159edo/Interval names and harmonies: Difference between revisions
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| This interval... | | This interval... | ||
* Approximates a complex 11-limit | * Approximates a complex 11-limit interval, which, in this system... | ||
:* Is one of two intervals that can generate a Diatonic MOS with a softness so extreme as to be quasi-equalized | :* Is one of two intervals that can generate a Diatonic MOS with a softness so extreme as to be quasi-equalized | ||
* Is reachable through stacking four of this system's approximation of the Tridecimal Supraminor Second | * Is reachable through stacking four of this system's approximation of the Tridecimal Supraminor Second | ||
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| [[104/77]] | | [[104/77]] | ||
| ? | | ? | ||
| | | K4 | ||
| | | Lesser Acute Fourth | ||
| | | G↑ | ||
| | | This interval... | ||
* Approximates the [[27/20|Classic Acute Fourth]], and as such... | |||
:* Is one of two xenharmonic intervals that appear in the otherwise traditional settings of Western-Classical-based Diatonic scales | |||
::* Specifically, it is found between the Major Third and Major Sixth in the Lydian Mode of the familiar [[Zarlino|Ptolemaic Sequence]], and is ideally in the exact same position for both Ionian and Mixolydian modes, though this technically results in there being Diatonic scales of different varieties- namely the Bilawal and Khamaj scale types... | |||
::* It is useful for overtly making the VImin chord of these modes do what a traditional deceptive cadence normally does | |||
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