54/49: Difference between revisions
introduced infobox interval; simplified links; added cats; added see-also section |
Re-organize |
||
| (19 intermediate revisions by 14 users not shown) | |||
| Line 1: | Line 1: | ||
{{Infobox Interval | {{Infobox Interval | ||
| Name = Zalzal's mujannab, superpythagorean chroma | |||
| Color name = rr1, ruru unison | |||
| Name = Zalzal's mujannab | |||
| Color name = rr1, ruru | |||
| Sound = jid_54_49_pluck_adu_dr220.mp3 | | Sound = jid_54_49_pluck_adu_dr220.mp3 | ||
}} | }} | ||
'''54/49''', '''Zalzal's mujannab''', is an interval introduced by {{w|Mansour Zalzal}}. It is between [[11/10]] and [[10/9]] in size, being [[540/539]] sharp of 11/10 and [[245/243]] flat of 10/9. It is the interval between [[7/6]] and [[9/7]]. | |||
== Approximation == | |||
{{Interval edo approximation|54/49}} | |||
== Temperaments == | |||
[[Tempering out]] [[540/539]] equates 54/49 with 11/10 and leads to [[swetismic chords]]. Occurring often in JI scales, it is one of the ways 11-limit harmony gets introduced into [[7-limit]] scales. | |||
It is also called the '''superpythagorean chromatic semitone''' or '''superpythagorean chroma'''{{idio}} since, in [[superpyth]] temperament, the minor third is 7/6, the major third is 9/7, and the difference between the two is 54/49. | |||
Moving to [[exotemperament|exotempering]], the interval can be tempered out, leading to the [[2.3.7 subgroup|2.3.7-subgroup]] version of the [[mujannabic]] temperament equating 7/6 and 9/7. However, it is usually better to temper out [[25/24]] instead for a similar structural effect. | |||
== See also == | == See also == | ||
* [[49/27]] | * [[49/27]] – its [[octave complement]] | ||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
[[Category:Second]] | [[Category:Second]] | ||
[[Category:Neutral second]] | |||
[[Category:Equable heptatonic]] | |||