61edo: Difference between revisions

Add instruments section with link to Lumatone mapping for 61edo
+intro to the tuning profile, as a compensation for the removal of the poem
 
(7 intermediate revisions by 6 users not shown)
Line 3: Line 3:


== Theory ==
== Theory ==
As an equal temperament, 61et is characterized by [[tempering out]] 20000/19683 ([[tetracot comma]]) and 262144/253125 ([[passion comma]]) in the 5-limit. In the 7-limit, the [[patent val]] {{val| 61 97 142 '''171''' }} [[support]]s [[valentine]] ({{nowrap|15 & 46}}), and is the [[optimal patent val]] for [[freivald]] ({{nowrap|24 & 37}}) in the 7-, 11- and 13-limit. The 61d [[val]] {{val| 61 97 142 '''172''' }} is a great tuning for [[modus]] and [[quasisuper]], and is a simple but out-of-tune edo tuning for [[parakleismic]]. [[Peter Kosmorsky]] has an interesting poem about its tuning profile, as follows.  
61edo is only [[consistent]] to the [[5-odd-limit]]. Its [[3/1|3rd]] and [[5/1|5th]] [[harmonic]]s are sharp of just by more than 6 cents, and the [[7/1|7th]] and [[11/1|11th]], though they err by less, are on the flat side. This limits its harmonic inventory. However, it does possess reasonably good approximations of [[21/16]] and [[23/16]], only a bit more than one cent off in each case.  


=== Introductory poem ===
As an equal temperament, 61et is characterized by [[tempering out]] 20000/19683 ([[tetracot comma]]) and 262144/253125 ([[passion comma]]) in the 5-limit. In the 7-limit, the [[patent val]] {{val| 61 97 142 '''171''' }} [[support]]s [[valentine]] ({{nowrap| 15 & 46 }}), and is the [[optimal patent val]] for [[freivald]] ({{nowrap| 24 & 37 }}) in the 7-, 11- and 13-limit. The 61d [[val]] {{val| 61 97 142 '''172''' }} is a great tuning for [[modus]] and [[quasisuper]], and is a simple but out-of-tune edo tuning for [[parakleismic]].
These 61 equal divisions of the octave,
 
though rare are assuredly a ROCK-tave (har har),
 
while the 3rd and 5th harmonics are about six cents sharp,
 
(and the flattish 15th poised differently on the harp),
 
the 7th and 11th err by less, around three,
 
and thus mayhap, a good orgone tuning found to be;
 
slightly sharp as well, is the 13th harmonic's place,
 
but the 9th and 17th lack near so much grace,
 
interestingly the 19th is good but a couple cents flat,
 
and the 21st and 23rd are but a cent or two sharp!


