Myna: Difference between revisions
Myna should be compared with quasitemp (since both are rank-2) |
m replaced quasitemp with superkleismic, since it's generated by 6/5 like myna and demonstrates the keemic equivalence better; also I believe it to be more known than quasitemp |
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| Odd limit 2 = (2.3.5.7.11) 21 | Mistuning 2 = ? | Complexity 2 = 58 | | Odd limit 2 = (2.3.5.7.11) 21 | Mistuning 2 = ? | Complexity 2 = 58 | ||
}} | }} | ||
'''Myna''' is a [[rank-2]] [[regular temperament|temperament]] that is [[generator|generated]] by a flattened minor third of [[~]][[6/5]], so that seven generators reach [[7/4]], nine reach [[5/4]] and ten reach [[3/2]]. It can be thought of in terms of a series of equidistances between thirds, that is, making [[8/7]]–[[7/6]]–6/5–[[49/40]]–[[5/4]]–[[9/7]]–[[21/16]] all equidistant (the distances between which are [[36/35]], [[49/48]], and [[50/49]]), or otherwise tuning the pental thirds outwards so that the chroma between them ([[25/24]]) is twice the size of the interval between the pental and septimal thirds, 36/35. This is one of two major options for how the thirds are organized in [[edo]]s of medium size – the other one being [[keemic temperaments]], | '''Myna''' is a [[rank-2]] [[regular temperament|temperament]] that is [[generator|generated]] by a flattened minor third of [[~]][[6/5]], so that seven generators reach [[7/4]], nine reach [[5/4]] and ten reach [[3/2]]. It can be thought of in terms of a series of equidistances between thirds, that is, making [[8/7]]–[[7/6]]–6/5–[[49/40]]–[[5/4]]–[[9/7]]–[[21/16]] all equidistant (the distances between which are [[36/35]], [[49/48]], and [[50/49]]), or otherwise tuning the pental thirds outwards so that the chroma between them ([[25/24]]) is twice the size of the interval between the pental and septimal thirds, 36/35. This is one of two major options for how the thirds are organized in [[edo]]s of medium size – the other one being [[keemic temperaments]], such as [[superkleismic]], where the gap between 6/5 and 5/4 is compressed to equal that between 7/6 and 6/5 instead of widened to equal twice it. In either case, by tempering the septimal dieses together, there is an exact neutral third in between 6/5 and 5/4. [[11-limit]] myna then arises from equating this neutral third to [[11/9]] and 13-limit myna adds the interpretation of [[16/13]] to it as well. | ||
[[27edo|27e-edo]] and [[31edo]] represent natural endpoints of myna's tuning range, and 27 + 31 = [[58edo]] and 58 + 31 = [[89edo]] are very good tunings. In terms of [[commas]], the most characteristic comma that myna [[tempering out|tempers out]] is [[126/125]], the starling comma, so that two generators reach [[10/7]] and four reach the distinctive 36/35~50/49 chroma. Additionally, [[1728/1715]] ([[S-expression|S6/S7]]), the orwellisma, is tempered out to equate 36/35 with 49/48, and so is [[2401/2400]], the breedsma, to equate 49/48 and 50/49 (and find a neutral third at 49/40~60/49). In the 11-limit, [[176/175]], [[243/242]], [[441/440]], and [[540/539]] are tempered out; in the 13-limit, [[144/143]] and [[352/351]] are additionally tempered out. | [[27edo|27e-edo]] and [[31edo]] represent natural endpoints of myna's tuning range, and 27 + 31 = [[58edo]] and 58 + 31 = [[89edo]] are very good tunings. In terms of [[commas]], the most characteristic comma that myna [[tempering out|tempers out]] is [[126/125]], the starling comma, so that two generators reach [[10/7]] and four reach the distinctive 36/35~50/49 chroma. Additionally, [[1728/1715]] ([[S-expression|S6/S7]]), the orwellisma, is tempered out to equate 36/35 with 49/48, and so is [[2401/2400]], the breedsma, to equate 49/48 and 50/49 (and find a neutral third at 49/40~60/49). In the 11-limit, [[176/175]], [[243/242]], [[441/440]], and [[540/539]] are tempered out; in the 13-limit, [[144/143]] and [[352/351]] are additionally tempered out. | ||