Xenharmonic Wiki

91edo: Difference between revisions

← Older edit
VisualWikitext
Re-organize the theory section
→Music: Add Modern Renderings section, starting with Maretu's ''Aishite ita no ni'' (2023) – microtonal cover in 91edo by Bryan Deister (2026)
 
(25 intermediate revisions by 8 users not shown)
Line 1: Line 1:
{{Infobox ET}}
{{Infobox ET}}
{{EDO intro|91}}
{{ED intro}}


== Theory ==
== Theory ==
The [[harmonic]]s [[3/1|3]], [[5/1|5]] and [[7/1|7]] for 91edo are on the flat side, making this a mostly flat system. The equal temperament [[tempering out|tempers out]] [[15625/15552]] in the 5-limit, [[225/224]] and [[4375/4374]] in the 7-limit, [[245/242]], [[385/384]] in the 11-limit, and [[105/104]], [[144/143]], [[196/195]] in the 13-limit. It provides the [[optimal patent val]] for 11- and 13-limit [[septimin]] temperament, and the 13-limit rank-3 [[tripod]] temperament, as well as the 11-limit rank-4 temperament tempering out 245/242 and the 13-limit rank-5 temperament tempering out 105/104, or rank-4 tempering out 105/104 and 144/143, or else 105/104 and 196/195 and hence 225/224 also.  
The [[harmonic]]s [[3/1|3]], [[5/1|5]] and [[7/1|7]] for 91edo are on the flat side, making this a mostly flat system. It [[tempering out|tempers out]] [[15625/15552]] in the 5-limit, [[225/224]] and [[4375/4374]] in the 7-limit, [[245/242]], [[385/384]] in the 11-limit, and [[105/104]], [[144/143]], [[196/195]] in the 13-limit. It provides the [[optimal patent val]] for 11- and 13-limit [[septimin]] temperament, and the 13-limit rank-3 [[tripod]] temperament, as well as the 11-limit rank-4 temperament tempering out 245/242 and the 13-limit rank-5 temperament tempering out 105/104, or rank-4 tempering out 105/104 and 144/143, or else 105/104 and 196/195 and hence 225/224 also.  


Using the 91c val, it is audibly indistinguishable from a closed system of [[1/7-comma meantone]], with a 5th only 0.018 cents sharper. The chromatic semitone in this scale corresponds to 135/128, the [[eigenmonzo|eigenmonzo (unchanged-interval)]] of [[1/7-comma meantone]]. Being 7 steps, what is also remarkable is that in this instance the chromatic semitone is equal to one step of [[13edo]]. Since 135/128 is also equal to 1/13 of the octave, the 91c [[val]] tempers out the [[aluminium comma]] in the 5-limit.  
Using the 91c val, it is audibly indistinguishable from a closed system of [[1/7-comma meantone]], with a 5th only 0.018 cents sharper. The chromatic semitone in this scale corresponds to 135/128, the [[eigenmonzo]] (unchanged interval) of [[1/7-comma meantone]]. Being 7 steps, what is also remarkable is that in this instance the chromatic semitone is equal to one step of [[13edo]]. Since 135/128 is also equal to 1/13 of the octave, the 91c [[val]] tempers out the [[aluminium comma]] in the 5-limit.  


The equal temperament also tempers out the {{monzo| -11 26 -13 }}, the tridecatonic comma, which assigns [[10/9]] to 2/13 of the octave, and it supports [[trideci]] in the 7-limit, tempering out 4375/4374 and 83349/81920. It supports a variant of [[semaphore]] temperament which tempers out the {{monzo| -42 23 2 }} comma in the 2.3.7 [[subgroup]], and is generated by a 19\91 generator. It is the second highest in a series of four consecutive edos that temper out [[quartisma]] ({{monzo| 24 -6 0 1 -5 }}), and as a corollary it is a tuning for the [[quartkeenlig]] temperament, which can also act as a [[23edo and octave stretching|stretched 23edo]]. In the 13-limit, it supports [[vidar]] and gives a reasonable tuning for its size.
It also tempers out the {{monzo| -11 26 -13 }}, the tridecatonic comma, which assigns [[10/9]] to 2/13 of the octave, and it supports [[trideci]] in the 7-limit, tempering out 4375/4374 and 83349/81920. It supports a variant of [[semaphore]] temperament which tempers out the {{monzo| -42 23 2 }} comma in the 2.3.7 [[subgroup]], and is generated by a 19\91 generator. It is the second highest in a series of four consecutive edos that temper out [[quartisma]] ({{monzo| 24 -6 0 1 -5 }}), and as a corollary it is a tuning for the [[quartkeenlig]] temperament, which can also act as a [[23edo and octave stretching|stretched]] [[23edo]]. In the 13-limit, it supports [[vidar]] and gives a reasonable tuning for its size.
 
