Catadictmic chords: Difference between revisions

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For triads, there are three pairs of chords in inverse relationship:  
For triads, there are three pairs of chords in inverse relationship:  
* 1-16/13-11/8 with steps of 16/13-10/9-16/11, and its inverse  
* 1–16/13–11/8 with steps of 16/13, 10/9, 16/11, and its inverse  
* 1-16/11-13/8 with steps of 16/11-10/9-16/13;
* 1–16/11–13/8 with steps of 16/11, 10/9, 16/13;
* 1-13/10-16/11 with steps of 13/10-9/8-11/8, and its inverse  
* 1–13/10–16/11 with steps of 13/10, 9/8, 11/8, and its inverse  
* 1-11/8-20/13 with steps of 11/8-9/8-13/10;
* 1–11/8–20/13 with steps of 11/8, 9/8, 13/10;
* 1-11/10-16/13 with steps of 11/10-9/8-13/8, and its inverse  
* 1–11/10–16/13 with steps of 11/10, 9/8, 13/8, and its inverse  
* 1-9/8-16/13 with steps of 9/8-11/10-13/8.
* 1–9/8–16/13 with steps of 9/8, 11/10, 13/8.


For tetrads, there are three palindromic chords and six pairs of chords in inverse relationship. The palindromic chords are  
For tetrads, there are three palindromic chords and six pairs of chords in inverse relationship. The palindromic chords are  
* 1-16/13-16/11-9/5 with steps of 16/13-13/11-16/13-10/9;
* 1–16/13–16/11–9/5 with steps of 16/13, 13/11, 16/13, 10/9;
* 1-9/8-11/8-20/13 with steps of 9/8-11/9-9/8-13/10;
* 1–9/8–11/8–20/13 with steps of 9/8, 11/9, 9/8, 13/10;
* 1-9/8-16/13-18/13 with steps of 9/8-11/10-9/8-13/9.
* 1–9/8–16/13–18/13 with steps of 9/8, 11/10, 9/8, 13/9.


The inversely related pairs of chords are  
The inversely related pairs of chords are  
* 1-13/10-16/11-9/5 with steps of 13/10-9/8-16/13-10/9, and its inverse  
* 1–13/10–16/11–9/5 with steps of 13/10, 9/8, 16/13, 10/9, and its inverse  
* 1-16/13-18/13-9/5 with steps of 16/13-9/8-13/10-10/9;
* 1–16/13–18/13–9/5 with steps of 16/13, 9/8, 13/10, 10/9;
* 1-9/8-16/11-9/5 with steps of 9/8-13/10-16/13-10/9, and its inverse  
* 1–9/8–16/11–9/5 with steps of 9/8, 13/10, 16/13, 10/9, and its inverse  
* 1-16/13-8/5-9/5 with steps of 16/13-13/10-9/8-10/9;
* 1–16/13–8/5–9/5 with steps of 16/13, 13/10, 9/8, 10/9;
* 1-13/11-13/10-16/11 with steps of 13/11-11/10-9/8-11/8, and its inverse  
* 1–13/11–13/10–16/11 with steps of 13/11, 11/10, 9/8, 11/8, and its inverse  
* 1-9/8-16/13-16/11 with steps of 9/8-11/10-13/11-11/8;
* 1–9/8–16/13–16/11 with steps of 9/8, 11/10, 13/11, 11/8;
* 1-13/10-16/11-8/5 with steps of 13/10-9/8-11/10-5/4, and its inverse  
* 1–13/10–16/11–8/5 with steps of 13/10, 9/8, 11/10, 5/4, and its inverse  
* 1-11/10-16/13-8/5 with steps of 11/10-9/8-13/10-5/4;
* 1–11/10–16/13–8/5 with steps of 11/10, 9/8, 13/10, 5/4;
* 1-11/10-16/13-11/8 with steps of 11/10-9/8-10/9-16/11, and its inverse  
* 1–11/10–16/13–11/8 with steps of 11/10, 9/8, 10/9, 16/11, and its inverse  
* 1-10/9-5/4-11/8 with steps of 10/9-9/8-11/10-16/11;
* 1–10/9–5/4–11/8 with steps of 10/9, 9/8, 11/10, 16/11;
* 1-11/10-16/13-9/5 with steps of 11/10-9/8-16/11-10/9, and its inverse  
* 1–11/10–16/13–9/5 with steps of 11/10, 9/8, 16/11, 10/9, and its inverse  
* 1-16/11-18/11-9/5 with steps of 16/11-9/8-11/10-10/9.
* 1–16/11–18/11–9/5 with steps of 16/11, 9/8, 11/10, 10/9.


