David Ryan's notation: Difference between revisions
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Wikispaces>daveryan23 **Imported revision 566301293 - Original comment: ** |
Wikispaces>daveryan23 **Imported revision 566301717 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:daveryan23|daveryan23]] and made on <tt>2015-11-13 04: | : This revision was by author [[User:daveryan23|daveryan23]] and made on <tt>2015-11-13 04:36:16 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>566301717</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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etc! | etc! | ||
The golden rule in this notation is: to derive notation for a more complicated fraction, break it down into simpler fractions | The golden rule in this notation is: to derive notation for a more complicated fraction, break it down into simpler fractions; fractions with notation already known. In particular, separate out the fractions for each higher prime. | ||
Some music created using this notation is available at: | |||
* Dave Ryan's SoundCloud page: https://soundcloud.com/daveryan23</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>David Ryan's notation</title></head><body>A system of notating any fractional frequency in Just Intonation, created by the musician and theorist David Ryan<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>David Ryan's notation</title></head><body>A system of notating any fractional frequency in Just Intonation, created by the musician and theorist David Ryan<br /> | ||
<br /> | <br /> | ||
<ul><li>Preprint: <!-- ws:start:WikiTextUrlRule: | <ul><li>Preprint: <!-- ws:start:WikiTextUrlRule:69:http://arxiv.org/pdf/1508.07739 --><a class="wiki_link_ext" href="http://arxiv.org/pdf/1508.07739" rel="nofollow">http://arxiv.org/pdf/1508.07739</a><!-- ws:end:WikiTextUrlRule:69 --></li></ul><br /> | ||
<strong>Abstract:</strong><br /> | <strong>Abstract:</strong><br /> | ||
Musical notation systems provide ways of recording which notes musicians should play at which times. One essential parameter described is the frequency. For twelve-note tuning systems the frequency can be described using letters A to G with sharp or flat symbols. For Just Intonation tuning systems these symbols are insufficient. This paper provides a system for describing any frequency which is a rational number multiplied by a suitable base frequency. Explicit notation is given for low prime numbers, and an algorithm for higher primes described.<br /> | Musical notation systems provide ways of recording which notes musicians should play at which times. One essential parameter described is the frequency. For twelve-note tuning systems the frequency can be described using letters A to G with sharp or flat symbols. For Just Intonation tuning systems these symbols are insufficient. This paper provides a system for describing any frequency which is a rational number multiplied by a suitable base frequency. Explicit notation is given for low prime numbers, and an algorithm for higher primes described.<br /> | ||
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etc!<br /> | etc!<br /> | ||
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The golden rule in this notation is: to derive notation for a more complicated fraction, break it down into simpler fractions | The golden rule in this notation is: to derive notation for a more complicated fraction, break it down into simpler fractions; fractions with notation already known. In particular, separate out the fractions for each higher prime.<br /> | ||
<br /> | |||
Some music created using this notation is available at:<br /> | |||
<ul><li>Dave Ryan's SoundCloud page: <!-- ws:start:WikiTextUrlRule:70:https://soundcloud.com/daveryan23 --><a class="wiki_link_ext" href="https://soundcloud.com/daveryan23" rel="nofollow">https://soundcloud.com/daveryan23</a><!-- ws:end:WikiTextUrlRule:70 --></li></ul></body></html></pre></div> | |||
Revision as of 04:36, 13 November 2015
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author daveryan23 and made on 2015-11-13 04:36:16 UTC.
- The original revision id was 566301717.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
A system of notating any fractional frequency in Just Intonation, created by the musician and theorist David Ryan * Preprint: http://arxiv.org/pdf/1508.07739 **Abstract:** Musical notation systems provide ways of recording which notes musicians should play at which times. One essential parameter described is the frequency. For twelve-note tuning systems the frequency can be described using letters A to G with sharp or flat symbols. For Just Intonation tuning systems these symbols are insufficient. This paper provides a system for describing any frequency which is a rational number multiplied by a suitable base frequency. Explicit notation is given for low prime numbers, and an algorithm for higher primes described. **Key features:** Can be inputted by computer keyboard alone (ASCII characters) Can freely transpose keys in JI - done by multiplying notations - any two notations can be easily multiplied Simple notations exist for 3-limit, 5-limit, 7-limit JI notes Look-up table for providing ASCII notation for higher primes (11/8, 