The [[concoctic scale]] for 91edo is 27 steps, where two concoctic neutral thirds make a sharp fifth of 54\91, representing 3/2 in the 91b val. There are more than one way to interpret this in regular temperament theory. First, in the 13-limit, is to assume that 27\91 is directly equivalent to 16/13 and set a temperament in the 2.3.5.7.13 subgroup, which produces a 27 & 91b temperament with the comma basis 91/90, 6272/6075, {{monzo| 84 13 11 -10 }}. Second is to directly take the 27 & 91b val in the 13-limit, which can also be taken using the 27e & 91b.


=== Odd harmonics ===
=== Odd harmonics ===
{{Harmonics in equal|91}}
{{Harmonics in equal|91}}


=== Miscellaneous properties ===
=== Subsets and supersets ===
91 is the smallest composite number whose composite character is not immediately evident in the decimal system; it is, in fact, the product of 7 and 13.  
91 is the smallest composite number whose composite character is not immediately evident in the decimal system; it is, in fact, the product of 7 and 13. As such, 91edo contains [[7edo]] and [[13edo]] as subsets.
 
=== Miscellany ===
The [[concoctic scale]] for 91edo is 27 steps, where two concoctic neutral thirds make a sharp fifth of 54\91, representing 3/2 in the 91b val.
 
== Intervals ==
{{Interval table}}


Since the number 7 has historically represented luck, and the number 13 has always stood for bad luck, from an aesthetic standpoint, the factoring of 91 represents a kind of "yin-yang", a combination of opposites.
== Notation ==
=== Ups and downs notation ===
91edo can be notated using [[ups and downs notation|ups and downs]]. Trup is equivalent to quudsharp, trudsharp is equivalent to quup, etc.
{{Sharpness-sharp7a}}


== Regular temperament properties ==
Alternatively, sharps and flats with arrows borrowed from [[Helmholtz–Ellis notation]] can be used:
{| class="wikitable center-4 center-5 center-6"
{{Sharpness-sharp7}}
! rowspan="2" | [[Subgroup]]
 
! rowspan="2" | [[Comma list|Comma List]]
=== Eliora's notation ===
! rowspan="2" | [[Mapping]]
[[User:Eliora|Eliora]], who believes the diatonic way of naming intervals in 91edo is not useful due to the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13—7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The {{nowrap|7 + 13}} naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.
! rowspan="2" | Optimal<br>8ve Stretch (¢)
 
! colspan="2" | Tuning Error
{| class="wikitable center-1 mw-collapsible mw-collapsed"
|+ style="font-size: 105%; white-space: nowrap;" | Table of intervals in 91edo
|-
|-
! [[TE error|Absolute]] (¢)
! #
! [[TE simple badness|Relative]] (%)
! Eliora's naming system
! Eliora's notation
! Associated ratio
|-
|-
| 2.3
| 0
| {{monzo| -144 91 }}
| unison<br>perfect prime <br>perfect prota
| [{{val| 91 144 }}]
| A <br />Az (А)
| +0.963
| [[1/1]]
| 0.964
| 7.31
|-
|-
| 2.3.5
| 1
| 15625/15552, 43046721/41943040
| major prime <br>major prota
| [{{val| 91 144 211 }}]
| A# <br>Az#
| +1.202
| [[1728/1715]]
| 0.857
| 6.49
|-
|-
| 2.3.5.7
| 2  
| 225/224, 4375/4374, 50421/50000
| augmented prota
| [{{val| 91 144 211 255 }}]
| Az##
| +1.453
|  
| 0.860
| 6.51
|}
 
