Akjaysma: Difference between revisions
+naming |
m +category |
||
| (4 intermediate revisions by 3 users not shown) | |||
| Line 7: | Line 7: | ||
== Temperaments == | == Temperaments == | ||
Tempering out the akjaysma splits the octave into 7 equal parts and maps 105th harmonic into 5\7. It leads to a number of regular temperaments including [[Syntonic | Tempering out the akjaysma splits the octave into 7 equal parts and maps 105th harmonic into 5\7. It leads to a number of regular temperaments including [[Syntonic–chromatic equivalence continuum|absurdity]], [[Ragismic microtemperaments #Brahmagupta|brahmagupta]], and [[Mistismic temperaments|neutron]], all of which also temper out ([[128/105]])/([[39/32]]) = [[4096/4095]] in the 13-limit. | ||
In addition, akjaysma appears in temperaments whose period is a multiple of 7 (14, 21, 28, 35, etc.), however from a composer's standpoint it may not be the most prominent characterization of these temperaments due to a lot of inherent differences between multiples of 7edo. Tempering it out along with the [[landscape comma]] offers the aptly named 441 & 1407 [[akjayland]] temperament, that divides the octave into 7 x 3 = 21 parts. | In addition, akjaysma appears in temperaments whose period is a multiple of 7 (14, 21, 28, 35, etc.), however from a composer's standpoint it may not be the most prominent characterization of these temperaments due to a lot of inherent differences between multiples of 7edo. Tempering it out along with the [[landscape comma]] offers the aptly named 441 & 1407 [[akjayland]] temperament, that divides the octave into 7 x 3 = 21 parts. | ||
| Line 35: | Line 35: | ||
[[Category:Akjaysmic]] | [[Category:Akjaysmic]] | ||
[[Category:Commas named after composers]] | |||
[[Category:Commas named after music theorists]] | |||
[[Category:Commas someone named after themselves]] | |||