Carlos harmonic scale

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The harmonic scale is a scale of twelve just intonation pitches that repeats at the octave. Its pitches are derived from the harmonic series of a single frequency up to the 21st harmonic, meaning they go up to the 19-limit. The harmonic scale can also be described as an arbitrary subset of 16-ODO where the 23rd, 25th, 29th, and 31st harmonics are removed.

English Wikipedia has an article on:
Intervals of the harmonic scale
Harmonic Ratio Decimal Cents Deviation from 12-TET
16 1/1 1.0000 0.000 0\12 ± 0.000
17 17/16 1.0625 104.955 1\12 + 4.955
18 9/8 1.1250 203.910 2\12 + 3.910
19 19/16 1.1875 297.513 3\12 - 2.487
20 5/4 1.2500 386.314 4\12 - 13.686
21 21/16 1.3125 470.781 5\12 - 29.219
22 11/8 1.3750 551.318 6\12 - 48.682
24 3/2 1.5000 701.955 7\12 + 1.955
26 13/8 1.6250 840.528 8\12 + 40.528
27 27/16 1.6875 905.865 9\12 + 5.865
28 7/4 1.7500 968.826 10\12 - 31.174
30 15/8 1.8750 1088.269 11\12 - 11.731
32 2/1 2.0000 1200.000 12\12 ± 0.000

As a NEJI

The harmonic scale can be viewed as an intentionally inaccurate 12-NEJI. From 12-TET, the harmonic scale has a total error of 194.193 cents and an average error of 16.183 cents.

Usage and History

The harmonic scale is typically used as an alternative tuning for regular twelve-tone pianos to play spectral or otonal music. Versions of the scale are known to have been used by composers Ezra Sims, Franz Richter Herf, and especially Wendy Carlos in her Beauty and the Beast (1986) and Ben Johnston in his works for retuned piano.

Scala file

! carlos_harm.scl
!
Carlos Harmonic & Ben Johnston's scale of 'Blues' from Suite f.micr.piano (1977) & David Beardsley's scale of 'Science Friction'
12
!
17/16
9/8
19/16
5/4
21/16
11/8
3/2
13/8
27/16
7/4
15/8
2/1

Music

Xotla
  • from Microtones & Garden Gnomes (2017)

See also