=== Rank-2 temperaments ===
{| class="wikitable center-all left-5"
! Periods<br>per 8ve
! Generator<br>(Reduced)
! Cents<br>(Reduced)
! Associated<br>Ratio
! Temperaments
|-
|-
| 1
| 3
| 2\91
| biaugmented prota
| 26.37
| Az###
| 49/48
|  
| [[Sfourth]]
|-
|-
| 1
| 4
| 4\91
| bidiminished deiteria
| 52.75
| Buki♭♭♭
| 33/32
| [[33/32]]
| [[Quartkeenlig]] (91f)
|-
|-
| 1
|5
| 11\91
| diminished deiteria
| 145.05
| Buki♭♭
| 49/45
|  
| [[Swetneus]] (91ef)
|-
|-
| 1
| 6
| 19\91
| minor deiteria
| 250.55
| Buki♭
| 1240029/1048576
|  
| ''[[Semaphore]] (24 & 91 variant) †''
|-
|-
| 1
| 7
| 20\91
| neutral deiteria
| 263.74
| Buki (Б)
| 7/6
| [[135/128]]
| [[Septimin]] (91)
|-
|-
| 1
| 8
| 24\91
| major deiteria
| 316.48
| Buki#
| 6/5
|  
| [[Catakleismic]] (91f)
|-
|-
| 1
| 9
| 33\91
| augmented deiteria
| 435.16
| Buki##
| 9/7
|  
| [[Supermajor]]
|-
|-
| 1
| 10
| 34\91
| biaugmented deiteria
| 448.35
| Buki###
| 35/27
|  
| [[Semidimfourth]]
|-
|-
| 1
| 11
| 38\91
| bidiminished tritia
| 501.10
| Vedi♭♭♭
| 4/3
| [[13/12]], [[12/11]]
| ''Lalagu (12 & 79) (91) /'' [[meantone]] (91c)
|-
|-
| 1
| 12
| 44\91
| diminished tritia
| 580.22
| Vedi♭♭
| 7/5
|  
| [[Tritonic]]
|-
|-
| 7
| 13
| 38\91<br>(1\91)
| neutral secunde <br>minor tritia
| 501.10<br>(13.19)
| B<br>Vedi♭
| 4/3<br>(81/80)
| [[11/10]]
| [[Absurdity]]
|-
|-
| 13
| 14
| 38\91<br>(1\91)
| neural tritia
| 501.10<br>(13.19)
| Vedi (В)
| 4/3<br>(265/252)
| [[10/9]]
| [[Trideci]] (91) / [[aluminium]] (91c)
|}
† derived from scales in the Scales section, official name not decided upon yet.
 
== Intervals ==
[[User:Eliora|Eliora]], who believes the diatonic way of naming intervals in 91edo is not useful due to the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.
 
