51edo: Difference between revisions
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{{Infobox ET}} | {{Infobox ET}} | ||
{{ | {{ED intro}} | ||
== Theory == | == Theory == | ||
51 = 3 × 17, | Since {{nowrap|51 {{=}} 3 × 17}}, 51edo shares its [[3/2|fifth]] with [[17edo]]. Compared to other multiples of 17edo, notably [[34edo]] and [[68edo]], 51edo's harmonic inventory seems lacking, getting few harmonics very well considering its step size. However, it does possess excellent approximations of [[11/10]] and [[21/16]], only about 0.3 cents off in each case. | ||
Using the [[patent val]], 51et [[tempering out|tempers out]] [[250/243]] in the [[5-limit]], [[225/224]] and [[2401/2400]] in the [[7-limit]], and [[55/54]] and [[100/99]] in the [[11-limit]]. It is the [[optimal patent val]] for [[sonic]], the rank-3 temperament tempering out 55/54, 100/99, and 250/243, and also for the rank-4 temperament tempering out 55/54. It provides an alternative tuning to [[22edo]] for [[porcupine]], with a nice fifth but a rather flat major third, and the optimal patent val for the 7- and 11-limit [[porky]] temperament, which is sonic plus 225/224. 51 contains an archeotonic [[6L 1s]] scale based on repetitions of 8\51, creating a scale with a whole-tone-like drive towards the tonic through the 17edo semitone at the top. | Using the [[patent val]], 51et [[tempering out|tempers out]] [[250/243]] in the [[5-limit]], [[225/224]] and [[2401/2400]] in the [[7-limit]], and [[55/54]] and [[100/99]] in the [[11-limit]]. It is the [[optimal patent val]] for [[sonic]], the rank-3 temperament tempering out 55/54, 100/99, and 250/243, and also for the rank-4 temperament tempering out 55/54. It provides an alternative tuning to [[22edo]] for [[porcupine]], with a nice fifth but a rather flat major third, and the optimal patent val for the 7- and 11-limit [[porky]] temperament, which is sonic plus 225/224. 51 contains an archeotonic [[6L 1s]] scale based on repetitions of 8\51, creating a scale with a whole-tone-like drive towards the tonic through the 17edo semitone at the top. | ||
Line 15: | Line 15: | ||
=== Subsets and supersets === | === Subsets and supersets === | ||
51edo contains [[3edo]] and [[17edo]] as subsets. | 51edo contains [[3edo]] and [[17edo]] as subsets. | ||
One of the very powerful (but very complex) supersets of 51edo is [[612edo]], which divides each step of 51edo into 12 equal parts, for which the name "skisma" has been proposed. | |||
== Intervals == | == Intervals == | ||
{| class="wikitable center-all right-2 left-3" | {| class="wikitable center-all right-2 left-3" | ||
|- | |- | ||
! | ! # | ||
! [[Cent]]s | ! [[Cent]]s | ||
! colspan="3" | [[Ups and downs notation]] | ! colspan="3" | [[Ups and downs notation]] | ||
