159edo/Interval names and harmonies: Difference between revisions
Coming down the Home Stretch... Just a few more to go... |
All intervals now have names and descriptions... Now for the next task... |
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| Line 2,914: | Line 2,914: | ||
| ? | | ? | ||
| [[51/26]] | | [[51/26]] | ||
| | | s8, Ku8 | ||
| | | Lesser Suboctave, Wide Ultramajor Seventh | ||
| | | Ct#>, Dd>↑ | ||
| | | This interval… | ||
* Approximates the [[septimal suboctave]], and thus… | |||
:* Can function as both a type of Suboctave and a type of Ultramajor Seventh in this system | |||
* Approximates the [[telepathmic suboctave]], and thus… | |||
:* Can be considered a type of Suboctave | |||
* Is a dissonance to be avoided in Western-Classical-based harmony unless… | |||
:* Used in a contrapuntal passage in which both of the notes separated by this interval in one voice work well against the notes in all other voices | |||
:* Deliberately used for expressive purposes | |||
* Is useful in melody as… | |||
:* An appoggiatura | |||
:* An acciaccatura | |||
:* Part of a series of quick passing tones | |||
:* The destination for a glissando | |||
|- | |- | ||
| 156 | | 156 | ||
| Line 2,926: | Line 2,938: | ||
| [[77/39]] | | [[77/39]] | ||
| 168/85 | | 168/85 | ||
| | | k8 | ||
| | | Greater Suboctave | ||
| | | D↓ | ||
| | | This interval… | ||
* Approximates the [[syntonic suboctave]] | |||
* Approximates the [[Pythagorean Diminished Ninth]] | |||
* Is a dissonance to be avoided in Western-Classical-based harmony unless deliberately used for expressive purposes | |||
* Is useful in melody as… | |||
:* An appoggiatura | |||
:* An acciaccatura | |||
:* Part of a series of quick passing tones | |||
|- | |- | ||
| 157 | | 157 | ||
| Line 2,938: | Line 2,957: | ||
| [[143/72]] | | [[143/72]] | ||
| 119/60 | | 119/60 | ||
| | | Rk8 | ||
| | | Wide Suboctave | ||
| | | D↓/ | ||
| | | This interval… | ||
* Approximates the [[ptolemismic suboctave]] and the [[biyatismic suboctave]] | |||
* Is useful for slight dissonances that create noticeable tension | |||
* Can only be approached in melodic lines indirectly with one or more intervening notes | |||
|- | |- | ||
| 158 | | 158 | ||
| Line 2,950: | Line 2,972: | ||
| [[195/98]], [[700/351]] | | [[195/98]], [[700/351]] | ||
| 255/128 | | 255/128 | ||
| | | r8 | ||
| | | Narrow Octave | ||
| | | D\ | ||
| | | This interval… | ||
* Approximates the [[rastmic narrow octave]] | |||
* Approximates the [[marvelous narrow octave]] | |||
* Is useful for slight dissonances that convey something less than satisfactory | |||
* Can only be approached in melodic lines indirectly with one or more intervening notes | |||
* Can add to the bandwidth of a sound | |||
|- | |- | ||
| 159 | | 159 | ||