{| class="wikitable mw-collapsible"
|+ style=white-space:nowrap | Table of intervals in 91edo
! #
! Eliora's Naming System
! Eliora's Notation
! Associated Ratio
|-
|-
|0
| 15
|unison <br>perfect prime <br>perfect prota
| major tritia
|A <br>Az (А)
| Vedi#
|[[1/1]]
| [[9/8]]
|-
|-
|1
| 16
|major prime <br>major prota
| augmented tritia
|A# <br>Az#
| Vedi##
| [[1728/1715]]
|  
|-
|-
|2
| 17
|augmented prota
| biaugmented tritia
|Az##
| Vedi###
|  
|  
|-
|-
|3
| 18
|biaugmented prota
| bidiminished tesseria
|Az###
| Glagol♭♭♭
| [[8/7]]
|-
| 19
| diminished tesseria
| Glagol♭♭
|  
|  
|-
|-
|4
| 20
|bidiminished deiteria
| minor tesseria
|Buki♭♭♭
| Glagol♭
| [[33/32]]
| [[7/6]]
|-
|-
|5
| 21
|diminished deiteria
| neutral tesseria
|Buki♭♭
| Glagol (Г)
|  
|  
|-
|-
|6
| 22
|minor deiteria
| major tesseria
|Buki♭
| Glagol#
| [[13/11]]
|-
| 23
| augmented tesseria
| Glagol##
|  
|  
|-
|-
|7
| 24
|neutral deiteria
| biaugmented tesseria
|Buki (Б)
| Glagol###
| [[135/128]]
| [[6/5]]
|-
|-
|8
| 25
|major deiteria
| bidiminished pemptia
|Buki#
| Dobro♭♭♭
|  
|  
|-
|-
|9  
| 26
|augmented deiteria
| neutral tertie <br>diminished pemptia
|Buki##
| C <br>Dobro♭♭
|  
| [[11/9]]
|-
| 27
| major tertie <br>minor pemptia
| C# <br />Dobro♭
| [[16/13]], 27/22
|-
|-
|10
| 28
|biaugmented deiteria
| neutral pemptia
|Buki###
| Dobro (Д)
|  
|  
|-
|-
|11
| 29
|bidiminished tritia
| major pemptia
|Vedi♭♭♭
| Dobro#
|[[13/12]], [[12/11]]
| [[5/4]]
|-
|-
|12
| 30
|diminished tritia
| augmented pemptia
|Vedi♭♭
| Dobro##
|  
|  
|-
|-
|13
| 31
|neutral secunde <br>minor tritia
| biaugmented pemptia
|B<br>Vedi♭
| Dobro###
|[[11/10]]
|  
|-
|-
|14
| 32
|neural tritia
| bidiminished hektia
|Vedi (В)
| Yest♭♭♭
|[[10/9]]
| [[14/11]]
|-
|-
|15
| 33
|major tritia
| diminished hektia
|Vedi#
| Yest♭♭
|[[9/8]]
| [[9/7]]
|-
|-
|16
| 34
|augmented tritia
| minor hektia
|Vedi##
| Yest♭
|  
|  
|-
|-
|17
| 35
|biaugmented tritia
| neutral hektia
|Vedi###
| Yest (Е)
|  
|  
|-
|-
|18
| 36
|bidiminished tesseria
| major hektia
|Glagol♭♭♭
| Yest#
|[[8/7]]
|  
|-
|-
|19
| 37
|diminished tesseria
| augmented hektia
|Glagol♭♭
| Yest##
|  
|  
|-
|-
|20
| 38
|minor tesseria
| biaugmented hektia
|Glagol♭
| Yest###
|[[7/6]]
| [[4/3]]
|-
|-
|21
| 39
|neutral tesseria
| neutral quarte <br>bidiminished hebdomia
|Glagol (Г)
| D<br>Zhivete♭♭♭
|  
|  
|-
|-
|22
| 40
|major tesseria
| diminished hebdomia
|Glagol#
| Zhivete♭♭
|[[13/11]]
|  
|-
|-
|23
| 41
|augmented tesseria
| minor hebdomia
|Glagol##
| Zhivete♭
|  
|  
|-
|-
|24
| 42
|biaugmented tesseria
| neutral hebdomia
|Glagol###
| Zhivete (Ж)
|[[6/5]]
| [[11/8]]
|-
|-
|25
| 43
|bidiminished pemptia
| major hebdomia
|Dobro♭♭♭
| Zhivete#
|  
|  
|-
|-
|26
| 44
|neutral tertie <br>diminished pemptia
| augmented hebdomia
|C <br>Dobro♭♭
| Zhivete##
|[[11/9]]
| [[7/5]]
|-
|-
|27
| 45
|major tertie <br>minor pemptia
| biaugmented hebdomia
|C# <br>Dobro♭
| Zhivete###
|[[16/13]], 27/22
|  
|-
|-
|28
| 46
|neutral pemptia
| bidiminished ogdonia
|Dobro (Д)
| Dzelo♭♭♭
|  
|  
|-
|-
|29
| 47
|major pemptia
| diminished ogdonia
|Dobro#
| Dzelo♭♭
|[[5/4]]
| [[10/7]]  
|-
|-
|30
| 48
|augmented pemptia
| minor ogdonia
|Dobro##
| Dzelo♭
|  
|  
|-
|-
|31
| 49
|biaugmented pemptia
| neutral ogdonia
|Dobro###
| Dzelo (Ѕ)
|  
|  
|-
|-
|32
| 52
|bidiminished hektia
| neutral quinte
|Yest♭♭♭
| E
|[[14/11]]
| 121/81
|-
|-
|33
| 53
|diminished hektia
| major quinte
|Yest♭♭
| E#
|[[9/7]]
| [[3/2]]
|-
|-
|34
| 54
|minor hektia
| augmented quinte <br>diminished ennatia
|Yest♭
| E## <br>Zemle♭♭
| [[256/169]]
|-
| 55
| minor ennatia
| Zemle♭
|  
|  
|-
|-
|35
| 56
|neutral hektia
| neutral ennatia
|Yest (Е)
| Zemle (З)
|  
|  
|-
|-
|36
| 63
|major hektia
| neutral decatia
|Yest#
| Izhe (И)
|  
|  
|-
|-
|37
| 64
|augmented hektia
| major decatia <br>minor sexte
|Yest##
| Izhe# <br>F♭
|  
|  
|-
|-
|38
| 65
|biaugmented hektia
| neutral sexte
|Yest###
| F
|[[4/3]]
|  
|-
|-
|39
| 70
|neutral quarte <br>bidiminished hebdomia
| neutral hendecatia
|D<br>Zhivete♭♭♭
| Jerve (Ђ)
|  
|  
|-
|-
|40
| 77
|diminished hebdomia
| neutral dodecatia
|Zhivete♭♭
| Kako (К)
|  
|  
|-
|-
|41
| 78
|minor hebdomia
| neutral septime
|Zhivete♭
| G
|  
|  
|-
|-
|42
| 84
|neutral hebdomia
| neutral decatotritia
|Zhivete (Ж)
| Ludi (Л)
|[[11/8]]
|-
|43
|major hebdomia
|Zhivete#
|  
|  
|-
|-
|44
| 91
|augmented hebdomia
| perfect octave <br>perfect decatotetartia
|Zhivete##
| A<br>Az (А)
|[[7/5]]
| [[2/1]] exact
|}
 