109/100, etc) Algorithm for deriving these notations Very compact notation for octave equivalence classes Good for describing all the notes on a 5-limit or 7-limit tone lattice **Challenges:** Octaves are not sequential - easier to understand octave equivalence classes than exact notes . ( Example: C = 1/1 F = 4/3 G = 3/4 but 3/2 = `G so 3/2 requires an octave modifier to describe.) **Notation examples:** //2-limit:// C = 1/1 `C = 2/1 (definition of octave modifier using ` character to prefix) ,C = 1/2 (definition of octave modifier using , character to prefix) ,,,C = 1/8 //3-limit:// F = 4/3 C = 1/1 G = 3/4 D = 9/16 A = 27/64 E = 81/256 B = 243/1024 Bb = 16/9 F# = 729/4096 C# = 2187/16384 (this is equivalent to a sharp # character) Cb = 16384/2187 (this is equivalent to a flat b character) `G = 3/2 ```D = 9/2 //5-limit:// E' = 5/4 (definition of ' modifier) Ab. = 4/5 (definition of . modifier) A' = 4/3 ``E' = 5/1 `B' = 15/8 //7-limit// Bb~7 = 7/8 (definition of ~7 modifier) D_7 = 8/7 (definition of _7 modifier) F~7 = 21/16 `Bb~7 = 7/4 `F~7 = 21/16 Eb~7 = 7/6 //Higher p-limits// F#~11 = 11/8 (definition of ~11 modifier) Gb_11 = 8/11 (definition of _11 modifier) ``F#~11 = 11/2 B~11 = 11/6 A#'~11 = 55/32 ( 11/8 * 5/4 = F#~11 * E' multiplied as notations) etc! The golden rule in this notation is: to derive notation for a more complicated fraction, break it down into simpler fractions; fractions with notation already known. In particular, separate out the fractions for each higher prime. Some music created using this notation is available at: * Dave Ryan's SoundCloud page: https://soundcloud.com/daveryan23
Original HTML content:
<html><head><title>David Ryan's notation</title></head><body>A system of notating any fractional frequency in Just Intonation, created by the musician and theorist David Ryan<br /> <br /> <ul><li>Preprint: <!-- ws:start:WikiTextUrlRule:69:http://arxiv.org/pdf/1508.07739 --><a class="wiki_link_ext" href="http://arxiv.org/pdf/1508.07739" rel="nofollow">http://arxiv.org/pdf/1508.07739</a><!-- ws:end:WikiTextUrlRule:69 --></li></ul><br /> <strong>Abstract:</strong><br /> Musical notation systems provide ways of recording which notes musicians should play at which times. One essential parameter described is the frequency. For twelve-note tuning systems the frequency can be described using letters A to G with sharp or flat symbols. For Just Intonation tuning systems these symbols are insufficient. This paper provides a system for describing any frequency which is a rational number multiplied by a suitable base frequency. Explicit notation is given for low prime numbers, and an algorithm for higher primes described.<br /> <br /> <strong>Key features:</strong><br /> Can be inputted by computer keyboard alone (ASCII characters)<br /> Can freely transpose keys in JI - done by multiplying notations - any two notations can be easily multiplied<br /> Simple notations exist for 3-limit, 5-limit, 7-limit JI notes<br /> Look-up table for providing ASCII notation for higher primes (11/8, 109/100, etc)<br /> Algorithm for deriving these notations<br /> Very compact notation for octave equivalence classes<br /> Good for describing all the notes on a 5-limit or 7-limit tone lattice<br /> <br /> <strong>Challenges:</strong><br /> Octaves are not sequential - easier to understand octave equivalence classes than exact notes . ( Example: C = 1/1 F = 4/3 G = 3/4 but 3/2 = `G so 3/2 requires an octave modifier to describe.)<br /> <br /> <strong>Notation examples:</strong><br /> <br /> <em>2-limit:</em><br /> C = 1/1<br /> `C = 2/1 (definition of octave modifier using ` character to prefix)<br /> ,C = 1/2 (definition of octave modifier using , character to prefix)<br /> ,,,C = 1/8<br /> <br /> <em>3-limit:</em><br /> F = 4/3 C = 1/1 G = 3/4 D = 9/16 A = 27/64 E = 81/256 B = 243/1024<br /> Bb = 16/9<br /> F# = 729/4096<br /> C# = 2187/16384 (this is equivalent to a sharp # character)<br /> Cb = 16384/2187 (this is equivalent to a flat b character)<br /> `G = 3/2<br /> ```D = 9/2<br /> <br /> <em>5-limit:</em><br /> E' = 5/4 (definition of ' modifier)<br /> Ab. = 4/5 (definition of . modifier)<br /> A' = 4/3<br /> ``E' = 5/1<br /> `B' = 15/8<br /> <br /> <em>7-limit</em><br /> Bb~7 = 7/8 (definition of ~7 modifier)<br /> D_7 = 8/7 (definition of _7 modifier)<br /> F~7 = 21/16<br /> `Bb~7 = 7/4<br /> `F~7 = 21/16<br /> Eb~7 = 7/6<br /> <br /> <em>Higher p-limits</em><br /> F#~11 = 11/8 (definition of ~11 modifier)<br /> Gb_11 = 8/11 (definition of _11 modifier)<br /> ``F#~11 = 11/2<br /> B~11 = 11/6<br /> A#'~11 = 55/32 ( 11/8 * 5/4 = F#~11 * E' multiplied as notations)<br /> etc!<br /> <br /> The golden rule in this notation is: to derive notation for a more complicated fraction, break it down into simpler fractions; fractions with notation already known. In particular, separate out the fractions for each higher prime.<br /> <br /> Some music created using this notation is available at:<br /> <ul><li>Dave Ryan's SoundCloud page: <!-- ws:start:WikiTextUrlRule:70:https://soundcloud.com/daveryan23 --><a class="wiki_link_ext" href="https://soundcloud.com/daveryan23" rel="nofollow">https://soundcloud.com/daveryan23</a><!-- ws:end:WikiTextUrlRule:70 --></li></ul></body></html>