15edo/Unque's compositional approach: Difference between revisions
No edit summary |
m Lériendil moved page User:Unque/15edo Composition Theory to 15edo/Unque's compositional approach |
||
| (2 intermediate revisions by 2 users not shown) | |||
| Line 120: | Line 120: | ||
This interpretation may also be criticized once again due to a lack of accuracy, but it is notably more consistent than the Carlos Alpha interpretations as the difference between the tunings does not accrue per step. | This interpretation may also be criticized once again due to a lack of accuracy, but it is notably more consistent than the Carlos Alpha interpretations as the difference between the tunings does not accrue per step. | ||
=== 15edo and Mode 31 === | |||
[[31afdo|Mode 31]] of the Harmonic Series provides yet another lens through which to interpret 15edo. The intervals [0 2 5 6 7 8 9 10 12 15] can be interpreted as an approximation of the chord 31:34:39:41:43:45:47:49:54:62. Additionally, 11\15 can be interpreted somewhat inaccurately as 52/31; in spite of the error, this interval naturally lends itself to the structure of 15edo. Similarly, 13\15 and 14\15 can be interpreted respectively as 57/31 and 59/31. Finally, 1\15 can be said to represent 32/31 or 33/31, both with very high error but lending well to the harmonic structure of 15edo. | |||
This yields the full chord 31:33:34:39:41:43:45:47:49:52:54:57:59:62. | |||
=== 15edo's fifth === | === 15edo's fifth === | ||
| Line 637: | Line 642: | ||
[[Category:15edo]] | [[Category:15edo]] | ||
[[Category:Approaches to tuning systems]] | [[Category:Approaches to tuning systems]] | ||