5-limit: Difference between revisions
+navigation bar |
Improve edo lists |
||
| Line 5: | Line 5: | ||
The octave equivalence classes of 5-limit or ''quinquimal'' intervals can usefully be depicted on a lattice diagram, either as a [[wikipedia: Hexagonal lattice |hexagonal lattice]] or as a [[wikipedia: Square lattice|square lattice]]; this can be done automatically by [[Scala]]. If the intervals are depicted with maximum symmetry as a hexagonal lattice, then the corresponding 5-limit triads define a [[wikipedia:Hexagonal tiling|hexagonal tiling]]. | The octave equivalence classes of 5-limit or ''quinquimal'' intervals can usefully be depicted on a lattice diagram, either as a [[wikipedia: Hexagonal lattice |hexagonal lattice]] or as a [[wikipedia: Square lattice|square lattice]]; this can be done automatically by [[Scala]]. If the intervals are depicted with maximum symmetry as a hexagonal lattice, then the corresponding 5-limit triads define a [[wikipedia:Hexagonal tiling|hexagonal tiling]]. | ||
[[ | == Edo approximation == | ||
A list of edos with progressively better tunings ([[TE error]]) for 5-limit intervals: {{EDOs| 2, 3, 4, 5, 7, 12, 19, 31, 34, 46, 53, 118, 171, 289, 323, 388, 441, 559, 612, 1171, 1783, 2513, 3684, 4296 }}, … | |||
Another | Another list of edos that do relatively well in approximating harmonics 3 and 5: {{EDOs| 2, 3, 7, 9, 10, 12, 19, 22, 31, 34, 53, 118, 289, 323, 441, 494, 559, 612, 1171, 1783, 2513, 3684, 4296, … }} ({{OEIS|A060525}}<ref>The description reads: a list of equal temperaments (equal divisions of the octave) whose nearest scale steps are closer and closer approximations to four of the simple ratios of musical harmony: 5/4, 4/3, 3/2 and 8/5. It is yet to be found out what criterion is used. </ref>) | ||
Another list of edos that do relatively well in approximating [[5-odd-limit]] intervals: {{EDOs| 1, 2, 3, 5, 7, 12, 19, 31, 34, 53, 118, 171, 289, 323, 441, 612, 730, 1171, 1783, 2513, 4296, … }} ({{OEIS|A054540}}<ref>The description reads: a list of equal temperaments (equal divisions of the octave) whose nearest scale steps are closer and closer approximations to the six simple ratios of musical harmony: 6/5, 5/4, 4/3, 3/2, 8/5 and 5/3. It is yet to be found out what criterion is used. </ref>) | |||
== Syntonic comma pairs == | == Syntonic comma pairs == | ||
| Line 346: | Line 349: | ||
* [[Harmonic limit]] | * [[Harmonic limit]] | ||
* [[5-limit commas]] | * [[5-limit commas]] | ||
== Notes == | |||
<references/> | |||
[[Category:5-limit| ]] <!-- main article --> | [[Category:5-limit| ]] <!-- main article --> | ||