Tútim Dennsuul Wafiil: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
'''Tútim Dennsuul Wafiil''' is a microtonal guitarist, he suggested the [[Purdal]] and started the Purdal wiki.
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2013-08-06 04:57:35 UTC</tt>.<br>
: The original revision id was <tt>443592358</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a [[http://www.wikispaces.com/user/view/TutimDennsuul|Zeroist]] and Xentonalist of Arica, and an full enthusiastic of all in each implicance of theirselfs, works with the [[Armodue|Armodue system]] over [[23edo|23-EDD]] (3;1 relation), [[39edo|39-EDD]] (5;2 relation) AND theorically with [[purdal/223-EDD|223-EDD]] (29;10 relation). Ocassionaly, he is apporting with musical stuff.&lt;/span&gt;


[[image:Icositriphonic_Bass.JPG width="719" height="235"]]
* [http://micro.soonlabel.com/0-hosted-albums/timo.html Tútim Dennsuul Wafiil - ''{Parágrafos Ksentonales}'']
His Bass (blow my mind with Chorus),
* [[purdal: Purdal]] - the start page of the Purdal wiki is redirected
[[image:Icositriphonic Gitar 1.png width="720" height="257"]]
His Icositriphonic Gitar (Eurekaa!), and
[[image:Icositritar 1.png width="720" height="313"]].
His ex-icositritar (I gave it to a friend).
===__TDW Notes:__===
My particular adherence here in the Xentonal avast is for the huge potential that offers a particular tuning system, the superdiatonic LLLsLLLLs. Emphirically I discovered that scale when was an adolescent, at the age of 16 years old, when I always dreamed about have my own guitar and bass builded handcrafted and my dilem of how to do the fret positions. Oddly I had discovered a way of how to calculate the distances for the frets: in that beggining I used a Scale Length of 640mm [25.2"] for the guitar, sizing the first fret in other guitar (acoustic guitar of 635mm [25"] Scale Length) and then i realize the operation 'Scale Length/the size of the first fret on that acoustic guitar'. After of that, i applied it for the artisan guitar of 640mm Scale Length and draw the first fret, and then i did another fret line resting 2mm after the first fret and for each fret drawed i continued resting 2mm to each fret until arrive at the 12º fret. So then, i continued drawing fret lines but now resting 1mm each fret until the 21º fret. "Wow, I did it" i said. For the Bass i used a Scale Length of 800mm and applied the same work of the guitar (but here resting 4mm until the 12º fret and then, resting 2mm each one).
No obstantly, I don't know how i did for had discovered a type of 16 frets per Ditave on 560mm [22.05"] Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Ditave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew &lt;span class="hps"&gt;it&lt;/span&gt;, &lt;span class="hps"&gt;and it was not until 2007 where I had the opportunity to fully explore this issue&lt;/span&gt;, at first &lt;span class="hps"&gt;known only as microtonalism&lt;/span&gt;, when by &lt;span class="hps"&gt;one of those casualties I discover the Armodue web. "This is amazing.." i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page of Mats Öljare, Dante Rosati page, Neil Haverstick page (special thanks and namaste), Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale Forever Rocks !ml, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, Chris Vaisvil with his 'Hendrix^17' music, Carlo Serafini atmospheres, Aaron Krister Johnson, Zach Curley 'highways' and much etcéteras. I &lt;/span&gt;thank &lt;span class="hps"&gt;all of you with their musical feelings and contributions &lt;/span&gt;!!!!!!!!!!!!!!!!!!!!!!!


Special thanks to [[IgliashonJones|Igliashon Jones]] for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol turquoise gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it.
{{DEFAULTSORT:Dennsuul Wafiil, Tútim}}
[[Category:People]]
[[Category:Armodue]]
[[Category:Guitarists]]
[[Category:Musicians]]


The tuning on Bass in each string corresponds to the notes: 1ºstr '1', 2ºstr '6', 3ºstr '2' &amp; 4ºstr '7' 26.383 Hz, like a homologic tuning of C2-G1-D1-A0, and, on Gitar: 1ºstr '6', 2ºstr '2', 3ºstr '7', 4ºstr '3', 5ºstr '8' &amp; 6ºstr '4', both in the 10th fret/3rd dot. The tuning frecuence is '6#'=409.6Hz (for reach that frecuence by a common tuner, the note '8b' in 435Hz is sufficient for appoximate the 409.6Hz well accurately).


