15edo/Interval names: Difference between revisions
Jump to navigation
Jump to search
mNo edit summary |
m Text replacement - "Ups and Downs Notation" to "Ups and downs notation" |
||
(39 intermediate revisions by 11 users not shown) | |||
Line 1: | Line 1: | ||
<noinclude>{{breadcrumb}} | |||
<span style="font-size: 115%;">If you haven't made an interval naming system yet, make one and add a column when you finish your notation system!</span></noinclude> | |||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
| | ! Steps | ||
! Cents | |||
! Vector's interval names | |||
| | ! [http://musictheory.zentral.zone/huntsystem4.html Aaron's Answer] | ||
! [[Extra-Diatonic Intervals|Igs' Input]] | |||
| | ! [http://dkeenan.com/Music/EdoIntervalNames.pdf Keenan Category] | ||
| | ! [http://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt Margo's Method] | ||
! [[User:PiotrGrochowski/Extra-Diatonic Intervals|Piotr Grochowski]] | |||
! [http://forum.sagittal.org/viewforum.php?f=9 SagiSpeak] | |||
! [[Ups and downs notation|Ups and Downs]] | |||
! [[SKULO interval names|Lilly's List]] | |||
! Ordway's Order | |||
! Ratios | |||
|- | |- | ||
| | | 0 | ||
| | | 0 | ||
| | | unison | ||
| | | P1 | ||
| | | Unison | ||
| | | P1 | ||
|m2 | | Unison | ||
| | | unison | ||
| | | P1 | ||
| P1, m2 | |||
| P1 | |||
| P1 | |||
| [[1/1]] | |||
|- | |- | ||
| | | 1 | ||
| | | 80 | ||
| | | semitone | ||
| | | m2 | ||
| | | Subminor 2nd | ||
| | | mi2 | ||
| | | Minor 2nd | ||
| | | augmented unison | ||
| | | pai-P1 | ||
| ^1, ^m2 | |||
| K1 | |||
| m2 | |||
| [[25/24]], [[21/20]], [[16/15]], [[22/21]] | |||
|- | |- | ||
| | | 2 | ||
| | | 160 | ||
| | | minor tone | ||
| | | NM2 (Narrow M2) | ||
| | | Neutral 2nd | ||
|M2 | | Mi2 | ||
| | | Large Neutral 2nd | ||
|M2 | | high neutral second | ||
| | | pao-M2 | ||
| vM2 | |||
| kM2 | |||
| M2 | |||
| [[11/10]], [[12/11]], [[10/9]] | |||
|- | |- | ||
| | | 3 | ||
| | | 240 | ||
| | | major tone, wolf third | ||
| | | LM2 | ||
| | | Supermajor 2nd | ||
| | | Ai2/di3 | ||
| | | Large Major 2nd | ||
| | | second–third | ||
| | | M2 | ||
| M2, m3 | |||
| SM2/sm3 | |||
| S2/s3 | |||
| [[8/7]], [[7/6]], [[9/8]] | |||
|- | |- | ||
| | | 4 | ||
| | | 320 | ||
| | | minor third | ||
| | | Lm3 | ||
| | | Minor 3rd | ||
| | | mi3 | ||
| | | Large Minor 3rd | ||
| | | minor third | ||
|5 | | pai-m3 | ||
| ^m3 | |||
| Km3 | |||
| m3 | |||
| [[6/5]], [[11/9]] | |||
|- | |- | ||
| | | 5 | ||
| | | 400 | ||
| | | major third | ||
| | | M3 | ||
| | | Major 3rd | ||
| | | Mi3 | ||
| | | Major 3rd | ||
| | | major third | ||
|4 | | pao-M3 | ||
| vM3 | |||
| kM3 | |||
| M3 | |||
| [[5/4]], [[14/11]] | |||
|- | |- | ||
| | | 6 | ||
| | | 480 | ||
| | | perfect fourth | ||
| | | S4 (Small 4) | ||
| | | Sub 4th | ||
| | | P4 | ||
| | | Small Perfect 4th | ||
| | | low fourth | ||
| | | P4 | ||