== Regular temperament properties ==
{| class="wikitable center-4 center-5 center-6"
|-
|-
|45
! rowspan="2" | [[Subgroup]]
|biaugmented hebdomia
! rowspan="2" | [[Comma list]]
|Zhivete###
! rowspan="2" | [[Mapping]]
|
! rowspan="2" | Optimal<br>8ve stretch (¢)
! colspan="2" | Tuning error
|-
|-
|46
! [[TE error|Absolute]] (¢)
|bidiminished ogdonia
! [[TE simple badness|Relative]] (%)
|Dzelo♭♭♭
|  
|-
|-
|47
| 2.3
|diminished ogdonia
| {{Monzo| -144 91 }}
|Dzelo♭♭
| {{Mapping| 91 144 }}
|[[10/7]]
| +0.963
| 0.964
| 7.31
|-
|-
|48
| 2.3.5
|minor ogdonia
| 15625/15552, 43046721/41943040
|Dzelo♭
| {{Mapping| 91 144 211 }}
|  
| +1.202
| 0.857
| 6.49
|-
|-
|49
| 2.3.5.7
|neutral ogdonia
| 225/224, 4375/4374, 50421/50000
|Dzelo (Ѕ)
| {{Mapping| 91 144 211 255 }}
|
| +1.453
| 0.860
| 6.51
|}
 
=== Rank-2 temperaments ===
{| class="wikitable center-all left-5"
|+ style="font-size: 105%;" | Table of rank-2 temperaments by generator
|-
|-
|52
! Periods<br>per 8ve
|neutral quinte
! Generator*
|E
! Cents*
|121/81
! Associated<br>ratio*
! Temperament
|-
|-
|53
| 1
|major quinte
| 2\91
|E#
| 26.37
|[[3/2]]
| 49/48
| [[Sfourth]]
|-
|-
|54
| 1
|augmented quinte <br>diminished ennatia
| 4\91
|E## <br>Zemle♭♭
| 52.75
|[[256/169]]
| 33/32
| [[Quartkeenlig]] (91f)
|-
|-
|55
| 1
|minor ennatia
| 11\91
|Zemle♭
| 145.05
|
| 49/45
| [[Swetneus]] (91ef)
|-
|-
|56
| 1
|neutral ennatia
| 19\91
|Zemle (З)
| 250.55
|
| 1240029/1048576
| ''[[Semaphore]] variant'' (24 & 91)**
|-
|-
|63
| 1
|neutral decatia
| 20\91
|Izhe (И)
| 263.74
|
| 7/6
| [[Septimin]] (91)
|-
|-
|64
| 1
|major decatia <br>minor sexte
| 24\91
|Izhe# <br>F♭
| 316.48
|
| 6/5
| [[Catakleismic]] (91f)
|-
|-
|65
| 1
|neutral sexte
| 33\91
|F
| 435.16
|
| 9/7
| [[Supermajor (temperament)|Supermajor]]
|-
|-
|70
| 1
|neutral hendecatia
| 34\91
|Jerve (Ђ)
| 448.35
|
| 35/27
| [[Semidimfourth]]
|-
|-
|77
| 1
|neutral dodecatia
| 38\91
|Kako (К)
| 501.10
|
| 4/3
| [[Python]]
|-
|-
|78
| 1
|neutral septime
| 44\91
|G
| 580.22
|
| 7/5
| [[Tritonic]]
|-
|-
|84
| 7
|neutral decatotritia
| 38\91<br>(1\91)
|Ludi (Л)
| 501.10<br>(13.19)
|
| 4/3<br>(81/80)
| [[Absurdity]]
|-
|-
|91
| 13
|perfect octave <br>perfect decatotetartia
| 38\91<br>(1\91)
|A<br>Az (А)
| 501.10<br>(13.19)
|[[2/1]] exact
| 4/3<br>(265/252)
| [[Trideci]] (91)<br>[[Aluminium]] (91c)
|}
|}
<nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct
<nowiki/>** Derived from scales in the Scales section, official name not decided upon yet.


