159edo/Interval names and harmonies: Difference between revisions
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* Approximates the [[27/20|Classic Acute Fourth]], and as such... | * Approximates the [[27/20|Classic Acute Fourth]], and as such... | ||
:* Is one of two xenharmonic intervals that appear in the otherwise traditional settings of Western-Classical-based Diatonic scales | :* Is one of two xenharmonic intervals that appear in the otherwise traditional settings of Western-Classical-based Diatonic scales | ||
::* Specifically, it is found between the Major Third and Major Sixth in the Lydian Mode of the familiar [[Zarlino|Ptolemaic Sequence]], and is ideally in the exact same position for both Ionian and Mixolydian modes, though this technically results in there being Diatonic scales of different varieties- namely the Bilawal and | ::* Specifically, it is found between the Major Third and Major Sixth in the Lydian Mode of the familiar [[Zarlino|Ptolemaic Sequence]], and is ideally in the exact same position for both Ionian and Mixolydian modes, though this technically results in there being Diatonic scales of different varieties- namely the Bilawal and Myxian scale types... | ||
::* It is useful for overtly making the VImin chord of these modes do what a traditional deceptive cadence normally does | ::* It is useful for overtly making the VImin chord of these modes do what a traditional deceptive cadence normally does | ||
:* Is one of two intervals that can generate an Antidiatonic MOS with a sound and feel that blends in easily with traditional Western-Classical-based Diatonic harmonies | :* Is one of two intervals that can generate an Antidiatonic MOS with a sound and feel that blends in easily with traditional Western-Classical-based Diatonic harmonies | ||