| M3, P4, d5 | |||
| SM3/s4 | |||
| P4 | |||
| [[4/3]], [[9/7]], [[21/16]] | |||
|- | |- | ||
| | | 7 | ||
| | | 560 | ||
| | | wolf fourth, diminished fifth, narrow tritone | ||
| | | Na4/Sd5 | ||
| | | Narrow Tritone | ||
| | | Ai4 | ||
| | | Small Tritone | ||
| | | low augmented fourth | ||
| | | pai-P4 | ||
| ^4, ^d5 | |||
| K4 | |||
| m4 | |||
| [[11/8]], [[7/5]] | |||
|- | |- | ||
| | | 8 | ||
| | | 640 | ||
| | | wolf fifth, augmented fourth, wide tritone | ||
| | | La4/Wd5 | ||
| | | Wide Tritone | ||
| | | di5 | ||
| | | Large Tritone | ||
|P5 | | high diminished fifth | ||
| | | pao-P5 | ||
| vA4, v5 | |||
| k5 | |||
| M5 | |||
| [[16/11]], [[10/7]] | |||
|- | |- | ||
| | | 9 | ||
| | | 720 | ||
| | | perfect fifth | ||
| | | L5 | ||
| | | Super 5th | ||
| | | P5 | ||
| | | Large Perfect 5th | ||
| | | high fifth | ||
| | | P5 | ||
| A4, P5, m6 | |||
| S5/sm6 | |||
| P5 | |||
| [[3/2]], [[14/9]], [[32/21]] | |||
|- | |- | ||
| | | 10 | ||
| | | 800 | ||
| | | minor sixth | ||
| | | m6 | ||
| | | Minor 6th | ||
| | | mi6 | ||
| | | Minor 6th | ||
| | | minor sixth | ||
|5 | | pai-m6 | ||
| ^5, ^m6 | |||
| Km6 | |||
| m6 | |||
| [[8/5]], [[11/7]] | |||
|- | |- | ||
| | | 11 | ||
| | | 880 | ||
| | | major sixth | ||
| | | SM6 | ||
| | | Major 6th | ||
| | | Mi6 | ||
| | | Small Major 6th | ||
| | | major sixth | ||
| | | pao-M6 | ||
| vA5, vM6 | |||
| kM6 | |||
| M6 | |||
| [[5/3]], [[18/11]] | |||
|- | |- | ||
| | | 12 | ||
| | | 960 | ||
| | | harmonic seventh, wolf sixth | ||
| | | SM7 | ||
| | | Subminor 7th | ||
| | | Ai6/di7 | ||
| | | Small Minor 7th | ||
| | | sixth–seventh | ||
| | | m7 | ||
| M6, m7 | |||
| SM6/sm7 | |||
| S6/s7 | |||
| [[7/4]], [[12/7]], [[16/9]] | |||
|- | |- | ||
| | | 13 | ||
| | | 1040 | ||
| | | minor seventh | ||
| | | Wm7 | ||
| | | Neutral 7th | ||
| | | mi7 | ||
| | | Small Neutral 7th | ||
| | | low neutral seventh | ||
| | | pai-m7 | ||
| ^m7 | |||
| Km7 | |||
| m7 | |||
| [[20/11]], [[11/6]], [[9/5]] | |||
|- | |- | ||
|15 | | 14 | ||
|1200 | | 1120 | ||
|Octave | | major seventh | ||
|P8 | | M7 | ||
| | | Supermajor 7th | ||
|P8 | | Mi7 | ||
|P8 | | Major 7th | ||
|P8 | | diminished octave | ||
|2/1 | | pao-P8 | ||
| vM7, v8 | |||
| kM7 | |||
| M7 | |||
| [[48/25]], [[40/21]], [[15/8]], [[21/11]] | |||
|- | |||
| 15 | |||
| 1200 | |||
| octave | |||
| P8 | |||
| Octave | |||
| P8 | |||
| Octave | |||
| octave | |||
| P8 | |||
| M7, P8 | |||
| P8 | |||
| P8 | |||
| [[2/1]] | |||
<includeonly> | |||
{{Navbar table|cols=12|15edo-interval_names}} | |||
</includeonly> | |||
|} | |} | ||
<noinclude> | |||
[[Category:15edo]] | |||
[[Category:Tables]] | |||
[[Category:Interval naming]] | |||
</noinclude> |
Latest revision as of 01:07, 20 August 2025
If you haven't made an interval naming system yet, make one and add a column when you finish your notation system!
