Mohajira (/mʊˈhɑːdʒɪɹə, -hæ-/ muu-HA(H)-jirr-ə or /məˈhɑːdʒɪɹə, -hæ-/ mə-HA(H)-jirr-ə, named by Jacques Dudon from Arabic مهاجرة Muhājirah) is a meantone temperament that splits 3/2 into two 11/9 generators and the 6/5 into two 11/10's, thus equating 11/10 with 12/11 and 11/9 with 27/22. As a result, eight 11/9s reach 5/4, and five reach 11/8. It tempers the biyatisma (121/120) and the rastma (along with meantone's syntonic comma). It can be thought of as meantone with quarter tones as it merely splits the generator 3/2 into two equally spaced neutral thirds. Among the most common is the seven note MOS mohajira[7] which consists of the steps LsLsLss, as well as the modMOS "Rast" which merely flats the fourth by one quarter tone.

For temperament data see Meantone family #Mohajira.

Interval chain

Up from the tonic, and fifthward Down from the octave, and fourthward
# Cents* Ratios # Cents* Ratios
0 0 1/1 0 1200 2/1
1 348.207 11/9, 27/22 -1 851.793 44/27, 18/11
2 696.414 3/2 -2 503.586 4/3
3 1044.621 20/11, 11/6 -3 155.379 11/10, 12/11
4 192.828 9/8, 10/9 -4 1007.172 9/5, 16/9
5 541.035 11/8 -5 658.965 16/11
6 889.242 5/3 -6 310.758 6/5
7 37.449 33/32 -7 1162.551 64/33
8 385.656 5/4 -8 814.344 8/5
9 733.863 -9 466.137
10 1082.07 -10 117.93
11 230.277 -11 969.723
12 578.484 -12 621.516
13 926.691 -13 273.309
14 74.898 -14 1125.102

Scales and harmony

There are seven modes of mohajira's 7-note MOS (named mosh due to being "mohajira-ish") which are structured in an analogous way to the seven modes of the major scale. They can be thought of as quarter tone altered modes in a 24 EDO setting, but also as microtonal altered scales in any equal temperament. While the Mohajira[7] MOS by itself is quite beautiful, the modMOS Rast tends to be more expressive as it contains a few major and minor thirds allowing for more contrast.

For Kentaku's further exploration, see Mohajira/Scales.