159edo/Interval names and harmonies: Difference between revisions
Covered all the Minor Sevenths... |
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| ? | | ? | ||
| ? | | ? | ||
| | | kN7, ud8 | ||
| | | Lesser Supraminor Seventh, Infra-Diminished Octave | ||
| | | Ct>ɔ, Ddb>, B#+\ | ||
| | | This interval... | ||
* Approximates the [[20/11|Undecimal Supraminor Seventh]] and a similar 13-limit interval that acts as the Supraminor counterpart to the Tridecimal Submajor Seventh | |||
:* It can be thought of as a type of seventh in voice-leading | |||
* Approximates a complex 11-limit Parachromatic interval formed by subtracting an Al-Farabi Quartertone and an Apotome from an Octave, and thus... | |||
:* It can be thought of as the inverse of a type of sesquichroma when acting in this capacity | |||
* Is the closest approximation of 22edo's Greater Minor Seventh in this system, and thus... | |||
:* Can be used in Faux-Classical-based melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | |||
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| [[117/64]] | | [[117/64]] | ||
| 1024/561, 935/512 | | 1024/561, 935/512 | ||
| | | KKm7, rn7, Rud8 | ||
| | | Lesser Submajor Second, Diretroptolemaic Augmented Prime | ||
| | | Ed>/, Eɔɔ, Dt#>ɔ/, D#++ | ||
| | | This interval... | ||
* Is one half of this system's approximation of the Classic Minor Third | |||
* Is the closest approximation of 31edo's own Middle Second found in this system, and thus... | |||
:* Can be used in melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | |||
* Is found in 53edo as that system's Submajor Second, and can thus be used to create identical-sounding melodic and harmonic gestures in this system | |||
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