159edo/Interval names and harmonies: Difference between revisions
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| Fd>, Et>↓ | | Fd>, Et>↓ | ||
| This interval... | | This interval... | ||
* Approximates a complex 11-limit Paradiatonic interval that | * Approximates a complex 11-limit Paradiatonic interval that functions as a syntactic third that sounds more like a second, and as such... | ||
:* | :* It has the potential to move back down to the Supertonic through a diatonic or paradiatonic motion | ||
:* It has the potential to move up towards a Mediant harmony through a parachromatic motion | |||
* Is one fourth of this system's approximation of the Octave-Reduced Seventh Harmonic | * Is one fourth of this system's approximation of the Octave-Reduced Seventh Harmonic | ||
* Is the closest approximation of 10edo's Major Second slash Minor Third, and thus... | * Is the closest approximation of 10edo's Major Second slash Minor Third, and thus... | ||
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| Wide Inframinor Third, Narrow Ultramajor Second, Semifourth | | Wide Inframinor Third, Narrow Ultramajor Second, Semifourth | ||
| Fd>/, Et<\, F↓↓, E↑↑ | | Fd>/, Et<\, F↓↓, E↑↑ | ||
| This interval | | This interval... | ||
* Approximates the [[15/13|Tridecimal Semifourth]], and thus... | |||
:* It can be used both in triads framed by a Perfect Fourth and in triads Framed by a Perfect Fifth | |||
* Is one half of a Perfect Fourth in this system | |||
* Is the closest approximation of 24edo's Semifourth, and thus... | |||
:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since such moves on their own don't work the exact same way in this system | |||
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| 34 | | 34 | ||
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| Ultramajor Second, Narrow Subminor Third | | Ultramajor Second, Narrow Subminor Third | ||
| Et<, Fd<↑ | | Et<, Fd<↑ | ||
| | | This interval... | ||
* Approximates a complex 11-limit Paradiatonic interval that functions as a syntactic second that sounds more like a third, and as such... | |||
:* It has the potential to move back down to the Supertonic through a parachromatic motion | |||
:* It has the potential to move up towards a Mediant harmony through a diatonic or paradiatonic motion | |||
* Is one third of this system's approximation of the Classic Augmented Fifth | |||
* Is reachable through stacking two of this system's approximation of the Tridecimal Supraminor Second | |||
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| 35 | | 35 |