159edo/Interval names and harmonies: Difference between revisions

Line 1,395:

| Narrow Paramajor Fourth, Diretroptolemaic Diminished Fifth

| Gt<\, G↑↑, Ab↓↓

|

| This interval...

* Is reachable through stacking three of this system's approximation of the Classic Major Second

* Is the closest approximation of 22edo's Diminished Fifth in this system, and thus...

:* Can be used in Superpyth-based melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system

* Is the closest approximation of 31edo's Superfourth found in this system, and thus...

:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since such moves on their own don't work the exact same way in this system

|-

| 73

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Line 1,409:

| ?

|

| M4, rKud5

|

| Paramajor Fourth, Lesser Sub-Diminished Fifth

|

| Gt<, Adb<↑

|

| This interval...

* Approximates the [[11/8|Just Paramajor Fourth]], and as such...

:* Is one of the key intervals on the Paradiatonic scale, and one of the key Paradiatonic intervals in Western-Classical-based Parachromatic functional harmony, since...

::* It functions as an Intersubiant due to its ambisonance and its properties relative to the Diatonic scale

::* It has the potential to move up towards to the Dominant harmony through a Paradiatonic motion

::* It has the potential to move back down to a Serviant harmony through a Parachromatic quatertone-type motion

::* It has the potential to move up towards an Interregnant harmony through a Paradiatonic semitone-type motion, with this move granting additional follow-up options

* Is the closest approximation of 24edo's Paramajor Fourth found in this system, and thus...

:* Follows similar interval arithmetic logic in relation to Pythagorean intervals, albeit with caveats, since the rastma is not tempered out

:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since such moves on their own don't work the exact same way in this system

|-

| 74

@@ Line 1,395: / Line 1,395: @@
 | Narrow Paramajor Fourth, Diretroptolemaic Diminished Fifth
 | Gt<\, G↑↑, Ab↓↓
-|
+| This interval...
+* Is reachable through stacking three of this system's approximation of the Classic Major Second
+* Is the closest approximation of 22edo's Diminished Fifth in this system, and thus...
+:* Can be used in Superpyth-based melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system
+* Is the closest approximation of 31edo's Superfourth found in this system, and thus...
+:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since such moves on their own don't work the exact same way in this system
 |-
 | 73
@@ Line 1,404: / Line 1,409: @@
 | ?
 | ?
-|
+| M4, rKud5
-|
+| Paramajor Fourth, Lesser Sub-Diminished Fifth
-|
+| Gt<, Adb<↑
-|
+| This interval...
+* Approximates the [[11/8|Just Paramajor Fourth]], and as such...
+:* Is one of the key intervals on the Paradiatonic scale, and one of the key Paradiatonic intervals in Western-Classical-based Parachromatic functional harmony, since...
+::* It functions as an Intersubiant due to its ambisonance and its properties relative to the Diatonic scale
+::* It has the potential to move up towards to the Dominant harmony through a Paradiatonic motion
+::* It has the potential to move back down to a Serviant harmony through a Parachromatic quatertone-type motion
+::* It has the potential to move up towards an Interregnant harmony through a Paradiatonic semitone-type motion, with this move granting additional follow-up options
+* Is the closest approximation of 24edo's Paramajor Fourth found in this system, and thus...
+:* Follows similar interval arithmetic logic in relation to Pythagorean intervals, albeit with caveats, since the rastma is not tempered out
+:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since such moves on their own don't work the exact same way in this system
 |-
 | 74