__**TDW Terminology:**__
{{Stub}}
 
[[Arho]]: Is the name coined by himself for refer to the 223-EDD system.
__[[EDO|EDD]]:__ Means Equal Divisions per Ditave. Ditave is the same thing as 2/1 ratio, like Tritave for 3/1 ratio or Pentave for 5/1 ratio.
__[[11L 3s|Ketradektríatoh]]:__ Name coined to the MOSscale 11L3s for design a 14-tone scale with 3 intervals that aren't 'tones'.
__Pluscuamtonality:__ Means the EDDs 'frettable' for play in common strings instruments like the guitars and Basses, considering a extense range since 13 ~ 57 EDDs.
__[[Purdal]]:__ Is the name of a interval unit measure consistent by the division of the ditave in 9900 equal parts, designed and suggested by himself.
__[[7L 2s|Superdiatonic]]:__ Name coined to the MOSscale 7L2s for design a 9-tone scale with the diatonic mold LLsLLLs expanded to the mold LLLsLLLLs, denomining to the ditave interval like "Decave" and not "Octave".
 
!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</pre></div>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Tútim Dennsuul Wafiil&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="font-size: 13px; line-height: 1.5;"&gt;Is a &lt;a class="wiki_link_ext" href="http://www.wikispaces.com/user/view/TutimDennsuul" rel="nofollow"&gt;Zeroist&lt;/a&gt; and Xentonalist of Arica, and an full enthusiastic of all in each implicance of theirselfs, works with the &lt;a class="wiki_link" href="/Armodue"&gt;Armodue system&lt;/a&gt; over &lt;a class="wiki_link" href="/23edo"&gt;23-EDD&lt;/a&gt; (3;1 relation), &lt;a class="wiki_link" href="/39edo"&gt;39-EDD&lt;/a&gt; (5;2 relation) AND theorically with &lt;a class="wiki_link" href="http://purdal.wikispaces.com/223-EDD"&gt;223-EDD&lt;/a&gt; (29;10 relation). Ocassionaly, he is apporting with musical stuff.&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:2:&amp;lt;img src=&amp;quot;/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 235px; width: 719px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG" alt="Icositriphonic_Bass.JPG" title="Icositriphonic_Bass.JPG" style="height: 235px; width: 719px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:2 --&gt;&lt;br /&gt;
His Bass (blow my mind with Chorus),&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:3:&amp;lt;img src=&amp;quot;/file/view/Icositriphonic%20Gitar%201.png/358559595/720x257/Icositriphonic%20Gitar%201.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 257px; width: 720px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/Icositriphonic%20Gitar%201.png/358559595/720x257/Icositriphonic%20Gitar%201.png" alt="Icositriphonic Gitar 1.png" title="Icositriphonic Gitar 1.png" style="height: 257px; width: 720px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:3 --&gt;&lt;br /&gt;
His Icositriphonic Gitar (Eurekaa!), and&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:4:&amp;lt;img src=&amp;quot;/file/view/Icositritar%201.png/358559793/720x313/Icositritar%201.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 313px; width: 720px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/Icositritar%201.png/358559793/720x313/Icositritar%201.png" alt="Icositritar 1.png" title="Icositritar 1.png" style="height: 313px; width: 720px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:4 --&gt;.&lt;br /&gt;
His ex-icositritar (I gave it to a friend).&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc0"&gt;&lt;a name="x--TDW Notes:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;&lt;u&gt;TDW Notes:&lt;/u&gt;&lt;/h3&gt;
My particular adherence here in the Xentonal avast is for the huge potential that offers a particular tuning system, the superdiatonic LLLsLLLLs. Emphirically I discovered that scale when was an adolescent, at the age of 16 years old, when I always dreamed about have my own guitar and bass builded handcrafted and my dilem of how to do the fret positions. Oddly I had discovered a way of how to calculate the distances for the frets: in that beggining I used a Scale Length of 640mm [25.2&amp;quot;] for the guitar, sizing the first fret in other guitar (acoustic guitar of 635mm [25&amp;quot;] Scale Length) and then i realize the operation 'Scale Length/the size of the first fret on that acoustic guitar'. After of that, i applied it for the artisan guitar of 640mm Scale Length and draw the first fret, and then i did another fret line resting 2mm after the first fret and for each fret drawed i continued resting 2mm to each fret until arrive at the 12º fret. So then, i continued drawing fret lines but now resting 1mm each fret until the 21º fret. &amp;quot;Wow, I did it&amp;quot; i said. For the Bass i used a Scale Length of 800mm and applied the same work of the guitar (but here resting 4mm until the 12º fret and then, resting 2mm each one).&lt;br /&gt;
