159edo/Interval names and harmonies: Difference between revisions

@@ Line 2,758: / Line 2,758: @@
 | M7, Kd8
 | Pythagorean Major Seventh, Ptolemaic Diminished Octave
-| Eb, D#ɔ
+| C#, Db+
 | This interval...
 * Approximates the [[243/128|Pythagorean Major Seventh]], and as such...
@@ Line 2,779: / Line 2,779: @@
 | RM7, kUd8
 | Wide Major Seventh, Lesser Super-Diminished Octave
-| Eb\, Dt>+
+| C#/, Dd<ɔ
 | This interval...
-* Approximates the [[21/20|Septimal Minor Semitone]], and thus...
+* Approximates the [[40/21|Septimal Acute Major Seventh]], and thus...
-:* It serves as a type of leading tone when resolving septimal harmony constructions to classic harmony constructions
+:* It serves as a type of Major Seventh when resolving septimal harmony constructions to classic harmony constructions
-* Approximates the [[22/21|Small Undecimal Semitone]], and thus...
+* Approximates the [[21/11|Large Undecimal Diminished Octave]], and thus...
-:* It serves as a type of small chromatic semitone in undecimal harmony constructions
+:* It serves as a type of Diminished Octave in undecimal harmony constructions
-* Is one sixth of this system's approximation of the Perfect Fourth
 |-
 | 149