|- | |- | ||
| 0 | | 0 | ||
| 0. | | 0.0 | ||
| Perfect 1sn | | Perfect 1sn | ||
| P1 | | P1 | ||
Line 31: | Line 33: | ||
|- | |- | ||
| 1 | | 1 | ||
| 23. | | 23.5 | ||
| Up 1sn | | Up 1sn | ||
| ^1 | | ^1 | ||
Line 37: | Line 39: | ||
|- | |- | ||
| 2 | | 2 | ||
| 47. | | 47.1 | ||
| Downminor 2nd | | Downminor 2nd | ||
| vm2 | | vm2 | ||
Line 43: | Line 45: | ||
|- | |- | ||
| 3 | | 3 | ||
| 70. | | 70.6 | ||
| Minor 2nd | | Minor 2nd | ||
| m2 | | m2 | ||
Line 49: | Line 51: | ||
|- | |- | ||
| 4 | | 4 | ||
| 94. | | 94.1 | ||
| Upminor 2nd | | Upminor 2nd | ||
| ^m2 | | ^m2 | ||
Line 55: | Line 57: | ||
|- | |- | ||
| 5 | | 5 | ||
| 117. | | 117.6 | ||
| Downmid 2nd | | Downmid 2nd | ||
| v~2 | | v~2 | ||
Line 61: | Line 63: | ||
|- | |- | ||
| 6 | | 6 | ||
| 141. | | 141.2 | ||
| Mid 2nd | | Mid 2nd | ||
| ~2 | | ~2 | ||
Line 67: | Line 69: | ||
|- | |- | ||
| 7 | | 7 | ||
| 164. | | 164.7 | ||
| Upmid 2nd | | Upmid 2nd | ||
| ^~2 | | ^~2 | ||
Line 73: | Line 75: | ||
|- | |- | ||
| 8 | | 8 | ||
| 188. | | 188.2 | ||
| Downmajor 2nd | | Downmajor 2nd | ||
| vM2 | | vM2 | ||
Line 79: | Line 81: | ||
|- | |- | ||
| 9 | | 9 | ||
| 211. | | 211.8 | ||
| Major 2nd | | Major 2nd | ||
| M2 | | M2 | ||
Line 85: | Line 87: | ||
|- | |- | ||
| 10 | | 10 | ||
| 235. | | 235.3 | ||
| Upmajor 2nd | | Upmajor 2nd | ||
| ^M2 | | ^M2 | ||
Line 91: | Line 93: | ||
|- | |- | ||
| 11 | | 11 | ||
| 258. | | 258.8 | ||
| Downminor 3rd | | Downminor 3rd | ||
| vm3 | | vm3 | ||
Line 97: | Line 99: | ||
|- | |- | ||
| 12 | | 12 | ||
| 282. | | 282.4 | ||
| Minor 3rd | | Minor 3rd | ||
| m3 | | m3 | ||
Line 103: | Line 105: | ||
|- | |- | ||
| 13 | | 13 | ||
| 305. | | 305.9 | ||
| Upminor 3rd | | Upminor 3rd | ||
| ^m3 | | ^m3 | ||
Line 109: | Line 111: | ||
|- | |- | ||
| 14 | | 14 | ||
| 329. | | 329.4 | ||
| Downmid 3rd | | Downmid 3rd | ||
| v~3 | | v~3 | ||
Line 115: | Line 117: | ||
|- | |- | ||
| 15 | | 15 | ||
| 352. | | 352.9 | ||
| Mid 3rd | | Mid 3rd | ||
| ~3 | | ~3 | ||
Line 121: | Line 123: | ||
|- | |- | ||
| 16 | | 16 | ||
| 376. | | 376.5 | ||
| Upmid 3rd | | Upmid 3rd | ||
| ^~3 | | ^~3 | ||
Line 127: | Line 129: | ||
|- | |- | ||
| 17 | | 17 | ||
| 400. | | 400.0 | ||
| Downmajor 3rd | | Downmajor 3rd | ||
| vM3 | | vM3 | ||
Line 133: | Line 135: | ||
|- | |- | ||
| 18 | | 18 | ||
| 423. | | 423.5 | ||
| Major 3rd | | Major 3rd | ||
| M3 | | M3 | ||
Line 139: | Line 141: | ||
|- | |- | ||
| 19 | | 19 | ||
| 447. | | 447.1 | ||
| Upmajor 3rd | | Upmajor 3rd | ||
| ^M3 | | ^M3 | ||
Line 145: | Line 147: | ||
|- | |- | ||
| 20 | | 20 | ||
| 470. | | 470.6 | ||
| Down 4th | | Down 4th | ||
| v4 | | v4 | ||
Line 151: | Line 153: | ||
|- | |- | ||
| 21 | | 21 | ||
| 494. | | 494.1 | ||
| Perfect 4th | | Perfect 4th | ||
