159edo/Interval names and harmonies: Difference between revisions
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| This interval... | | This interval... | ||
* Approximates the [[16/15|Classic Minor Second]] or Ptolemaic Minor Second, and thus... | * Approximates the [[16/15|Classic Minor Second]] or Ptolemaic Minor Second, and thus... | ||
:* It serves as the traditional leading tone in 5-limit Western-Classical-based functional harmony and thus... | :* It readily serves as the traditional leading tone in 5-limit Western-Classical-based functional harmony and thus... | ||
::* Is one of the staples of both melodic and harmonic voice-leading | ::* Is one of the staples of both melodic and harmonic voice-leading | ||
::* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes crowding, and thus requires resolution | ::* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes crowding, and thus requires resolution | ||
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:* It can be thought of as a type of sesquichroma when acting in this capacity | :* It can be thought of as a type of sesquichroma when acting in this capacity | ||
* Is one third of this system's approximation of the Perfect Fourth | * Is one third of this system's approximation of the Perfect Fourth | ||
* Is the closest approximation of 22edo's Lesser Major Second in this system, and thus... | |||
:* Can be used in Faux-Classical-based melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | |||
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| This interval... | | This interval... | ||
* Approximates the [[10/9|Classic Major Second]] or Ptolemaic Major Second, and thus... | * Approximates the [[10/9|Classic Major Second]] or Ptolemaic Major Second, and thus... | ||
:* It serves as a Diatonic whole tone in | :* It readily serves as a Diatonic whole tone in Western-Classical-based functional harmony, and thus... | ||
::* Can be used readily in both melodic and harmonic voice-leading in general | ::* Can be used readily in both melodic and harmonic voice-leading in general | ||
::* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes crowding, and thus requires resolution | ::* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes crowding, and thus requires resolution | ||
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* Is one half of this system's approximation of the Octave-Reduced Thirteenth Subharmonic | * Is one half of this system's approximation of the Octave-Reduced Thirteenth Subharmonic | ||
* Is one fifth of this system's approximation of the Pythagorean Major Sixth | * Is one fifth of this system's approximation of the Pythagorean Major Sixth | ||
* Is the closest approximation of | * Is the closest approximation of 13edo's own Major Second in this system, and thus... | ||
:* Can be used in Warped Diatonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | :* Can be used in Warped Diatonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | ||
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