No obstantly, I don't know how i did for had discovered a type of 16 frets per Ditave on 560mm [22.05&amp;quot;] Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Ditave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew &lt;span class="hps"&gt;it&lt;/span&gt;, &lt;span class="hps"&gt;and it was not until 2007 where I had the opportunity to fully explore this issue&lt;/span&gt;, at first &lt;span class="hps"&gt;known only as microtonalism&lt;/span&gt;, when by &lt;span class="hps"&gt;one of those casualties I discover the Armodue web. &amp;quot;This is amazing..&amp;quot; i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page of Mats Öljare, Dante Rosati page, Neil Haverstick page (special thanks and namaste), Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale Forever Rocks !ml, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, Chris Vaisvil with his 'Hendrix^17' music, Carlo Serafini atmospheres, Aaron Krister Johnson, Zach Curley 'highways' and much etcéteras. I &lt;/span&gt;thank &lt;span class="hps"&gt;all of you with their musical feelings and contributions &lt;/span&gt;!!!!!!!!!!!!!!!!!!!!!!!&lt;br /&gt;
&lt;br /&gt;
Special thanks to &lt;a class="wiki_link" href="/IgliashonJones"&gt;Igliashon Jones&lt;/a&gt; for his particular point of view, because he was anticipated about many many many intrigues that i was following until few time ago. Definitively, the 23-EDD IS MY SIZE, and its quality is like menthol turquoise gold for me. With 39-EDD i pretend to explore it firstly, and then, conceptualize and play, play and play, because i need a second choice for dare myself, and because i intuit my limit in it.&lt;br /&gt;
&lt;br /&gt;
The tuning on Bass in each string corresponds to the notes: 1ºstr '1', 2ºstr '6', 3ºstr '2' &amp;amp; 4ºstr '7' 26.383 Hz, like a homologic tuning of C2-G1-D1-A0, and, on Gitar: 1ºstr '6', 2ºstr '2', 3ºstr '7', 4ºstr '3', 5ºstr '8' &amp;amp; 6ºstr '4', both in the 10th fret/3rd dot. The tuning frecuence is '6#'=409.6Hz (for reach that frecuence by a common tuner, the note '8b' in 435Hz is sufficient for appoximate the 409.6Hz well accurately).&lt;br /&gt;
&lt;br /&gt;
&lt;u&gt;&lt;strong&gt;TDW Terminology:&lt;/strong&gt;&lt;/u&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a class="wiki_link" href="/Arho"&gt;Arho&lt;/a&gt;: Is the name coined by himself for refer to the 223-EDD system.&lt;br /&gt;
&lt;u&gt;&lt;a class="wiki_link" href="/EDO"&gt;EDD&lt;/a&gt;:&lt;/u&gt; Means Equal Divisions per Ditave. Ditave is the same thing as 2/1 ratio, like Tritave for 3/1 ratio or Pentave for 5/1 ratio.&lt;br /&gt;
&lt;u&gt;&lt;a class="wiki_link" href="/11L%203s"&gt;Ketradektríatoh&lt;/a&gt;:&lt;/u&gt; Name coined to the MOSscale 11L3s for design a 14-tone scale with 3 intervals that aren't 'tones'.&lt;br /&gt;
&lt;u&gt;Pluscuamtonality:&lt;/u&gt; Means the EDDs 'frettable' for play in common strings instruments like the guitars and Basses, considering a extense range since 13 ~ 57 EDDs.&lt;br /&gt;
&lt;u&gt;&lt;a class="wiki_link" href="/Purdal"&gt;Purdal&lt;/a&gt;:&lt;/u&gt; Is the name of a interval unit measure consistent by the division of the ditave in 9900 equal parts, designed and suggested by himself.&lt;br /&gt;
&lt;u&gt;&lt;a class="wiki_link" href="/7L%202s"&gt;Superdiatonic&lt;/a&gt;:&lt;/u&gt; Name coined to the MOSscale 7L2s for design a 9-tone scale with the diatonic mold LLsLLLs expanded to the mold LLLsLLLLs, denomining to the ditave interval like &amp;quot;Decave&amp;quot; and not &amp;quot;Octave&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!&lt;/body&gt;&lt;/html&gt;</pre></div>

Latest revision as of 17:51, 14 July 2023

Tútim Dennsuul Wafiil is a microtonal guitarist, he suggested the Purdal and started the Purdal wiki.


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