| P4 | | P4 | ||
Line 157: | Line 159: | ||
|- | |- | ||
| 22 | | 22 | ||
| 517. | | 517.6 | ||
| Up 4th | | Up 4th | ||
| ^4 | | ^4 | ||
Line 163: | Line 165: | ||
|- | |- | ||
| 23 | | 23 | ||
| 541. | | 541.2 | ||
| Downdim 5th | | Downdim 5th | ||
| vd5 | | vd5 | ||
Line 169: | Line 171: | ||
|- | |- | ||
| 24 | | 24 | ||
| 564. | | 564.7 | ||
| Dim 5th | | Dim 5th | ||
| d5 | | d5 | ||
Line 175: | Line 177: | ||
|- | |- | ||
| 25 | | 25 | ||
| 588. | | 588.2 | ||
| Updim 5th | | Updim 5th | ||
| ^d5 | | ^d5 | ||
Line 181: | Line 183: | ||
|- | |- | ||
| 26 | | 26 | ||
| 611. | | 611.8 | ||
| Downaug 4th | | Downaug 4th | ||
| vA4 | | vA4 | ||
Line 187: | Line 189: | ||
|- | |- | ||
| 27 | | 27 | ||
| 635. | | 635.3 | ||
| Aug 4th | | Aug 4th | ||
| A4 | | A4 | ||
Line 193: | Line 195: | ||
|- | |- | ||
| 28 | | 28 | ||
| 658. | | 658.8 | ||
| Upaug 4th | | Upaug 4th | ||
| ^A4 | | ^A4 | ||
Line 199: | Line 201: | ||
|- | |- | ||
| 29 | | 29 | ||
| 682. | | 682.4 | ||
| Down 5th | | Down 5th | ||
| v5 | | v5 | ||
Line 205: | Line 207: | ||
|- | |- | ||
| 30 | | 30 | ||
| 705. | | 705.9 | ||
| Perfect 5th | | Perfect 5th | ||
| P5 | | P5 | ||
Line 211: | Line 213: | ||
|- | |- | ||
| 31 | | 31 | ||
| 729. | | 729.4 | ||
| Up 5th | | Up 5th | ||
| ^5 | | ^5 | ||
Line 217: | Line 219: | ||
|- | |- | ||
| 32 | | 32 | ||
| 752. | | 752.9 | ||
| Downminor 6th | | Downminor 6th | ||
| vm6 | | vm6 | ||
Line 223: | Line 225: | ||
|- | |- | ||
| 33 | | 33 | ||
| 776. | | 776.5 | ||
| Minor 6th | | Minor 6th | ||
| m6 | | m6 | ||
Line 229: | Line 231: | ||
|- | |- | ||
| 34 | | 34 | ||
| 800. | | 800.0 | ||
| Upminor 6th | | Upminor 6th | ||
| ^m6 | | ^m6 | ||
Line 235: | Line 237: | ||
|- | |- | ||
| 35 | | 35 | ||
| 823. | | 823.5 | ||
| Downmid 6th | | Downmid 6th | ||
| v~6 | | v~6 | ||
Line 241: | Line 243: | ||
|- | |- | ||
| 36 | | 36 | ||
| 847. | | 847.1 | ||
| Mid 6th | | Mid 6th | ||
| ~6 | | ~6 | ||
Line 247: | Line 249: | ||
|- | |- | ||
| 37 | | 37 | ||
| 870. | | 870.6 | ||
| Upmid 6th | | Upmid 6th | ||
| ^~6 | | ^~6 | ||
Line 253: | Line 255: | ||
|- | |- | ||
| 38 | | 38 | ||
| 894. | | 894.1 | ||
| Downmajor 6th | | Downmajor 6th | ||
| vM6 | | vM6 | ||
Line 259: | Line 261: | ||
|- | |- | ||
| 39 | | 39 | ||
| 917. | | 917.6 | ||
| Major 6th | | Major 6th | ||
| M6 | | M6 | ||
Line 265: | Line 267: | ||
|- | |- | ||
| 40 | | 40 | ||
| 941. | | 941.2 | ||
| Upmajor 6th | | Upmajor 6th | ||
| ^M6 | | ^M6 | ||
Line 271: | Line 273: | ||
|- | |- | ||
| 41 | | 41 | ||
| 964. | | 964.7 | ||
| Downminor 7th | | Downminor 7th | ||
| vm7 | | vm7 | ||
Line 277: | Line 279: | ||
|- | |- | ||
| 42 | | 42 | ||
| 988. | | 988.2 | ||
| Minor 7th | | Minor 7th | ||
| m7 | | m7 | ||
Line 283: | Line 285: | ||
