159edo/Interval names and harmonies: Difference between revisions
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A much-needed change to the unison and octave notes has been implemented |
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| D | | D | ||
| This interval... | | This interval... | ||
* Is the basic representation of a given chord's root | * Is the [[1/1|Perfect Unison]], and thus... | ||
* Is the basic representation of the Tonic | :* Is the basic representation of a given chord's root | ||
* Is one of four perfect consonances in this system | :* Is the basic representation of the Tonic | ||
:* Is one of four perfect consonances in this system | |||
* Is the only interval shared by all tuning systems | |||
|- | |- | ||
| 1 | | 1 | ||
Line 1,705: | Line 1,707: | ||
| ? | | ? | ||
| ? | | ? | ||
| | | s5, Km5 | ||
| | | Lesser Grave Fifth | ||
| | | Ad>↑, A↓\, Gt#> | ||
| | | This interval... | ||
* Is reachable through stacking four of this system's approximation of the Werckismic Subfourth and octave-reducing | |||
* Is the closest approximation of 16edo's Minor Fifth found in this system, and thus... | |||
:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since such moves on their own don't work the exact same way in this system | |||
|- | |- | ||
| 90 | | 90 | ||
Line 2,545: | Line 2,550: | ||
| D | | D | ||
| This interval... | | This interval... | ||
* Is the reduplication of a chord's root | * Is the [[2/1|Perfect Octave]], and thus... | ||
* Is the reduplication of the Tonic | :* Is the reduplication of a chord's root | ||
* Is one of four perfect consonances in this system | :* Is the reduplication of the Tonic | ||
:* Is one of four perfect consonances in this system | |||
* Is the most common [[equave]] due in part to the properties human hearing in relation to tone-color matching | |||
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