159edo/Interval names and harmonies: Difference between revisions
No edit summary |
No edit summary |
||
Line 117: | Line 117: | ||
| This interval... | | This interval... | ||
* Approximates the [[45/44|Undecimal Fifth-Tone]] | * Approximates the [[45/44|Undecimal Fifth-Tone]] | ||
* Approximates a complex 11-limit | * Approximates a complex 11-limit Paradiatonic quartertone that is the namesake of 24edo's own Inframinor Second | ||
* Is the closest approximation of [[31edo]]'s own Superprime found in this system, and thus... | * Is the closest approximation of [[31edo]]'s own Superprime found in this system, and thus... | ||
:* Is capable of being used in progressions reminiscent of that system's [[SpiralProgressions|spiral progressions]] | :* Is capable of being used in progressions reminiscent of that system's [[SpiralProgressions|spiral progressions]] | ||
Line 363: | Line 363: | ||
| This interval... | | This interval... | ||
* Approximates the [[14/13|Tridecimal Supraminor Second]] and a similar 11-limit interval that acts as the Supraminor counterpart to the Undecimal Submajor Second, and thus... | * Approximates the [[14/13|Tridecimal Supraminor Second]] and a similar 11-limit interval that acts as the Supraminor counterpart to the Undecimal Submajor Second, and thus... | ||
:* | :* It can be thought of as something along the lines of a "wide semitone" in voice-leading | ||
:* It demonstrates trienthird functionality- namely in relation to this system's approximation of the Classic Major Third- due to the combination of commas tempered out in this system | :* It demonstrates trienthird functionality- namely in relation to this system's approximation of the Classic Major Third- due to the combination of commas tempered out in this system | ||
* Approximates a complex yet uprooted 17-limit interval relative to the Tonic and can be used... | * Approximates a complex yet uprooted 17-limit interval relative to the Tonic and can be used... | ||
Line 460: | Line 460: | ||
| This interval... | | This interval... | ||
* Approximates the [[11/10|Undecimal Submajor Second]] and a similar 13-limit interval that acts as the Submajor counterpart to the Tridecimal Supraminor Second, and thus... | * Approximates the [[11/10|Undecimal Submajor Second]] and a similar 13-limit interval that acts as the Submajor counterpart to the Tridecimal Supraminor Second, and thus... | ||
:* | :* It can be thought of as something along the lines of a "narrow whole tone" in voice-leading | ||
* Approximates a complex 11-limit Parachromatic interval formed by stacking an Al-Farabi Quartertone on top of an Apotome, and thus... | |||
:* It can be thought of as a type of sesquichroma when acting in this capacity | |||
* Is one third of this system's approximation of the Perfect Fourth | |||
|- | |- | ||
| 23 | | 23 |