|- | |- | ||
| 43 | | 43 | ||
| 1011. | | 1011.8 | ||
| Upminor 7th | | Upminor 7th | ||
| ^m7 | | ^m7 | ||
Line 289: | Line 291: | ||
|- | |- | ||
| 44 | | 44 | ||
| 1035. | | 1035.3 | ||
| Downmid 7th | | Downmid 7th | ||
| v~7 | | v~7 | ||
Line 295: | Line 297: | ||
|- | |- | ||
| 45 | | 45 | ||
| 1058. | | 1058.8 | ||
| Mid 7th | | Mid 7th | ||
| ~7 | | ~7 | ||
Line 301: | Line 303: | ||
|- | |- | ||
| 46 | | 46 | ||
| 1082. | | 1082.4 | ||
| Upmid 7th | | Upmid 7th | ||
| ^~7 | | ^~7 | ||
Line 307: | Line 309: | ||
|- | |- | ||
| 47 | | 47 | ||
| 1105. | | 1105.9 | ||
| Downmajor 7th | | Downmajor 7th | ||
| vM7 | | vM7 | ||
Line 313: | Line 315: | ||
|- | |- | ||
| 48 | | 48 | ||
| 1129. | | 1129.4 | ||
| Major 7th | | Major 7th | ||
| M7 | | M7 | ||
Line 319: | Line 321: | ||
|- | |- | ||
| 49 | | 49 | ||
| 1152. | | 1152.9 | ||
| Upmajor 7th | | Upmajor 7th | ||
| ^M7 | | ^M7 | ||
Line 325: | Line 327: | ||
|- | |- | ||
| 50 | | 50 | ||
| 1176. | | 1176.5 | ||
| Down 8ve | | Down 8ve | ||
| v8 | | v8 | ||
Line 331: | Line 333: | ||
|- | |- | ||
| 51 | | 51 | ||
| 1200. | | 1200.0 | ||
| Perfect 8ve | | Perfect 8ve | ||
| P8 | | P8 | ||
Line 339: | Line 341: | ||
== Notation == | == Notation == | ||
=== Ups and downs notation === | === Ups and downs notation === | ||
51edo can be notated with ups and downs, spoken as up, dup, trup, dudsharp, downsharp, sharp, upsharp etc. and down, dud, trud, dupflat etc. | |||
{{Sharpness-sharp6a}} | |||
Half-sharps and half-flats can be used to avoid triple arrows: | |||
{{Sharpness-sharp6b}} | |||
In 51edo, a combination of quarter tone accidentals and arrow accidentals from [[Helmholtz–Ellis notation]] can be used. | |||
{{Sharpness-sharp6}} | {{Sharpness-sharp6}} | ||
Line 473: | Line 481: | ||
== Scales == | == Scales == | ||
* [[Porky]][7] | * [[Porky]][7] (Palace{{idio}}): 7 7 7 9 7 7 7 | ||
* UFO scale ([[inflected MOS]] of [[Batch 89 temperaments#Teefs|Teefs]][19]): 2 2 4 1 2 2 2 4 2 5 2 4 4 2 2 1 4 2 2 | * UFO scale{{idio}} ([[inflected MOS]] of [[Batch 89 temperaments#Teefs|Teefs]][19]{{idio}}): 2 2 4 1 2 2 2 4 2 5 2 4 4 2 2 1 4 2 2 | ||
* Cosmic scale | * Cosmic scale{{idio}} subset of UFO scale): 21 9 4 9 8 | ||
== Instruments == | == Instruments == | ||
Line 482: | Line 490: | ||
== Music == | == Music == | ||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/5pM8OC0fV98 ''51edo improv''] (2025) | |||
; [[Frédéric Gagné]] | ; [[Frédéric Gagné]] | ||
* ''Whalectric'' (2022) – [https://youtu.be/_E6qvbJWYY8 YouTube] | [https://musescore.com/fredg999/whalectric score] – 7:4 [[semiquartal]] 4|4 mode | * ''Whalectric'' (2022) – [https://youtu.be/_E6qvbJWYY8 YouTube] | [https://musescore.com/fredg999/whalectric score] – 7:4 [[semiquartal]] 4|4 mode |