For pentads, there are three pairs of chords in inverse relationship:  
For pentads, there are three pairs of chords in inverse relationship:  
* 1-16/13-16/11-8/5-9/5 with steps of 16/13-13/11-11/10-9/8-10/9, and its inverse  
* 1–16/13–16/11–8/5–9/5 with steps of 16/13, 13/11, 11/10, 9/8, 10/9, and its inverse  
* 1-9/8-16/13-16/11-9/5 with steps of 9/8-11/10-13/11-16/13-10/9;
* 1–9/8–16/13–16/11–9/5 with steps of 9/8, 11/10, 13/11, 16/13, 10/9;
* 1-9/8-16/11-18/11-9/5 with steps of 9/8-13/10-9/8-11/10-10/9, and its inverse  
* 1–9/8–16/11–18/11–9/5 with steps of 9/8, 13/10, 9/8, 11/10, 10/9, and its inverse  
* 1-11/10-16/13-8/5-9/5 with steps of 11/10-9/8-13/10-9/8-10/9;
* 1–11/10–16/13–8/5–9/5 with steps of 11/10, 9/8, 13/10, 9/8, 10/9;
* 1-13/10-16/11-8/5-9/5 with steps of 13/10-9/8-11/10-9/8-10/9, and its inverse  
* 1–13/10–16/11–8/5–9/5 with steps of 13/10, 9/8, 11/10, 9/8, 10/9, and its inverse  
* 1-9/8-16/13-18/13-9/5 with steps of 9/8-11/10-9/8-13/10-10/9.
* 1–9/8–16/13–18/13–9/5 with steps of 9/8, 11/10, 9/8, 13/10, 10/9.


Equal temperaments with catadictmic chords include {{Optimal ET sequence| 7, 12, 19, 22, 24, 26, 29, 31, 43, 46, 50, 53, 72 and 96 }}.
Equal temperaments with catadictmic chords include {{Optimal ET sequence| 7, 12, 19, 22, 24, 26, 29, 31, 43, 46, 50, 53, 72 and 96 }}.


[[Category:13-odd-limit]]
[[Category:13-odd-limit chords]]
[[Category:Essentially tempered chords]]
[[Category:Essentially tempered chords]]
[[Category:Triads]]
[[Category:Triads]]

Latest revision as of 13:47, 19 March 2025

Catadictmic chords are essentially tempered dyadic chords tempered by the catadictma, 1287/1280.

Catadictmic chords are of pattern 2 in the 13-odd-limit, meaning that there are 6 triads, 15 tetrads and 6 pentads, for a total of 27 distinct chord structures.

For triads, there are three pairs of chords in inverse relationship:

  • 1–16/13–11/8 with steps of 16/13, 10/9, 16/11, and its inverse
  • 1–16/11–13/8 with steps of 16/11, 10/9, 16/13;
  • 1–13/10–16/11 with steps of 13/10, 9/8, 11/8, and its inverse
  • 1–11/8–20/13 with steps of 11/8, 9/8, 13/10;
  • 1–11/10–16/13 with steps of 11/10, 9/8, 13/8, and its inverse
  • 1–9/8–16/13 with steps of 9/8, 11/10, 13/8.

For tetrads, there are three palindromic chords and six pairs of chords in inverse relationship. The palindromic chords are

  • 1–16/13–16/11–9/5 with steps of 16/13, 13/11, 16/13, 10/9;
  • 1–9/8–11/8–20/13 with steps of 9/8, 11/9, 9/8, 13/10;
  • 1–9/8–16/13–18/13 with steps of 9/8, 11/10, 9/8, 13/9.

The inversely related pairs of chords are

  • 1–13/10–16/11–9/5 with steps of 13/10, 9/8, 16/13, 10/9, and its inverse
  • 1–16/13–18/13–9/5 with steps of 16/13, 9/8, 13/10, 10/9;
  • 1–9/8–16/11–9/5 with steps of 9/8, 13/10, 16/13, 10/9, and its inverse
  • 1–16/13–8/5–9/5 with steps of 16/13, 13/10, 9/8, 10/9;
  • 1–13/11–13/10–16/11 with steps of 13/11, 11/10, 9/8, 11/8, and its inverse
  • 1–9/8–16/13–16/11 with steps of 9/8, 11/10, 13/11, 11/8;
  • 1–13/10–16/11–8/5 with steps of 13/10, 9/8, 11/10, 5/4, and its inverse
  • 1–11/10–16/13–8/5 with steps of 11/10, 9/8, 13/10, 5/4;
  • 1–11/10–16/13–11/8 with steps of 11/10, 9/8, 10/9, 16/11, and its inverse
  • 1–10/9–5/4–11/8 with steps of 10/9, 9/8, 11/10, 16/11;
  • 1–11/10–16/13–9/5 with steps of 11/10, 9/8, 16/11, 10/9, and its inverse
  • 1–16/11–18/11–9/5 with steps of 16/11, 9/8, 11/10, 10/9.

For pentads, there are three pairs of chords in inverse relationship:

  • 1–16/13–16/11–8/5–9/5 with steps of 16/13, 13/11, 11/10, 9/8, 10/9, and its inverse
  • 1–9/8–16/13–16/11–9/5 with steps of 9/8, 11/10, 13/11, 16/13, 10/9;
  • 1–9/8–16/11–18/11–9/5 with steps of 9/8, 13/10, 9/8, 11/10, 10/9, and its inverse
  • 1–11/10–16/13–8/5–9/5 with steps of 11/10, 9/8, 13/10, 9/8, 10/9;
  • 1–13/10–16/11–8/5–9/5 with steps of 13/10, 9/8, 11/10, 9/8, 10/9, and its inverse
  • 1–9/8–16/13–18/13–9/5 with steps of 9/8, 11/10, 9/8, 13/10, 10/9.

Equal temperaments with catadictmic chords include 7, 12, 19, 22, 24, 26, 29, 31, 43, 46, 50, 53, 72 and 96.