Steps | Cents | Vector's interval names | Aaron's Answer | Igs' Input | Keenan Category | Margo's Method | Piotr Grochowski | SagiSpeak | Ups and Downs | Lilly's List | Ordway's Order | Ratios |
---|---|---|---|---|---|---|---|---|---|---|---|---|
0 | 0 | unison | P1 | Unison | P1 | Unison | unison | P1 | P1, m2 | P1 | P1 | 1/1 |
1 | 80 | semitone | m2 | Subminor 2nd | mi2 | Minor 2nd | augmented unison | pai-P1 | ^1, ^m2 | K1 | m2 | 25/24, 21/20, 16/15, 22/21 |
2 | 160 | minor tone | NM2 (Narrow M2) | Neutral 2nd | Mi2 | Large Neutral 2nd | high neutral second | pao-M2 | vM2 | kM2 | M2 | 11/10, 12/11, 10/9 |
3 | 240 | major tone, wolf third | LM2 | Supermajor 2nd | Ai2/di3 | Large Major 2nd | second–third | M2 | M2, m3 | SM2/sm3 | S2/s3 | 8/7, 7/6, 9/8 |
4 | 320 | minor third | Lm3 | Minor 3rd | mi3 | Large Minor 3rd | minor third | pai-m3 | ^m3 | Km3 | m3 | 6/5, 11/9 |
5 | 400 | major third | M3 | Major 3rd | Mi3 | Major 3rd | major third | pao-M3 | vM3 | kM3 | M3 | 5/4, 14/11 |
6 | 480 | perfect fourth | S4 (Small 4) | Sub 4th | P4 | Small Perfect 4th | low fourth | P4 | M3, P4, d5 | SM3/s4 | P4 | 4/3, 9/7, 21/16 |
7 | 560 | wolf fourth, diminished fifth, narrow tritone | Na4/Sd5 | Narrow Tritone | Ai4 | Small Tritone | low augmented fourth | pai-P4 | ^4, ^d5 | K4 | m4 | 11/8, 7/5 |
8 | 640 | wolf fifth, augmented fourth, wide tritone | La4/Wd5 | Wide Tritone | di5 | Large Tritone | high diminished fifth | pao-P5 | vA4, v5 | k5 | M5 | 16/11, 10/7 |
9 | 720 | perfect fifth | L5 | Super 5th | P5 | Large Perfect 5th | high fifth | P5 | A4, P5, m6 | S5/sm6 | P5 | 3/2, 14/9, 32/21 |
10 | 800 | minor sixth | m6 | Minor 6th | mi6 | Minor 6th | minor sixth | pai-m6 | ^5, ^m6 | Km6 | m6 | 8/5, 11/7 |
11 | 880 | major sixth | SM6 | Major 6th | Mi6 | Small Major 6th | major sixth | pao-M6 | vA5, vM6 | kM6 | M6 | 5/3, 18/11 |
12 | 960 | harmonic seventh, wolf sixth | SM7 | Subminor 7th | Ai6/di7 | Small Minor 7th | sixth–seventh | m7 | M6, m7 | SM6/sm7 | S6/s7 | 7/4, 12/7, 16/9 |
13 | 1040 | minor seventh | Wm7 | Neutral 7th | mi7 | Small Neutral 7th | low neutral seventh | pai-m7 | ^m7 | Km7 | m7 | 20/11, 11/6, 9/5 |
14 | 1120 | major seventh | M7 | Supermajor 7th | Mi7 | Major 7th | diminished octave | pao-P8 | vM7, v8 | kM7 | M7 | 48/25, 40/21, 15/8, 21/11 |
15 | 1200 | octave | P8 | Octave | P8 | Octave | octave | P8 | M7, P8 | P8 | P8 | 2/1 |