== Scales ==
== Scales ==
*[[Semaphore5]]: 19 15 19 19 19
{{See also| 5- to 10-tone scales in 91edo }}
*[[Semaphore9]]: 15 4 15 4 15 4 15 15 4
 
*[[Semaphore14]]: 4 11 4 4 11 4 4 11 4 11 4 4 11 4  
* [[Semaphore5]]: 19 15 19 19 19
* [[Semaphore9]]: 15 4 15 4 15 4 15 15 4
* [[Semaphore14]]: 4 11 4 4 11 4 4 11 4 11 4 4 11 4  
* NaiveMajor[7]: 13 16 10 13 16 13 10
* NaiveMajor[7]: 13 16 10 13 16 13 10
* NaiveMinor[7]: 13 10 16 13 10 13 16
* NaiveMinor[7]: 13 10 16 13 10 13 16
Line 469: Line 487:
* SeptiminHijaz[9]: 5 15 11 9 11 9 5 15 11
* SeptiminHijaz[9]: 5 15 11 9 11 9 5 15 11
* Meantone[12]: 878787887878
* Meantone[12]: 878787887878
*[[Meantone43 in 91edo]]
* [[Meantone43 in 91edo]]
*[[Meantone55 in 91edo]]
* [[Meantone55 in 91edo]]
* NaiveOrwell[13]: 5795797597579
* NaiveOrwell[13]: 5795797597579
* ArabicNaiveOrwell[13]: 1 11 9 5 1 15 7 5 9 7 1 11 9
* ArabicNaiveOrwell[13]: 1 11 9 5 1 15 7 5 9 7 1 11 9
Line 477: Line 495:
* ConcocticSubset[7]: 17 10 17 10 17 10 17
* ConcocticSubset[7]: 17 10 17 10 17 10 17
* ConcocticMaqamSikah: 10 17 17 10 10 17 10
* ConcocticMaqamSikah: 10 17 17 10 10 17 10
* [[5- to 10-tone scales in 91edo]]
 
== Instruments ==
A [[Lumatone mapping for 91edo]] is available.


== Music ==
== Music ==
* [http://chrisvaisvil.com/dprk-ison-chase-12-of-91-edo-ambient/ DPRK ISON CHASE] by [[Chris Vaisvil]]
=== Modern renderings ===
** [https://www.youtube.com/watch?v=StCR6hcm5tM DPRK ISON CHASE - YouTube]
; {{W|Maretu}}
* [https://www.youtube.com/watch?v=_5WS7AGZxm4 Sadness - Nope] by [[Mercury Amalgam]]
* [https://www.youtube.com/shorts/7RDvArkSJrk ''Aishite ita no ni''] (2023) – microtonal cover in 91edo by [[Bryan Deister]] (2026)
 
=== 21st century ===
; [[Mercury Amalgam]]
* ''Sadness - Nope'' (2022) – [https://mercuryamalgam.bandcamp.com/track/sadness-nope-the-molecular-agoge-pt-2 Bandcamp] | [https://www.youtube.com/watch?v=_5WS7AGZxm4 YouTube]
 
; [[Bryan Deister]]
* [https://www.youtube.com/shorts/HaYUAg30298 ''microtonal improvisation in 91edo''] (2025)
* [https://www.youtube.com/shorts/z6PeEocYMV8 ''improv 91edo''] (2025)
 
; [[Chris Vaisvil]]
* ''DPRK ISON CHASE'' (2014) – [http://chrisvaisvil.com/dprk-ison-chase-12-of-91-edo-ambient/ blog] | [https://www.youtube.com/watch?v=StCR6hcm5tM YouTube]


[[Category:91edo| ]] <!-- main article -->
[[Category:Equal divisions of the octave|##]] <!-- 2-digit number -->
[[Category:Animist]]
[[Category:Animist]]
[[Category:Cassacot]]
[[Category:Frostmic]]
[[Category:Domineering]]
[[Category:Listen]]
[[Category:Quartismic]]
[[Category:Quartismic]]
[[Category:Septimin]]
[[Category:Septimin]]
[[Category:Tripod]]
[[Category:Tripod]]
{{Todo| cleanup }}
Retrieved from "https://en.xen.wiki/w/91edo"