159edo/Interval names and harmonies: Difference between revisions
Oops! Forgot one more detail... |
No edit summary |
||
Line 804: | Line 804: | ||
::* Can be used in melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | ::* Can be used in melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | ||
* Is one half of this system's approximation of the Larger Septendecimal Tritone | * Is one half of this system's approximation of the Larger Septendecimal Tritone | ||
* Is reachable through stacking two of this system's approximation of the | * Is reachable through stacking two of this system's approximation of the Low-Complexity JI Neutral Second | ||
|- | |- | ||
| 41 | | 41 | ||
Line 1,538: | Line 1,538: | ||
| ? | | ? | ||
| [[17/12]] | | [[17/12]] | ||
| | | rKd5, rA4 | ||
| | | Tendomean Diminished Fifth, Tendomean Augmented Fourth | ||
| | | Ab↑\, G#\ | ||
| | | This interval... | ||
* Approximates the [[17/12|Larger Septendecimal Tritone]], and thus... | |||
:* It can be thought of as a type of diminished fifth when acting in this capacity | |||
* Is reachable through stacking four of this system's approximation of the Low-Complexity JI Neutral Second | |||
* Is one of two intervals that serve as the closest approximation of the Semioctave found in this system, and thus... | |||
:* Can be used in melodic and harmonic gestures reminiscent of those found in 10edo, 12edo and 22edo, albeit with caveats, since such moves on their own don't work the exact same way in this system | |||
* Is very useful for essentially tempered chords such as ainic chords | |||
|- | |- | ||
| 81 | | 81 | ||
Line 1,550: | Line 1,556: | ||
| ? | | ? | ||
| ? | | ? | ||
| | | Kd5, A4 | ||
| | | Ptolemaic Diminished Fifth, Pythagorean Augmented Fourth | ||
| | | Ab↑, G# | ||
| | | This interval... | ||
* Approximates the [[64/45|Larger Diatonic Tritone]], and as such... | |||
:* Is one of only two intervals in the tritonic region that is allowed to be built directly on top of the Tonic in Western-Classical-based harmony | |||
:* It functions as a Diminished Fifth in Western-Classical-based functional harmony by default, and is the signature interval of 5-limit Locrian Mode | |||
* Approximates the [[729/512|Pythagorean Wide Tritone]], and as such... | |||
:* It functions as an Augmented Fourth when acting in this capacity, though this usually only occurs due to voice-leading or the stacking of Pythagorean intervals | |||
* Is reachable through stacking three of this system's approximation of the Larger Septendecimal Tritone and octave-reducing | |||
|- | |- | ||
| 82 | | 82 |