensi]][5], [[2L 3s]] (gen = 7\19): 5 2 5 2 5
* [[sensi]][8], [[3L 5s]] (gen = 7\19): 2 3 2 2 3 2 2 3
* [[Sensi]][8], [[3L 5s]] (gen = 7\19): 2 3 2 2 3 2 2 3
* [[sensi]][11], [[8L 3s]] (gen = 7\19): 2 2 1 2 2 2 1 2 2 2 1
* [[Sensi]][11], [[8L 3s]] (gen = 7\19): 2 2 1 2 2 2 1 2 2 2 1
* [[negri]][9], [[1L 8s]] (gen = 2\19): 2 2 2 2 3 2 2 2 2
* [[Negri]][9], [[1L 8s]] (gen = 2\19): 2 2 2 2 3 2 2 2 2
* [[negri]][10], [[9L 1s]] (gen = 2\19): 2 2 2 2 2 1 2 2 2 2
* [[Negri]][10], [[9L 1s]] (gen = 2\19): 2 2 2 2 2 1 2 2 2 2
* [[kleismic]][7], [[4L 3s]] (gen = 5\19): 1 4 1 4 1 4 4
* [[Kleismic]][7], [[4L 3s]] (gen = 5\19): 1 4 1 4 1 4 4
* [[kleismic]][11], [[4L 7s]] (gen = 5\19): 1 3 1 1 3 1 1 3 1 3 1
* [[Kleismic]][11], [[4L 7s]] (gen = 5\19): 1 3 1 1 3 1 1 3 1 3 1
* [[kleismic]][15], [[4L 11s]] (gen = 5\19): 1 2 1 1 1 2 1 1 1 2 1 1 2 1 1
* [[Kleismic]][15], [[4L 11s]] (gen = 5\19): 1 2 1 1 1 2 1 1 1 2 1 1 2 1 1
* [[magic]][7], [[3L 4s]] (gen = 6\19): 5 1 5 1 5 1 1
* [[Magic]][7], [[3L 4s]] (gen = 6\19): 5 1 5 1 5 1 1
* [[magic]][10], [[3L 7s]] (gen = 6\19): 4 1 1 4 1 1 4 1 1 1
* [[Magic]][10], [[3L 7s]] (gen = 6\19): 4 1 1 4 1 1 4 1 1 1
* [[magic]][13], [[3L 10s]] (gen = 6\19): 3 1 1 1 3 1 1 1 3 1 1 1 1
* [[Magic]][13], [[3L 10s]] (gen = 6\19): 3 1 1 1 3 1 1 1 3 1 1 1 1
* [[magic]][16], [[3L 13s]] (gen = 6\19): 2 1 1 1 1 2 1 1 1 1 2 1 1 1 1 1
* [[Magic]][16], [[3L 13s]] (gen = 6\19): 2 1 1 1 1 2 1 1 1 1 2 1 1 1 1 1
* [[liese]][17], [[2L 15s]] (gen = 9\19): 2 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1
* [[Liese]][17], [[2L 15s]] (gen = 9\19): 2 1 1 1 1 1 1 1 1 1 2 1 1 1 1 1 1 1 1


=== Other scales ===
=== Other scales ===
{{Main|19edo modes}}
{{Main|19edo modes}}
* Meantone harmonic minor: 3 2 3 3 2 4 2
* Meantone harmonic minor: 3 2 3 3 2 4 2
* Meantone melodic minor: 3 2 3 3 3 3 2
* Meantone melodic minor: 3 2 3 3 3 3 2 (ascending), 3 2 3 3 2 3 3 (descending)
* Meantone harmonic major: 3 3 2 3 2 4 2
* Meantone harmonic major: 3 3 2 3 2 4 2
* chromatic octave species - Meantone / [[marvel double harmonic major]] (subset of Negri[9]): 2 4 2 3 2 4 2
* Chromatic octave species – meantone / [[marvel double harmonic major]] (subset of Negri[9]): 2 4 2 3 2 4 2
* chromatic octave species (subset of Negri[9]): 2 2 4 3 2 2 4
* Chromatic octave species (subset of Negri[9]): 2 2 4 3 2 2 4
* chromatic octave species - [[Sahara]] septatonic (subset of Negri[9]): 4 2 2 3 4 2 2
* Chromatic octave species - [[Sahara]] septatonic (subset of Negri[9]): 4 2 2 3 4 2 2
* [[Marvel hexatonic]] (subset of Negri[9]): 4 2 5 2 4 2
* [[Marvel hexatonic]] (subset of Negri[9]): 4 2 5 2 4 2
* enharmonic pentatonic: 2 6 3 2 6
* Enharmonic pentatonic: 2 6 3 2 6
* enharmonic pentatonic: 6 2 3 6 2
* Enharmonic pentatonic: 6 2 3 6 2
* enharmonic octave species: 1 1 6 3 1 1 6
* Enharmonic octave species: 1 1 6 3 1 1 6
* enharmonic octave species: 6 1 1 3 6 1 1
* Enharmonic octave species: 6 1 1 3 6 1 1
* enharmonic octave species: 1 6 1 3 1 6 1
* Enharmonic octave species: 1 6 1 3 1 6 1
* [[Pinetone#Pinetone octatonic scales|Pinetone major-harmonic octatonic]]: 3 2 3 1 2 3 2 3 (subset of Meantone[12])
* [[Pinetone #Pinetone octatonic scales|Pinetone major-harmonic octatonic]]: 3 2 3 1 2 3 2 3 (subset of Meantone[12])
* [[Pinetone#Pinetone octatonic scales|Pinetone minor-harmonic octatonic]]: 3 2 1 3 2 3 3 2 (subset of Meantone[12])
* [[Pinetone #Pinetone octatonic scales|Pinetone minor-harmonic octatonic]]: 3 2 1 3 2 3 3 2 (subset of Meantone[12])
* [[Pinetone#Pinetone diminished octatonic|Pinetone diminished octatonic]] / [[Porcusmine]]: 2 3 1 3 2 3 2 3
* [[Pinetone #Pinetone diminished octatonic|Pinetone diminished octatonic]] / [[Porcusmine]]: 2 3 1 3 2 3 2 3
* [[Pinetone#Pinetone harmonic diminished octatonic|Pinetone harmonic diminished]]: 2 3 1 4 1 3 2 3
* [[Pinetone #Pinetone harmonic diminished octatonic|Pinetone harmonic diminished]]: 2 3 1 4 1 3 2 3
* [[Blackville]] / [[SNS ((2/1, 3/2)-5, 16/15)-10|5-limit dipentatonic]] (superset of Meantone[7]): 1 2 3 2 1 2 3 2 1 2
* [[Blackville]] / [[SNS ((2/1, 3/2)-5, 16/15)-10|5-limit dipentatonic]] (superset of Meantone[7]): 1 2 3 2 1 2 3 2 1 2
* [[Antipental blues]]: 4 4 1 2 4 4
* [[Antipental blues]]: 4 4 1 2 4 4
Retrieved from "https://en.xen.wiki/w/19edo"