Overtone scale: Difference between revisions

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[[File:Ji-5-6-7-8-9-10-csound-foscil-220hz.mp3|right|thumb|270px|Mode 5: 5:6:7:8:9:10]]
[[File:Ji-5-6-7-8-9-10-csound-foscil-220hz.mp3|right|thumb|270px|Mode 5: 5:6:7:8:9:10]]


; [[5afdo|Mode 5]]: 5:6:7:8:9:10 – This is essentially a [[7-limit]] fully-diminished seventh chord. [[7/5]] makes a very nice tritone above the bass – the simplest one available in JI – and it is available in all the higher Over-5 modes as well. This is the scale used by the Wagogo people of Tanzania.
; [[5afdo|Mode 5]]: 5:6:7:8:9:10 – This is essentially a [[7-limit]] fully-diminished seventh chord. [[7/5]] makes a very nice tritone above the bass – the simplest one available in JI – and it is available in all the higher Over-5 modes as well.


[[File:Ji-10-11-12-13-14-15-16-17-18-19-20-csound-foscil-220hz.mp3|right|thumb|270px|Mode 10 scale]]
[[File:Ji-10-11-12-13-14-15-16-17-18-19-20-csound-foscil-220hz.mp3|right|thumb|270px|Mode 10 scale]]
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== See also ==
== See also ==
* [[Andrew Heathwaite]]: The composer and wiki editor who authored this page and the majority of its contents
* [[AFDO]]: An alternative framework for describing scales which overlaps substantially with overtone scales
* [[AFDO]]: An alternative framework for describing scales which overlaps substantially with overtone scales
* [[Mike Sheiman's Very Easy Scale Building From The Harmonic Series Page]]: Another take on the subject of overtone scales
* [[Mike Sheiman's Very Easy Scale Building From The Harmonic Series Page]]: Another take on the subject of overtone scales