Michael 'Atonal' Vick: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
'''Michael Vick''' can be credited along with [[Jeff Berg]] and others, for bringing the fretless guitar movement into the mainstream; he is the founder of the NYC International Fretless Guitar Festival.  
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-08-14 18:22:48 UTC</tt>.<br>
: The original revision id was <tt>245913149</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Michael Vick** can be credited along with Jeff Berg and others, for bringing the fretless guitar movement into the mainstream; he is the founder of the NYC International Fretless Guitar Festival.  


"I feel with acoustic fretless guitar one can get the purity of tone and intonation that has been missing from most guitar literature, and on the flipside, the electric fretless guitar can project the artist and listener completely into outer space where no absolute rules apply. They both can present the player with more sonic possibilities ever imagined, and through this they are tied inherently to the past and the future in a sonic continuum."</pre></div>
"I feel with acoustic fretless guitar one can get the purity of tone and intonation that has been missing from most guitar literature, and on the flipside, the electric fretless guitar can project the artist and listener completely into outer space where no absolute rules apply. They both can present the player with more sonic possibilities ever imagined, and through this they are tied inherently to the past and the future in a sonic continuum."
<h4>Original HTML content:</h4>
 
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Michael 'Atonal' Vick&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;Michael Vick&lt;/strong&gt; can be credited along with Jeff Berg and others, for bringing the fretless guitar movement into the mainstream; he is the founder of the NYC International Fretless Guitar Festival. &lt;br /&gt;
{{DEFAULTSORT:Vick, Michael 'Atonal'}}
&lt;br /&gt;
[[Category:People]]
&amp;quot;I feel with acoustic fretless guitar one can get the purity of tone and intonation that has been missing from most guitar literature, and on the flipside, the electric fretless guitar can project the artist and listener completely into outer space where no absolute rules apply. They both can present the player with more sonic possibilities ever imagined, and through this they are tied inherently to the past and the future in a sonic continuum.&amp;quot;&lt;/body&gt;&lt;/html&gt;</pre></div>
[[Category:Musicians]]
[[Category:Guitarists]]
{{todo|expand|link}}

Latest revision as of 06:45, 20 October 2024

Michael Vick can be credited along with Jeff Berg and others, for bringing the fretless guitar movement into the mainstream; he is the founder of the NYC International Fretless Guitar Festival.

"I feel with acoustic fretless guitar one can get the purity of tone and intonation that has been missing from most guitar literature, and on the flipside, the electric fretless guitar can project the artist and listener completely into outer space where no absolute rules apply. They both can present the player with more sonic possibilities ever imagined, and through this they are tied inherently to the past and the future in a sonic continuum."