=== Odd harmonics ===
=== Odd harmonics ===
Line 88: Line 69:
{| class="wikitable center-4 center-5 center-6"
{| class="wikitable center-4 center-5 center-6"
|-
|-
! rowspan="2" | [[Subgroup]]
! rowspan="2" |[[Subgroup]]
! rowspan="2" | [[Comma list]]
! rowspan="2" |[[Comma list]]
! rowspan="2" | [[Mapping]]
! rowspan="2" |[[Mapping]]
! rowspan="2" | Optimal<br>8ve stretch (¢)
! rowspan="2" | Optimal<br>8ve stretch (¢)
! colspan="2" | Tuning error
! colspan="2" | Tuning error
|-
|-
! [[TE error|Absolute]] (¢)
![[TE error|Absolute]] (¢)
! [[TE simple badness|Relative]] (%)
![[TE simple badness|Relative]] (%)
|-
|-
| 2.3
| 2.3
| {{Monzo| 97 -61 }}
|{{Monzo| 97 -61 }}
| {{Mapping| 61 97 }}
|{{Mapping| 61 97 }}
| −1.97
| −1.97
| 1.97
| 1.97
Line 106: Line 87:
| 2.3.5
| 2.3.5
| 20000/19683, 262144/253125
| 20000/19683, 262144/253125
| {{Mapping| 61 97 142 }}
|{{Mapping| 61 97 142 }}
| −2.33
| −2.33
| 1.69
| 1.69
Line 113: Line 94:
| 2.3.5.7
| 2.3.5.7
| 64/63, 2430/2401, 3125/3087
| 64/63, 2430/2401, 3125/3087
| {{mapping| 61 97 142 172 }} (61d)
|{{mapping| 61 97 142 172 }} (61d)
| −3.06
| −3.06
| 1.93
| 1.93
Line 120: Line 101:
| 2.3.5.7
| 2.3.5.7
| 126/125, 1029/1024, 2240/2187
| 126/125, 1029/1024, 2240/2187
| {{Mapping| 61 97 142 171 }} (61)
|{{Mapping| 61 97 142 171 }} (61)
| −1.32
| −1.32
| 2.29
| 2.29
Line 128: Line 109:
=== Rank-2 temperaments ===
=== Rank-2 temperaments ===
{| class="wikitable center-all left-5"
{| class="wikitable center-all left-5"
|+ style="font-size: 105%;" | Table of rank-2 temperaments by generator
|+ style="font-size: 105%;" |Table of rank-2 temperaments by generator
|-
|-
! Periods<br>per 8ve
! Periods<br>per 8ve
Line 140: Line 121:
| 39.3
| 39.3
| 40/39
| 40/39
| [[Hemivalentine]] (61)
|[[Hemivalentine]] (61)
|-
|-
| 1
| 1
Line 146: Line 127:
| 59.0
| 59.0
| 28/27
| 28/27
| [[Dodecacot]] (61de…)
|[[Dodecacot]] (61de…)
|-
|-
| 1
| 1
Line 152: Line 133:
| 78.7
| 78.7
| 22/21
| 22/21
| [[Valentine]] (61)
|[[Valentine]] (61)
|-
|-
| 1
| 1
Line 158: Line 139:
| 98.4
| 98.4
| 16/15
| 16/15
| [[Passion]] (61de…) / [[passionate]] (61)
|[[Passion]] (61de…) / [[passionate]] (61)
|-
|-
| 1
| 1
Line 164: Line 145:
| 137.7
| 137.7
| 13/12
| 13/12
| [[Quartemka]] (61)
|[[Quartemka]] (61)
|-
|-
| 1
| 1
Line 170: Line 151:
| 177.0
| 177.0
| 10/9
| 10/9
| [[Modus]] (61de) / [[wollemia]] (61e)
|[[Modus]] (61de) / [[wollemia]] (61e)
|-
|-
| 1
| 1
Line 176: Line 157:
| 236.1
| 236.1
| 8/7
| 8/7
| [[Slendric]] (61)
|[[Slendric]] (61)
|-
|-
| 1
| 1
Line 182: Line 163:
| 314.8
| 314.8
| 6/5
| 6/5
| [[Parakleismic]] (61d)
|[[Parakleismic]] (61d)
|-
|-
| 1
| 1
Line 188: Line 169:
| 452.5
| 452.5
| 13/10
| 13/10
| [[Maja]] (61d)
|[[Maja]] (61d)
|-
|-
| 1
| 1
Line 194: Line 175:
| 491.8
| 491.8
| 4/3
| 4/3
| [[Quasisuper]] (61d)
|[[Quasisuper]] (61d)
|-
|-
| 1
| 1
Line 200: Line 181:
| 550.8
| 550.8
| 11/8
| 11/8
| [[Freivald]] (61)
|[[Freivald]] (61)
|}
|}
<nowiki/>* [[Normal lists|Octave-reduced form]], reduced to the first half-octave
<nowiki/>* [[Normal lists|Octave-reduced form]], reduced to the first half-octave


== Instruments ==
== Instruments ==
A [[Lumatone mapping for 61edo]] has now been demonstrated (see the Ripple and Miracle mapping for full gamut coverage).
A [[Lumatone mapping for 61edo]] has now been demonstrated (see the Valentine mapping for full gamut coverage).
 
== See also ==
 
=== Introductory poem ===
[[Peter Kosmorsky]] wrote a poem on 61edo; see [[User:Spt3125/61edo poem|the 61edo poem]].
 
== Music ==
; [[Bryan Deister]]
* [https://www.youtube.com/shorts/1Ai__APev5M ''microtonal improvisation in 61edo''] (2025)